℗ 2016 BR-Klassik
| Released | April 1, 2016 |
| Duration | 1h 13m 13s |
| Record Label | BR-Klassik |
| Catalogue No. | 900145 |
| Genre | Classical (Orchestral) |
Dvořák: Symphony No. 8 in G Major, Op. 88 - Suk: Serenade for Strings in E-Flat Major Op. 6
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Symphony No. 8 in G Major, Op. 88, B. 163
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1.1
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I. Allegro con brio
Antonín Dvořák; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
10:09 | |||
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1.2
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II. Adagio
Antonín Dvořák; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
10:30 | |||
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1.3
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III. Allegretto grazioso
Antonín Dvořák; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
6:25 | |||
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1.4
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IV. Allegro ma non troppo
Antonín Dvořák; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
10:41 | |||
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Serenade for Strings in E-Flat Major, Op. 6
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1.5
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I. Andante con moto
Josef Suk; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
5:03 | |||
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1.6
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II. Allegro, ma non troppo e grazioso - Poco meno mosso
Josef Suk; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
5:06 | |||
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1.7
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III. Adagio
Josef Suk; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
8:16 | |||
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1.8
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IV. Allegro giocoso, ma non troppo presto
Josef Suk; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
7:18 | |||
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1.9
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Carnival Overture, Op. 92, B. 169
Antonín Dvořák; Symphonieorchester des Bayerischen Rundfunks; Mariss Jansons |
9:45 | |||
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Digital Booklet
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Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks deliver sensitive, dynamic and majestic interpretations of Dvořák’s lyrical and cheerful Symphony No. 8 and Carnival Overture, recorded live at two concerts in January 2016 in Munich. The album also contains a studio recording of the Serenade for Strings by Josef Suk, Dvořák’s student and son-in-law. His first successful work, it was audibly influenced by Suk's teacher, father-in-law and mentor, but is also a highly individual work and an important example of the genre.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Balance Engineer: Klemens Kamp Schnitt / Editing: Bernadette Rüb, Leonie Wagner Publisher: Dvoˇrák © Artia, Prag; Suk © Kalmus Fotos / Photography: Cover © Peter Meisel; Mariss Jansons © Koichi Miura; Josef Suk © Czech Museum of Music, Prag Symphonieorchester des Bayerischen Rundfunks © Astrid Ackermann Design / Artwork: Barbara Huber Editorial: Thomas Becker
Tonmeister / Recording Producer: Wilhelm Meister Toningenieur / Balance Engineer: Klemens Kamp Schnitt / Editing: Bernadette Rüb, Leonie Wagner Publisher: Dvoˇrák © Artia, Prag; Suk © Kalmus Fotos / Photography: Cover © Peter Meisel; Mariss Jansons © Koichi Miura; Josef Suk © Czech Museum of Music, Prag Symphonieorchester des Bayerischen Rundfunks © Astrid Ackermann Design / Artwork: Barbara Huber Editorial: Thomas Becker
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.05 -4.53 to -0.59 | -24.80 -29.21 to -21.61 | -20.12 -24.30 to -16.40 | 14 13 to 16 | |
| 1 | I. Allegro con brio | -0.87 | -21.61 | -16.8 | 13 |
| 2 | II. Adagio | -0.68 | -24.44 | -18.4 | 14 |
| 3 | III. Allegretto grazioso | -1.90 | -27.03 | -23.3 | 16 |
| 4 | IV. Allegro ma non troppo | -0.59 | -22.04 | -16.4 | 13 |
| 5 | I. Andante con moto | -3.09 | -25.90 | -21.7 | 14 |
| 6 | II. Allegro, ma non troppo e grazioso - Poco meno mosso | -2.37 | -25.18 | -21.1 | 14 |
| 7 | III. Adagio | -4.53 | -29.21 | -24.3 | 14 |
| 8 | IV. Allegro giocoso, ma non troppo presto | -3.55 | -25.67 | -21.8 | 14 |
| 9 | Carnival Overture, Op. 92, B. 169 | -0.84 | -22.11 | -17.3 | 13 |