℗ 2015 2xHD - Naxos
| Released | November 6, 2015 |
| Duration | 1h 11m 00s |
| Record Label | 2xHD - Naxos |
| Catalogue No. | 813543020318 |
| Genre | Classical (Instrumental) |
Mozart: Piano Music: Fugues, Rondos & Fantasias
Sang Woo Kang
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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1.1
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Fugue in G Minor, K. 401 (fragment) (final bars by M. Stadler)
Wolfgang Amadeus Mozart; Sang Woo Kang |
4:24 | |||
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1.2
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Fugue in E-Flat Major, K. 153 (fragment) (completed by S. Sechter)
Wolfgang Amadeus Mozart; Sang Woo Kang |
3:08 | |||
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1.3
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Prelude and Fugue in C Major, K. 394
Wolfgang Amadeus Mozart; Sang Woo Kang |
7:54 | |||
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1.4
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Fugue in G Minor, K. 154 (fragment) (completed by S. Sechter)
Wolfgang Amadeus Mozart; Sang Woo Kang |
3:11 | |||
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1.5
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Funeral March in C minor, K. 453a, "Marche funebre del Sig. Maestro Contrapunto"
Wolfgang Amadeus Mozart; Sang Woo Kang |
1:56 | |||
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1.6
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Rondo in D Major, K. 485
Wolfgang Amadeus Mozart; Sang Woo Kang |
6:13 | |||
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1.7
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Rondo in A Minor, K. 511
Wolfgang Amadeus Mozart; Sang Woo Kang |
11:05 | |||
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1.8
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Gigue in G Major, K. 574, "Leipziger Gigue"
Wolfgang Amadeus Mozart; Sang Woo Kang |
1:26 | |||
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Suite in C Major, K. 399
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1.9
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I. Overture
Wolfgang Amadeus Mozart; Sang Woo Kang |
4:33 | |||
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1.10
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II. Allemande
Wolfgang Amadeus Mozart; Sang Woo Kang |
3:30 | |||
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1.11
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III. Courante
Wolfgang Amadeus Mozart; Sang Woo Kang |
2:35 | |||
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1.12
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IV. Sarabande (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:23 | |||
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1.13
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Fantasia in C Minor, K. 396 (fragment) (arr. and completed by M. Stadler for piano)
Wolfgang Amadeus Mozart; Sang Woo Kang |
8:05 | |||
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1.14
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Fugue in D Major, K. 73w (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:19 | |||
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1.15
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Fugue in G Major, K. Anh. 41 (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
1:27 | |||
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1.16
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Fugue in F Major, K. 375h (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:19 | |||
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1.17
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Fugue in F Major, K. Anh. 33/40/383b (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:35 | |||
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1.18
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Fugue in C Minor, K. Anh. 39 (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:25 | |||
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2 Keyboard Fugues, K. 154a
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1.19
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Fugue in D Major
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:35 | |||
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1.20
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Fugue in G Major
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:27 | |||
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6 Fragments of a Fugue in E Minor, K. deest
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1.21
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Fugue No. 1
Wolfgang Amadeus Mozart; Sang Woo Kang |
1:00 | |||
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1.22
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Fugue No. 2
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:47 | |||
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1.23
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Fugue No. 3
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:20 | |||
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1.24
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Fugue No. 4
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:18 | |||
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1.25
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Fugue No. 5
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:18 | |||
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1.26
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Fugue No. 6
Wolfgang Amadeus Mozart; Sang Woo Kang |
1:14 | |||
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2 Fragments of Fugues in E-Flat Major, K. deest
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1.27
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Fugue No. 1
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:36 | |||
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1.28
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Fugue No. 2
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:24 | |||
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1.29
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Fugue in D Minor, K. deest (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:57 | |||
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1.30
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Fugue in C Minor, K. Anh. 39a (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
0:54 | |||
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1.31
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Fantasia in F Minor, K. Anh. 32 (fragment)
Wolfgang Amadeus Mozart; Sang Woo Kang |
1:42 | |||
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Digital Booklet
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"... (the fragments are) well worth hearing ... Sang Woo Kang plays them with care and some delicacy. I am sure that Mozartians will want to hear some recording of the fragments: this is a good one and it is recorded well."
