℗ 2016 Oberlin Music
Released | March 11, 2016 |
Duration | 1h 09m 45s |
Record Label | Oberlin Music |
Catalogue No. | OC16-02 |
Genre | Classical (Vocal) |
Mario Castelnuovo-Tedesco: What Think You I Take My Pen in Hand to Record? (Settings of Whitman and Shakespeare)
Salvatore Champagne, Howard Lubin
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
Leaves of Grass (A song cycle for Voice and Piano), Poems by Walt Whitman, Op. 89b
|
|||||
1.1
|
What Think You I Take My Pen in Hand?
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
3:04 | |||
1.2
|
I Dream'd in a Dream
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
1:13 | |||
1.3
|
Sometimes with One I Love
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:29 | |||
1.4
|
We Two Boys Together Clinging
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
1:10 | |||
1.5
|
Are You the New Person Drawn Toward Me?
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:50 | |||
1.6
|
When I Peruse the Conquer'd Fame
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
1:47 | |||
1.7
|
A Glimpse
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
1:38 | |||
1.8
|
This Moment, Yearning and Thoughtful
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:43 | |||
1.9
|
Trickle Drops
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:11 | |||
1.10
|
The Base of All Metaphysics
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
4:35 | |||
Shakespeare Sonnets, Op. 125 (Selected Songs)
|
|||||
1.11
|
XVIII. Shall I compare thee to a summer’s day?
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:42 | |||
1.12
|
XXXI. Thy bosom is endeared with all hearts
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:12 | |||
1.13
|
CIV. To me, fair friend, you never can be old
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:43 | |||
1.14
|
XXXII. If thou survive my well-contented day
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
3:09 | |||
1.15
|
LIII. What is your substance whereof are you made
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:46 | |||
1.16
|
LVII. Being your slave what should I do but tend
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:59 | |||
1.17
|
LXXIII. That time of year thou may’st in me behold
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:18 | |||
1.18
|
XCVII. How like the winter hath my absence been
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:49 | |||
1.19
|
XCVIII. From you have I been absent in the spring
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:01 | |||
1.20
|
CII. My love is strengthen’d, though more weak in seeming
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:40 | |||
1.21
|
VI. When in the chronicles of wasted time
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:18 | |||
1.22
|
CIX. O never say that I was false of heart
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:57 | |||
1.23
|
CXXVIII. How oft, when thou my music, music play’st
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:20 | |||
1.24
|
XXVII. Weary with toil, I haste me to my bed
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
3:09 | |||
1.25
|
XL. Take all my loves
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
3:24 | |||
1.26
|
LXXI. No longer mourn for me when I am dead
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
3:06 | |||
1.27
|
XLVII. Betwixt mine eye and heart a league is too
Mario Castelnuovo-Tedesco; Salvatore Champagne; Howard Lubin |
2:32 | |||
Digital Booklet
|
Through his friendship with longtime collaborator, pianist Howard Lubin, tenor Salvatore Champagne became fascinated with the work of Italian composer Mario Castelnuovo-Tedesco. This led to 15 years of research, during which Champagne discovered the composer's Shakespeare Sonnets which had never been published. Champagne also unearthed a song cycle on texts from Walt Whitman's Leaves of Grass; this album makes these intimate and beautiful pieces available to a wider audience for the first time.
88.2 kHz / 24-bit PCM – Oberlin Music Studio Masters
Recorded May 15, 16, 19, 2014. Label Director: Michael Straus Editorial Directors: Cathy Partlow Strauss and Erich Burnett Producer, Audio Engineer, Editing, and Mastering Engineer: Paul Eachus Historical Consultant: James Westby Graphic Design: Ryan Sprowl Dean of the Conservatory: Andrea Kalyn
Recorded May 15, 16, 19, 2014. Label Director: Michael Straus Editorial Directors: Cathy Partlow Strauss and Erich Burnett Producer, Audio Engineer, Editing, and Mastering Engineer: Paul Eachus Historical Consultant: James Westby Graphic Design: Ryan Sprowl Dean of the Conservatory: Andrea Kalyn
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.60 -5.43 to -0.10 | -24.32 -27.53 to -19.65 | -20.60 -23.70 to -16.30 | 14 12 to 17 | |
1 | What Think You I Take My Pen in Hand? | -0.10 | -25.95 | -21.6 | 14 |
2 | I Dream'd in a Dream | -2.04 | -22.53 | -19.3 | 12 |
3 | Sometimes with One I Love | -0.67 | -25.77 | -21.2 | 13 |
4 | We Two Boys Together Clinging | -0.10 | -19.65 | -16.3 | 13 |
5 | Are You the New Person Drawn Toward Me? | -0.10 | -23.44 | -19.0 | 14 |
6 | When I Peruse the Conquer'd Fame | -2.10 | -24.65 | -21.2 | 14 |
7 | A Glimpse | -0.10 | -23.48 | -19.8 | 14 |
8 | This Moment, Yearning and Thoughtful | -0.10 | -22.12 | -17.9 | 13 |
9 | Trickle Drops | -2.01 | -22.51 | -19.4 | 13 |
10 | The Base of All Metaphysics | -0.10 | -23.22 | -19.2 | 15 |
11 | XVIII. Shall I compare thee to a summer’s day? | -0.10 | -21.77 | -18.1 | 14 |
12 | XXXI. Thy bosom is endeared with all hearts | -0.14 | -22.22 | -18.7 | 13 |
13 | CIV. To me, fair friend, you never can be old | -4.88 | -25.49 | -22.2 | 12 |
14 | XXXII. If thou survive my well-contented day | -0.10 | -23.95 | -20.0 | 15 |
15 | LIII. What is your substance whereof are you made | -5.43 | -26.71 | -23.2 | 13 |
16 | LVII. Being your slave what should I do but tend | -2.66 | -25.93 | -21.8 | 13 |
17 | LXXIII. That time of year thou may’st in me behold | -1.06 | -26.16 | -22.7 | 14 |
18 | XCVII. How like the winter hath my absence been | -3.23 | -25.33 | -21.5 | 14 |
19 | XCVIII. From you have I been absent in the spring | -1.88 | -24.14 | -20.8 | 13 |
20 | CII. My love is strengthen’d, though more weak in seeming | -3.40 | -25.31 | -22.1 | 14 |
21 | VI. When in the chronicles of wasted time | -1.47 | -23.40 | -19.9 | 13 |
22 | CIX. O never say that I was false of heart | -1.34 | -26.23 | -22.7 | 17 |
23 | CXXVIII. How oft, when thou my music, music play’st | -1.52 | -25.25 | -21.9 | 15 |
24 | XXVII. Weary with toil, I haste me to my bed | -0.22 | -23.68 | -19.4 | 15 |
25 | XL. Take all my loves | -0.10 | -24.74 | -20.6 | 14 |
26 | LXXI. No longer mourn for me when I am dead | -4.37 | -27.53 | -23.7 | 15 |
27 | XLVII. Betwixt mine eye and heart a league is too | -3.84 | -25.53 | -22.0 | 13 |