℗ 2016 Naxos
| Released | May 6, 2016 |
| Duration | 1h 02m 16s |
| Record Label | Naxos |
| Catalogue No. | 8.573280 |
| Genre | Classical (Orchestral) |
Purcell: Theatre Music, Vol. 2: The Married Beau - The Old Bachelor - Sir Anthony Love - The Spanish Friar - Aureng-Zebe
Aradia Ensemble, Kevin Mallon, Johane Ansell, Jason Nedecky
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The Married Beau, or The Curious Impertinent, Z. 603
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1.1
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Overture
Henry Purcell; Aradia Ensemble; Kevin Mallon |
2:53 | |||
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1.2
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Slow Air
Henry Purcell; Aradia Ensemble; Kevin Mallon |
2:30 | |||
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1.3
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Hornpipe
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:25 | |||
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1.4
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Air
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:40 | |||
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1.5
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Hornpipe
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:25 | |||
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1.6
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Jig
Henry Purcell; Aradia Ensemble; Kevin Mallon |
2:26 | |||
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1.7
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Trumpet Air
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:50 | |||
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1.8
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Act V: Song: See where repenting Celia lyes
Henry Purcell; Johane Ansell; Aradia Ensemble; Kevin Mallon |
3:03 | |||
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1.9
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March
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:27 | |||
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1.10
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Hornpipe On A Ground
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:36 | |||
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The Spanish Friar, or The Double Discovery, Z. 610
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1.11
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Song: Whilst I with grief did on you look
Henry Purcell; Johane Ansell; Aradia Ensemble; Kevin Mallon |
3:06 | |||
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Sir Anthony Love, or The Rambling Lady, Z. 588
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1.12
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Overture
Henry Purcell; Aradia Ensemble; Kevin Mallon |
3:41 | |||
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1.13
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Act II: Song: Pursuing Beauty, Men descry
Henry Purcell; Johane Ansell; Aradia Ensemble; Kevin Mallon |
4:59 | |||
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1.14
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Act IV: Dialogue: No more, Sir, no more
Henry Purcell; Johane Ansell; Jason Nedecky; Aradia Ensemble; Kevin Mallon |
2:39 | |||
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1.15
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Act V: Song: In vain Clemene, you bestow
Henry Purcell; Johane Ansell; Aradia Ensemble; Kevin Mallon |
2:43 | |||
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Aureng-Zebe, Z. 573
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1.16
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Song: I see she flies me ev'rywhere
Henry Purcell; Johane Ansell; Aradia Ensemble; Kevin Mallon |
1:49 | |||
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The Old Bachelor, Z. 607
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1.17
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Overture
Henry Purcell; Aradia Ensemble; Kevin Mallon |
3:22 | |||
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1.18
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Hornpipe
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:53 | |||
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1.19
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Act II: Song: Thus to a ripe, consenting maid
Henry Purcell; Johane Ansell; Aradia Ensemble; Kevin Mallon |
2:11 | |||
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1.20
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Slow Air
Henry Purcell; Aradia Ensemble; Kevin Mallon |
3:17 | |||
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1.21
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Hornpipe
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:26 | |||
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1.22
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Act III: Duet: As Amoret and Thyrsis lay
Henry Purcell; Johane Ansell; Jason Nedecky; Aradia Ensemble; Kevin Mallon |
3:08 | |||
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1.23
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Rondeau
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:11 | |||
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1.24
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Menuet
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:39 | |||
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1.25
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Bourée
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:12 | |||
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1.26
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March
Henry Purcell; Aradia Ensemble; Kevin Mallon |
2:08 | |||
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1.27
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Jig
Henry Purcell; Aradia Ensemble; Kevin Mallon |
1:37 | |||
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Digital Booklet
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This is the second volume of Purcell's theatre music from Toronto early music group the Aradia Ensemble, led by Kevin Mallon. Despite his immersion in the composition of sacred music, Purcell retained a lifelong interest in the theatre, an aspect of his oeuvre that has been neglected. Among the authors of the five works on this recording are two of the most celebrated of the age: John Dryden and William Congreve. For their "semi-operas," Purcell produced incidental music and songs of vitality, wit and imaginative text settings that offer an intriguing look into the world of Restoration drama.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.68 -15.58 to -0.40 | -29.59 -34.65 to -24.81 | -25.94 -31.10 to -20.70 | 14 11 to 17 | |
| 1 | Overture | -12.95 | -30.81 | -27.6 | 12 |
| 2 | Slow Air | -12.78 | -30.59 | -27.0 | 12 |
| 3 | Hornpipe | -1.91 | -26.77 | -22.3 | 15 |
| 4 | Air | -0.57 | -26.75 | -23.8 | 17 |
| 5 | Hornpipe | -0.40 | -28.42 | -24.3 | 16 |
| 6 | Jig | -11.52 | -31.94 | -28.3 | 13 |
| 7 | Trumpet Air | -14.05 | -31.14 | -27.7 | 12 |
| 8 | Act V: Song: See where repenting Celia lyes | -5.83 | -28.41 | -24.3 | 14 |
| 9 | March | -3.26 | -26.81 | -23.9 | 17 |
| 10 | Hornpipe On A Ground | -13.58 | -33.26 | -29.9 | 13 |
| 11 | Song: Whilst I with grief did on you look | -5.25 | -27.04 | -22.9 | 13 |
| 12 | Overture | -11.90 | -30.46 | -27.2 | 13 |
| 13 | Act II: Song: Pursuing Beauty, Men descry | -3.73 | -30.52 | -27.0 | 16 |
| 14 | Act IV: Dialogue: No more, Sir, no more | -5.54 | -28.97 | -25.5 | 15 |
| 15 | Act V: Song: In vain Clemene, you bestow | -8.61 | -31.08 | -27.5 | 14 |
| 16 | Song: I see she flies me ev'rywhere | -6.07 | -28.30 | -23.8 | 13 |
| 17 | Overture | -10.78 | -29.42 | -26.2 | 11 |
| 18 | Hornpipe | -1.98 | -26.64 | -22.4 | 16 |
| 19 | Act II: Song: Thus to a ripe, consenting maid | -5.55 | -28.68 | -24.8 | 14 |
| 20 | Slow Air | -12.64 | -33.01 | -29.9 | 12 |
| 21 | Hornpipe | -13.16 | -31.32 | -27.9 | 13 |
| 22 | Act III: Duet: As Amoret and Thyrsis lay | -4.35 | -24.81 | -20.7 | 13 |
| 23 | Rondeau | -15.58 | -34.65 | -31.1 | 13 |
| 24 | Menuet | -14.11 | -31.41 | -28.0 | 12 |
| 25 | Bourée | -4.45 | -28.12 | -23.9 | 14 |
| 26 | March | -1.12 | -29.83 | -26.7 | 15 |
| 27 | Jig | -5.63 | -29.74 | -25.9 | 15 |