℗ 2014 ECM Records GmbH under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
| Released | May 23, 2014 |
| Duration | 1h 13m 37s |
| Record Label | ECM New Series |
| Genre | Classical |
Robert Schumann & Heinz Holliger: Aschenmusik
Heinz Holliger, Anita Leuzinger, Anton Kernjak
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Sechs Stücke in kanonischer Form, Op.56
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1.1
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1. Nicht zu schnell
Robert Schumann; Heinz Holliger; Anita Leuzinger; Anton Kernjak |
2:03 | |||
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1.2
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2. Mit innigem Ausdruck
Robert Schumann; Heinz Holliger; Anita Leuzinger; Anton Kernjak |
3:42 | |||
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1.3
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3. Andantino
Robert Schumann; Heinz Holliger; Anita Leuzinger; Anton Kernjak |
1:45 | |||
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1.4
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4. Innig
Robert Schumann; Heinz Holliger; Anita Leuzinger; Anton Kernjak |
3:09 | |||
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1.5
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5. Nicht zu schnell
Robert Schumann; Heinz Holliger; Anita Leuzinger; Anton Kernjak |
2:13 | |||
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1.6
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6. Adagio
Robert Schumann; Heinz Holliger; Anita Leuzinger; Anton Kernjak |
3:42 | |||
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Drei Romanzen für Oboe und Klavier, Op.94
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1.7
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1. Nicht schnell
Robert Schumann; Heinz Holliger; Anton Kernjak |
3:19 | |||
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1.8
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2. Einfach, innig
Robert Schumann; Heinz Holliger; Anton Kernjak |
4:03 | |||
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1.9
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3. Nicht schnell
Robert Schumann; Heinz Holliger; Anton Kernjak |
5:11 | |||
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Romancendres für Violoncello und Klavier
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1.10
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Kondukt I (C.S. - R.S.)
Heinz Holliger; Anita Leuzinger; Anton Kernjak |
4:24 | |||
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1.11
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I. Aurora (Nachts)
Heinz Holliger; Anita Leuzinger; Anton Kernjak |
6:50 | |||
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1.12
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II. R(asche)S Flügelschlagen
Heinz Holliger; Anita Leuzinger; Anton Kernjak |
4:38 | |||
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1.13
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III. Der Würgengel der Gegenwart
Heinz Holliger; Anita Leuzinger; Anton Kernjak |
3:29 | |||
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1.14
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IV. "heiter bewegt" ("Es wehet ein Schatten darin")
Heinz Holliger; Anita Leuzinger; Anton Kernjak |
2:16 | |||
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1.15
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Kondukt II ("Der bleiche Engel der Zukunft")
Heinz Holliger; Anita Leuzinger; Anton Kernjak |
2:08 | |||
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FAE Sonate in a-Moll WoO2
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1.16
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2. Intermezzo. Bewegt, doch nicht zu schnell
Robert Schumann; Heinz Holliger; Anton Kernjak |
2:40 | |||
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Sonate Nr. 1 für Pianoforte und Violine in a-Moll, Op.105
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1.17
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1. Mit leidenschaftlichem Ausdruck
Robert Schumann; Anita Leuzinger; Anton Kernjak |
8:17 | |||
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1.18
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2. Allegretto
Robert Schumann; Anita Leuzinger; Anton Kernjak |
3:52 | |||
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1.19
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3. Lebhaft
Robert Schumann; Anita Leuzinger; Anton Kernjak |
5:56 | |||
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Digital Booklet
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"... subtle and meticulously shaded ..."
- The Guardian
"Holliger's language is subtly infused with the spirit of Schumann throughout ... a must-have disc for all Schumann lovers."
- Gramophone
Swiss oboist and composer Heinz Holliger’s lifelong fascination with the music of Robert Schumann finds further expression on this release which highlights an interpretation of Holliger's Romancendres framed by Schumann’s own works. Romancendres is a reference to the lost Cello Romances which Clara Schumann burned on Brahms’s advice, an act of destruction which outraged Holliger and fuelled the composition of this “music from the ashes” in 2003. It’s a portrait of Schumann, packed with quotations, projected like a lifetime passing through the mind of a dying man. Strong performances by Holliger, cellist Anita Leuzinger and Austrian pianist Anton Kernjak make this album another important addition to Holliger’s ECM discography. Aschenmusik was issued in May 2014 to celebrate Holliger’s 75th birthday.
44.1 kHz / 24-bit PCM – ECM New Series Studio Masters
Recorded July 2012 and November 2013 Radio Studio Zürich Tonmeister: Andreas Werner Cover photo: Nicolas Masson Liner photos: Barbara Golan, Nicolas Masson (pp. 10/11) Design: Sascha Kleis Executive Producer: Manfred Eicher
Recorded July 2012 and November 2013 Radio Studio Zürich Tonmeister: Andreas Werner Cover photo: Nicolas Masson Liner photos: Barbara Golan, Nicolas Masson (pp. 10/11) Design: Sascha Kleis Executive Producer: Manfred Eicher
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.72 -24.40 to -0.32 | -28.37 -46.34 to -22.16 | -24.78 -44.50 to -18.70 | 13 11 to 17 | |
| 1 | 1. Nicht zu schnell | -6.10 | -24.23 | -21.2 | 11 |
| 2 | 2. Mit innigem Ausdruck | -4.59 | -26.19 | -22.8 | 12 |
| 3 | 3. Andantino | -6.53 | -27.12 | -23.4 | 12 |
| 4 | 4. Innig | -2.10 | -25.14 | -22.1 | 14 |
| 5 | 5. Nicht zu schnell | -4.51 | -25.18 | -22.3 | 13 |
| 6 | 6. Adagio | -9.42 | -28.25 | -24.8 | 11 |
| 7 | 1. Nicht schnell | -4.97 | -27.75 | -24.2 | 14 |
| 8 | 2. Einfach, innig | -8.20 | -28.21 | -24.5 | 12 |
| 9 | 3. Nicht schnell | -6.97 | -28.75 | -24.9 | 13 |
| 10 | Kondukt I (C.S. - R.S.) | -24.40 | -46.13 | -44.5 | 14 |
| 11 | I. Aurora (Nachts) | -2.49 | -26.36 | -20.9 | 15 |
| 12 | II. R(asche)S Flügelschlagen | -0.32 | -26.90 | -21.6 | 17 |
| 13 | III. Der Würgengel der Gegenwart | -2.55 | -25.51 | -21.3 | 14 |
| 14 | IV. "heiter bewegt" ("Es wehet ein Schatten darin") | -6.00 | -27.12 | -22.2 | 13 |
| 15 | Kondukt II ("Der bleiche Engel der Zukunft") | -23.25 | -46.34 | -43.6 | 15 |
| 16 | 2. Intermezzo. Bewegt, doch nicht zu schnell | -9.18 | -27.63 | -24.1 | 11 |
| 17 | 1. Mit leidenschaftlichem Ausdruck | -0.94 | -22.16 | -18.7 | 14 |
| 18 | 2. Allegretto | -4.18 | -26.94 | -23.6 | 14 |
| 19 | 3. Lebhaft | -0.94 | -23.23 | -20.1 | 14 |