℗ 2016 Divine Art
| Released | May 13, 2016 |
| Duration | 1h 08m 38s |
| Record Label | Divine Art |
| Catalogue No. | DDA25135 |
| Genre | Classical (Vocal Ensemble) |
Lydia Kakabadse: Cantica Sacra
Alumni of the Choir of Cambridge Clare College, Graham Ross
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Spectre of the Maiden Scorned
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1.1
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Scene 1: Solemnity
Lydia Kakabadse; Stefan Kennedy; Alexander Walmsley; Kathryn Thomas Umble; Emily Pailthorpe; Sara Trickey; Sarah-Jane Bradley; Katherine Jenkinson; Ben Griffiths; Ben Fullbrook; Cambridge Clare College Alumni Choir; Graham Ross |
3:35 | |||
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1.2
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Scene 2: Rites of Passage
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Kathryn Thomas Umble; Emily Pailthorpe; Sara Trickey; Sarah-Jane Bradley; Katherine Jenkinson; Ben Griffiths; Ben Fullbrook; Graham Ross |
2:59 | |||
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1.3
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Scene 3: The Maiden's Ire
Lydia Kakabadse; Grace Durham; Stefan Kennedy; Alexander Walmsley; Kathryn Thomas Umble; Emily Pailthorpe; Sara Trickey; Sarah-Jane Bradley; Katherine Jenkinson; Ben Griffiths; Ben Fullbrook; Cambridge Clare College Alumni Choir; Graham Ross |
4:08 | |||
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1.4
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Scene 4: Foreboding
Lydia Kakabadse; Grace Durham; Stefan Kennedy; Alexander Walmsley; Kathryn Thomas Umble; Emily Pailthorpe; Sara Trickey; Sarah-Jane Bradley; Katherine Jenkinson; Ben Griffiths; Ben Fullbrook; Cambridge Clare College Alumni Choir; Graham Ross |
5:03 | |||
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1.5
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Scene 5: Monks' Entreaty
Lydia Kakabadse; Stefan Kennedy; Alexander Walmsley; Kathryn Thomas Umble; Emily Pailthorpe; Sara Trickey; Sarah-Jane Bradley; Katherine Jenkinson; Ben Griffiths; Ben Fullbrook; Cambridge Clare College Alumni Choir; Graham Ross |
4:06 | |||
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1.6
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Scene 6: The Maiden's Lament
Lydia Kakabadse; Grace Durham; Cambridge Clare College Alumni Choir; Kathryn Thomas Umble; Emily Pailthorpe; Sara Trickey; Sarah-Jane Bradley; Katherine Jenkinson; Ben Griffiths; Ben Fullbrook; Graham Ross |
4:11 | |||
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Cantica Sacra
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1.7
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No. 1. Pater Noster
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:49 | |||
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1.8
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No. 2. Panis Angelicus
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:14 | |||
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1.9
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No. 3. De Profundis
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:25 | |||
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1.10
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No. 4. Angelus
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:44 | |||
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1.11
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No. 5. Agnus Dei
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:27 | |||
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1.12
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No. 6. Te Deum
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
3:28 | |||
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Kontakia
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1.13
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No. 1. Those who shall be rewarded
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:33 | |||
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1.14
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No. 2. A shimmering vision
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
3:09 | |||
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1.15
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No. 3. Those who shall be protected
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:28 | |||
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1.16
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No. 4. The devil's torment
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
3:22 | |||
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1.17
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No. 5. Six days before Easter
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
3:50 | |||
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Theotokia
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1.18
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Salve Regina
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
4:26 | |||
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1.19
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Ave Maria
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
1:09 | |||
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1.20
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Magnificat
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:54 | |||
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1.21
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O Sanctissima
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:06 | |||
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1.22
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O Magnum Mysterium
Lydia Kakabadse; Cambridge Clare College Alumni Choir; Graham Ross |
2:32 | |||
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Digital Booklet
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This recording of sacred choral works for the 21st century, steeped in the tradition of centuries past, is performed by alumni of the Clare College Choir, considered one of the finest British choirs in existence. Composer Lydia Kakabadse is English born but has roots in Greece, Austria, Russia and Georgia, all of which inspire her fluid mix of western and Orthodox choral styles. The singers are joined on Spectre of the Maiden Scorned by mezzo-soprano Grace Durham and a seven-piece instrumental ensemble. The album is a perfect discovery for any choral music lover seeking a new sound that stays within the traditional tonal and modal limits.
