℗ 2015 OUR Recordings
Released | January 6, 2015 |
Duration | 1h 06m 22s |
Record Label | OUR Recordings |
Catalogue No. | 6.220610 |
Genre | Classical (Chamber Music) |
Corelli: La follia
Michala Petri, Mahan Esfahani
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Violin Sonata in D Minor, Op. 5, No. 12, "La Follia" (arr. for recorder and basso continuo)
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
10:13 | |||
Violin Sonata in G Minor, Op. 5 No. 7
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1.2
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I. Preludio. Vivace
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:06 | |||
1.3
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II. Corrente. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
3:51 | |||
1.4
|
III. Sarabande. Largo
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
1:48 | |||
1.5
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IV. Giga. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:28 | |||
Violin Sonata in C Major, Op. 5 No. 9
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1.6
|
I. Preludio. Largo
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
4:09 | |||
1.7
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II. Giga. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
3:06 | |||
1.8
|
III. Adagio
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
0:38 | |||
1.9
|
IV. Tempo di Gavotta. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:46 | |||
Violin Sonata in G Major, Op. 5 No. 11
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1.10
|
I. Preludio. Adagio
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
1:35 | |||
1.11
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II. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:32 | |||
1.12
|
III. Adagio
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
0:47 | |||
1.13
|
IV. Vivace
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:08 | |||
1.14
|
V. Gavotta. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
5:07 | |||
Violin Sonata in G Minor, Op. 5 No. 8
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1.15
|
I. Preludio. Largo
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
3:30 | |||
1.16
|
II. Allemanda. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:22 | |||
1.17
|
III. Sarabanda. Largo
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
6:19 | |||
1.18
|
IV. Giga. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:03 | |||
Violin Sonata in F Major, Op. 5 No. 10
|
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1.19
|
I. Preludio. Adagio
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
1:42 | |||
1.20
|
II. Allemanda. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:10 | |||
1.21
|
III. Sarabanda. Largo
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:00 | |||
1.22
|
IV. Gavotta: Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
0:45 | |||
1.23
|
V. Giga. Allegro
Arcangelo Corelli; Michala Petri; Mahan Esfahani |
2:17 | |||
Digital Booklet
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"Five Stars ... Petri and Esfahani's is an invigorating ensemble effort, each sparking off the other to foster a captivating directness whether sparkling or soulful. Nothing is safe or reverential and yet there's no iconoclastic agenda either."
- BBC Music Magazine
"Editor's Choice ... it's rare to experience the level of artistic rapport heard on this recording ... in Petri's capable hands, the recorder becomes a medium through which she conveys a more vocal interpretation of thematic material than ever a violin could ... Esfahani crafts the most imaginative and engaging accompaniments and repartee I have ever heard."
- Gramophone
Recorder player Michala Petri and harpsichordist Mahan Esfahani consulted numerous original sources to ensure authenticity prior to the recording of this Corelli programme during three inspired days in Copenhagen. But once tape was rolling, they let the excitement of their superlative music making be their only guide, giving free rein to boundless creativity and virtuosity and embracing the spontaneous spirit that this music requires. It can be said without any exaggeration that Corelli was the first world famous composer, yet despite his celebrity only a handful of his works have survived, with his violin sonatas occupying pride of place. The sonatas presented here come from the second half of the Op. 5 collection, with the relatively simple nature of these movements providing scope for all sorts of ornamentation and improvisation.
