℗ 2015 ECM Records GmbH under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
Released | October 2, 2015 |
Duration | 1h 05m 29s |
Record Label | ECM New Series |
Genre | Classical |
Heinz Holliger: Machaut-Transkriptionen
Geneviève Strosser, Jürg Dähler, Muriel Cantoreggi, The Hilliard Ensemble
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Ballade IV Biaute qui toutes autre pere
Guillaume de Machaut; The Hilliard Ensemble |
3:59 | |||
1.2
|
Ballade IV für drei Violen
Heinz Holliger; Guillaume de Machaut; Geneviève Strosser; Jürg Dähler; Muriel Cantoreggi |
4:27 | |||
1.3
|
Ballade XXVI Donnez, Seigneur
Guillaume de Machaut; The Hilliard Ensemble |
3:53 | |||
1.4
|
Ballade XXVI für drei Violen
Heinz Holliger; Guillaume de Machaut; Geneviève Strosser; Jürg Dähler; Muriel Cantoreggi |
5:24 | |||
1.5
|
Double Hoquet (Hoquetus David)
Guillaume de Machaut; The Hilliard Ensemble |
3:47 | |||
1.6
|
Triple Hoquet (nach Hoquetus David)
Heinz Holliger; Guillaume de Machaut; Geneviève Strosser; Jürg Dähler; Muriel Cantoreggi |
6:22 | |||
1.7
|
Lay VII für vier Stimmen
Heinz Holliger; Guillaume de Machaut; The Hilliard Ensemble |
13:02 | |||
1.8
|
In(ter)ventio a 3 und Plor- / Prol- / Or- atio für drei Violen
Heinz Holliger; Guillaume de Machaut; Geneviève Strosser; Jürg Dähler; Muriel Cantoreggi |
10:10 | |||
1.9
|
Complainte (aus: Remede de Fortune) und Epilog für vier Singstimmen und drei Violen
Heinz Holliger; Guillaume de Machaut; The Hilliard Ensemble; Geneviève Strosser; Jürg Dähler; Muriel Cantoreggi |
14:25 | |||
Digital Booklet
|
Swiss composer Heinz Holliger’s Machaut-Transkriptionen is a spacious cycle of pieces written over a 10 year period, presented here by the Hilliard Ensemble and a fine cast of soloists. An imaginative reinvestigation of the work of the great 14th century French composer and poet Guillaume de Machaut, it is scored for four voices and three violas. Note-for-note transcriptions of Machaut give way to Holliger’s increasingly creative refractions of the music; these transcriptions reveal multi-layered variants of the enigmatic source material and the most subtle diversification of sound, using the technical possibilities of the 21st century. In the complete, almost one-hour cycle, Machaut's original compositions, performed a cappella, have been interwoven with Holliger's variations.
44.1 kHz / 24-bit PCM – ECM New Series Studio Masters
Recorded November 2010 at Radio Studio DRS, Zürich Tonmeister: Andreas Werner Cover photo: Fotini Potamia Liner photos: Priska Ketterer (p. 5), Stefan Bremer (p. 6), Leonardo Puccini (p. 7), Dieter Kraft (p. 8), Deborah Tolksdorf (p. 11), Marco Borggreve (p. 14/15) Design: Sascha Kleis Executive producer: Manfred Eicher
Recorded November 2010 at Radio Studio DRS, Zürich Tonmeister: Andreas Werner Cover photo: Fotini Potamia Liner photos: Priska Ketterer (p. 5), Stefan Bremer (p. 6), Leonardo Puccini (p. 7), Dieter Kraft (p. 8), Deborah Tolksdorf (p. 11), Marco Borggreve (p. 14/15) Design: Sascha Kleis Executive producer: Manfred Eicher
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.91 -11.85 to -0.87 | -29.92 -35.72 to -26.04 | -26.33 -31.20 to -22.10 | 14 12 to 15 | |
1 | Ballade IV Biaute qui toutes autre pere | -4.96 | -30.18 | -26.7 | 14 |
2 | Ballade IV für drei Violen | -11.13 | -35.72 | -31.2 | 14 |
3 | Ballade XXVI Donnez, Seigneur | -9.47 | -30.32 | -26.9 | 12 |
4 | Ballade XXVI für drei Violen | -11.43 | -34.39 | -31.0 | 13 |
5 | Double Hoquet (Hoquetus David) | -11.85 | -30.42 | -27.5 | 12 |
6 | Triple Hoquet (nach Hoquetus David) | -1.97 | -26.04 | -22.1 | 14 |
7 | Lay VII für vier Stimmen | -4.74 | -28.00 | -24.9 | 15 |
8 | In(ter)ventio a 3 und Plor- / Prol- / Or- atio für drei Violen | -0.87 | -27.10 | -22.8 | 15 |
9 | Complainte (aus: Remede de Fortune) und Epilog für vier Singstimmen und drei Violen | -5.75 | -27.13 | -23.9 | 14 |