- Fanfare
Pianist Sang Woo Kang presents this album of marvellous relics; rarely heard fragments including fugues which demonstrate Mozart’s agility with sophisticated contrapuntal techniques and reveal the influence of Bach. The more substantial rondos have gained popularity with their memorable themes and musical depth, while forays into Baroque style can be heard in the unfinished Suite. Together with the improvisational Fantasias and a mocking parody of a Funeral March, these pieces all highlight neglected facets of Mozart’s oeuvre.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – 2xHD - Naxos Studio Masters
This album was mastered using our 2xHD proprietary system. In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors.The process begins with a transfer to analogue from the original 24-bit / 96 kHz resolution master, using cutting edge D/A converters. The analogue signal is then sent through a high end tube preamplifier before being recorded directly in DXD using the dCS905 A/D and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable. DSD and 192 kHz / 24-bit versions are separately generated, directly from the analogue signal. 2xHD Mastering: René Laflamme 2xHD Executive producer: André Perry
This album was mastered using our 2xHD proprietary system. In order to achieve the most accurate reproduction of the original recording we tailor our process specifically for each project, using a selection from our pool of state-of-the-art audiophile components and connectors.The process begins with a transfer to analogue from the original 24-bit / 96 kHz resolution master, using cutting edge D/A converters. The analogue signal is then sent through a high end tube preamplifier before being recorded directly in DXD using the dCS905 A/D and the dCS Vivaldi Clock. All connections used in the process are made of OCC silver cable. DSD and 192 kHz / 24-bit versions are separately generated, directly from the analogue signal. 2xHD Mastering: René Laflamme 2xHD Executive producer: André Perry
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.68 -13.16 to -0.44 | -25.91 -29.01 to -22.10 | -22.73 -25.90 to -18.70 | 11 8 to 14 | |
| 1 | Fugue in G Minor, K. 401 (fragment) (final bars by M. Stadler) | -6.30 | -27.78 | -24.1 | 13 |
| 2 | Fugue in E-Flat Major, K. 153 (fragment) (completed by S. Sechter) | -7.80 | -24.42 | -21.6 | 10 |
| 3 | Prelude and Fugue in C Major, K. 394 | -5.64 | -24.03 | -21.3 | 10 |
| 4 | Fugue in G Minor, K. 154 (fragment) (completed by S. Sechter) | -7.65 | -25.29 | -21.7 | 10 |
| 5 | Funeral March in C minor, K. 453a, "Marche funebre del Sig. Maestro Contrapunto" | -8.73 | -27.05 | -23.5 | 10 |
| 6 | Rondo in D Major, K. 485 | -6.78 | -24.67 | -21.9 | 11 |
| 7 | Rondo in A Minor, K. 511 | -10.05 | -26.54 | -22.8 | 10 |
| 8 | Gigue in G Major, K. 574, "Leipziger Gigue" | -13.16 | -29.01 | -25.3 | 8 |
| 9 | I. Overture | -11.17 | -26.39 | -23.1 | 8 |
| 10 | II. Allemande | -8.45 | -25.78 | -22.7 | 10 |
| 11 | III. Courante | -6.68 | -25.63 | -22.7 | 11 |
| 12 | IV. Sarabande (fragment) | -7.17 | -24.41 | -20.7 | 9 |
| 13 | Fantasia in C Minor, K. 396 (fragment) (arr. and completed by M. Stadler for piano) | -10.08 | -26.44 | -23.1 | 9 |
| 14 | Fugue in D Major, K. 73w (fragment) | -10.10 | -26.75 | -23.9 | 9 |
| 15 | Fugue in G Major, K. Anh. 41 (fragment) | -12.18 | -28.72 | -25.8 | 11 |
| 16 | Fugue in F Major, K. 375h (fragment) | -7.73 | -24.18 | -20.4 | 9 |
| 17 | Fugue in F Major, K. Anh. 33/40/383b (fragment) | -6.87 | -25.16 | -22.3 | 11 |
| 18 | Fugue in C Minor, K. Anh. 39 (fragment) | -9.83 | -26.74 | -23.3 | 11 |
| 19 | Fugue in D Major | -4.09 | -25.44 | -21.7 | 13 |
| 20 | Fugue in G Major | -3.78 | -23.83 | -18.7 | 11 |
| 21 | Fugue No. 1 | -9.35 | -26.81 | -24.0 | 11 |
| 22 | Fugue No. 2 | -12.01 | -27.91 | -25.3 | 10 |
| 23 | Fugue No. 3 | -3.91 | -24.88 | -21.5 | 13 |
| 24 | Fugue No. 4 | -5.27 | -23.98 | -21.1 | 11 |
| 25 | Fugue No. 5 | -6.14 | -28.57 | -25.6 | 14 |
| 26 | Fugue No. 6 | -6.79 | -26.75 | -24.0 | 12 |
| 27 | Fugue No. 1 | -5.64 | -24.07 | -21.2 | 10 |
| 28 | Fugue No. 2 | -10.06 | -28.51 | -25.9 | 11 |
| 29 | Fugue in D Minor, K. deest (fragment) | -0.44 | -22.10 | -19.3 | 13 |
| 30 | Fugue in C Minor, K. Anh. 39a (fragment) | -7.58 | -26.16 | -23.5 | 12 |
| 31 | Fantasia in F Minor, K. Anh. 32 (fragment) | -6.78 | -25.23 | -22.6 | 12 |