96 kHz / 24-bit PCM – Divine Art Studio Masters
Recorded at the Church of St Jude-on-the-Hill, Central Square, Hampstead Garden Suburb, London on September 17 and 18, 2015 Recorded at the Church of St. Jude-on-the-Hill. Central Square, Hampstead Garden Suburb, London on 17th and 18th September 2015 Producer: Michael Ponder Engineer: Mike Clements Texts (Latin, Greek and English) are set out in full from page 12 Cover/disc illustration and artwork on page 5 by John Dyer Photograph of Graham Ross by Benjamin Ealovega Booklet and packaging design by Stephen Sutton
Recorded at the Church of St Jude-on-the-Hill, Central Square, Hampstead Garden Suburb, London on September 17 and 18, 2015 Recorded at the Church of St. Jude-on-the-Hill. Central Square, Hampstead Garden Suburb, London on 17th and 18th September 2015 Producer: Michael Ponder Engineer: Mike Clements Texts (Latin, Greek and English) are set out in full from page 12 Cover/disc illustration and artwork on page 5 by John Dyer Photograph of Graham Ross by Benjamin Ealovega Booklet and packaging design by Stephen Sutton
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.96 -10.31 to -1.00 | -28.87 -31.93 to -25.80 | -25.20 -28.40 to -22.30 | 14 12 to 16 | |
| 1 | Scene 1: Solemnity | -2.95 | -28.39 | -25.7 | 16 |
| 2 | Scene 2: Rites of Passage | -3.52 | -26.85 | -23.7 | 15 |
| 3 | Scene 3: The Maiden's Ire | -2.49 | -25.80 | -22.4 | 14 |
| 4 | Scene 4: Foreboding | -8.04 | -28.51 | -25.3 | 13 |
| 5 | Scene 5: Monks' Entreaty | -3.35 | -25.90 | -23.1 | 13 |
| 6 | Scene 6: The Maiden's Lament | -1.00 | -26.22 | -22.3 | 15 |
| 7 | No. 1. Pater Noster | -5.48 | -30.04 | -25.8 | 14 |
| 8 | No. 2. Panis Angelicus | -5.72 | -29.24 | -25.6 | 15 |
| 9 | No. 3. De Profundis | -6.34 | -28.46 | -24.9 | 13 |
| 10 | No. 4. Angelus | -10.22 | -31.04 | -27.5 | 13 |
| 11 | No. 5. Agnus Dei | -10.31 | -31.93 | -28.4 | 14 |
| 12 | No. 6. Te Deum | -6.52 | -28.84 | -24.5 | 15 |
| 13 | No. 1. Those who shall be rewarded | -7.27 | -28.87 | -24.8 | 13 |
| 14 | No. 2. A shimmering vision | -9.44 | -30.50 | -27.0 | 12 |
| 15 | No. 3. Those who shall be protected | -3.72 | -29.20 | -25.7 | 14 |
| 16 | No. 4. The devil's torment | -4.97 | -29.72 | -25.5 | 15 |
| 17 | No. 5. Six days before Easter | -4.43 | -28.21 | -24.4 | 14 |
| 18 | Salve Regina | -4.41 | -27.15 | -23.2 | 14 |
| 19 | Ave Maria | -10.05 | -30.07 | -26.4 | 12 |
| 20 | Magnificat | -7.03 | -30.86 | -26.5 | 15 |
| 21 | O Sanctissima | -5.72 | -28.73 | -24.8 | 12 |
| 22 | O Magnum Mysterium | -8.22 | -30.60 | -27.0 | 13 |