88.2 kHz / 24-bit PCM – OUR Recordings Studio Masters
Recorded in the DXD audio format (Digital eXtreme Definition), 352.8 kHz / 32-bit Recorded in Garnisonskirken, Copenhagen, Denmark May 5 - 8, 2014 Producer: Preben Iwan Editing and mix: Preben Iwan Mastering: Preben Iwan Executive producer: Lars Hannibal Microphone main array: - 2 x DPA 4006TL - 1 x Senheisser MKH40 - 2 x DPA 4011C microphones for surround channels DAD AX32 converter/preamp, Pyramix DAW system with Tango Controller Monitored on B&W 802 Diamond speakers Instruments: Recorders: Moeck, Mollenhauer and Ehlert Harpsichord: Alain Anselm, 1992 after an Italian harpsichord around 1700 Artwork and cover design: CEZBP, OUR Recordings Cover photo, page 2, 8, 10: Søren Solkær Session photos: Julie Malmstrøm, Michala Petri Liner notes: Mahan Esfahani
Recorded in the DXD audio format (Digital eXtreme Definition), 352.8 kHz / 32-bit Recorded in Garnisonskirken, Copenhagen, Denmark May 5 - 8, 2014 Producer: Preben Iwan Editing and mix: Preben Iwan Mastering: Preben Iwan Executive producer: Lars Hannibal Microphone main array: - 2 x DPA 4006TL - 1 x Senheisser MKH40 - 2 x DPA 4011C microphones for surround channels DAD AX32 converter/preamp, Pyramix DAW system with Tango Controller Monitored on B&W 802 Diamond speakers Instruments: Recorders: Moeck, Mollenhauer and Ehlert Harpsichord: Alain Anselm, 1992 after an Italian harpsichord around 1700 Artwork and cover design: CEZBP, OUR Recordings Cover photo, page 2, 8, 10: Søren Solkær Session photos: Julie Malmstrøm, Michala Petri Liner notes: Mahan Esfahani
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.66 -9.73 to -6.04 | -24.16 -28.13 to -22.68 | -20.93 -25.20 to -19.00 | 10 7 to 13 | |
1 | Violin Sonata in D Minor, Op. 5, No. 12, "La Follia" (arr. for recorder and basso continuo) | -6.04 | -23.45 | -20.3 | 10 |
2 | I. Preludio. Vivace | -6.34 | -22.77 | -19.4 | 9 |
3 | II. Corrente. Allegro | -7.07 | -24.88 | -21.8 | 11 |
4 | III. Sarabande. Largo | -7.13 | -22.68 | -19.0 | 8 |
5 | IV. Giga. Allegro | -7.37 | -24.25 | -21.0 | 11 |
6 | I. Preludio. Largo | -9.61 | -27.77 | -24.8 | 10 |
7 | II. Giga. Allegro | -9.02 | -28.13 | -25.2 | 13 |
8 | III. Adagio | -9.73 | -24.55 | -21.3 | 7 |
9 | IV. Tempo di Gavotta. Allegro | -6.05 | -23.29 | -20.2 | 10 |
10 | I. Preludio. Adagio | -6.58 | -22.76 | -19.5 | 10 |
11 | II. Allegro | -6.60 | -24.08 | -21.2 | 11 |
12 | III. Adagio | -9.26 | -25.39 | -21.9 | 8 |
13 | IV. Vivace | -7.01 | -23.16 | -20.0 | 10 |
14 | V. Gavotta. Allegro | -6.13 | -23.30 | -19.9 | 10 |
15 | I. Preludio. Largo | -7.67 | -23.36 | -19.9 | 9 |
16 | II. Allemanda. Allegro | -8.50 | -24.81 | -21.8 | 10 |
17 | III. Sarabanda. Largo | -7.51 | -24.00 | -20.3 | 9 |
18 | IV. Giga. Allegro | -8.49 | -24.30 | -21.1 | 10 |
19 | I. Preludio. Adagio | -6.77 | -22.83 | -19.5 | 8 |
20 | II. Allemanda. Allegro | -8.04 | -23.98 | -21.1 | 10 |
21 | III. Sarabanda. Largo | -8.58 | -23.37 | -19.6 | 8 |
22 | IV. Gavotta: Allegro | -9.18 | -24.68 | -21.6 | 9 |
23 | V. Giga. Allegro | -7.56 | -23.89 | -21.0 | 10 |