℗ 2015 Ricercar
Released November 13, 2015
Duration 1h 08m 12s
Record Label Ricercar
Catalogue No. RIC360
Genre Classical (Chamber Music)
 

Samuel Scheidt: Ludi Musici

L'Achéron, François Joubert-Caillet

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Ludi musici: Part I  
1.1
No. 29. Canzon a 5 super Cantionem gallicam
Samuel Scheidt; L'Achéron; François Joubert-Caillet
4:52
1.2
No. 6. Paduan a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
6:56
1.3
No. 8. Galliard a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
2:42
1.4
No. 11. Courant a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
3:27
1.5
No. 16. Alamande a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
1:45
1.6
No. 5. Paduan a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
8:31
1.7
No. 13. Courant a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
3:49
1.8
No. 7. Galliard a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
1:51
1.9
No. 26. Canzon ad imitationem Bergamasca Anglica a 5
Samuel Scheidt; L'Achéron; François Joubert-Caillet
4:36
1.10
No. 25. Galliard a 5
Samuel Scheidt; L'Achéron; François Joubert-Caillet
3:16
1.11
No. 19. Courant a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
2:36
1.12
No 21. Galliard battaglia a 5
Samuel Scheidt; L'Achéron; François Joubert-Caillet
3:43
1.13
No. 4. Paduana Dolorosa a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
6:53
1.14
No. 10. Courant a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
2:59
1.15
No. 9. Courant Dolorosa a 4
Samuel Scheidt; L'Achéron; François Joubert-Caillet
4:01
1.16
No. 28. Canzon super O Nachbar Roland
Samuel Scheidt; L'Achéron; François Joubert-Caillet
6:15
Digital Booklet
François Joubert-Caillet leads his ancient music ensemble L’Achéron on this programme devoted to Samuel Scheidt, one of the most complete composers of his generation. As an organist, he composed both sacred and instrumental music that is at a crossroads, combining the Lutheran polyphonic tradition and all the influences of Italian music and the style of Monteverdi. The dances and canzone contained in his Ludi Musici underline this mixture of styles, being both the legacy of late-Renaissance models and the reflection of the new virtuosity initiated by the Italians. These pieces are indeed intended for viola da gamba, which still enjoyed considerable success in Germany at that time.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters

Recording: église Notre-Dame de Centeilles, April 2015 Artistic direction, recording & editing: Jérôme Lejeune Cover illustration: Cornelis De Vos, The Children of the Painter © Berlin, Gemäldegalerie
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.53
-4.13 to 0.00
-20.06
-24.10 to -16.34
-17.42
-21.20 to -14.00
11
10 to 13
1
No. 29. Canzon a 5 super Cantionem gallicam
0.00-17.24-14.711
2
No. 6. Paduan a 4
0.00-16.34-14.011
3
No. 8. Galliard a 4
-2.32-19.62-17.111
4
No. 11. Courant a 4
-1.65-20.47-17.511
5
No. 16. Alamande a 4
-1.34-20.03-17.211
6
No. 5. Paduan a 4
-3.11-23.20-20.512
7
No. 13. Courant a 4
-1.50-20.88-18.211
8
No. 7. Galliard a 4
-2.59-18.77-16.310
9
No. 26. Canzon ad imitationem Bergamasca Anglica a 5
-1.74-21.17-18.512
10
No. 25. Galliard a 5
-2.53-19.68-17.111
11
No. 19. Courant a 4
-0.57-18.62-16.211
12
No 21. Galliard battaglia a 5
0.00-19.32-16.513
13
No. 4. Paduana Dolorosa a 4
-1.93-21.77-19.111
14
No. 10. Courant a 4
-4.13-24.10-21.212
15
No. 9. Courant Dolorosa a 4
-1.16-20.02-17.611
16
No. 28. Canzon super O Nachbar Roland
0.00-19.73-17.012

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