℗ 2016 Signum Records
| Released | September 16, 2016 |
| Duration | 1h 17m 38s |
| Record Label | Signum Records |
| Catalogue No. | SIGCD473 |
| Genre | Classical (Opera) |
Mozart: Zaide
Sophie Bevan, Classical Opera, Ian Page
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Thamos, König in Ägypten, K.345: Overture
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
3:22 | |||
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Zaide, K. 344
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1.2
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Act I Scene 1: “Brüder, laßt uns lustig sein” (Chorus)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
1:00 | |||
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1.3
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Act I Scene 2: “Unerforschliche Fügung” (Melodrama)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
6:59 | |||
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1.4
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Act I Scene 3: Ruhe sanft, mein holdes Leben” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
6:03 | |||
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1.5
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Act I Scene 3: "Rase, Schicksal, wüte immer” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
3:45 | |||
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1.6
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Act I Scene 6: “Meine Seele hüpft vor Freuden” (Duet)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
2:09 | |||
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1.7
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Act I Scene 4: "Herr und Freund, wie dank’ ich dir” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
3:38 | |||
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1.8
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Act I Scene 5: “Nur mutig, mein Herze, versuche dein Glück” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
4:18 | |||
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1.9
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Act I Scene 6: “O selige Wonne” (Trio)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
6:00 | |||
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1.10
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Act II Scene 1: “Zaide entflohen” (Melodrama)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
4:23 | |||
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1.11
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Act II Scene 1: “Der stolze Löw läßt sich zwar zähmen” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
4:57 | |||
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1.12
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Act II Scene 3: “Wer hungrig bei der Tafel sitzt” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
3:14 | |||
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1.13
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Act II Scene 4: “Ich bin so bös’ als gut” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
5:47 | |||
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1.14
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Act II Scene 5: “Trostlos schluchzet Philomele” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
6:48 | |||
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1.15
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Act II Scene 6: “Tiger! wetze nur die Klauen” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
4:16 | |||
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1.16
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Act II Scene 7: “Ihr Mächtigen seht ungerührt” (Aria)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
4:30 | |||
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1.17
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Act II Scene 8: “Freundin, stille deine Tränen” (Quartet)
Wolfgang Amadeus Mozart; Sophie Bevan; Classical Opera; Ian Page |
6:29 | |||
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Digital Booklet
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Continuing its critically acclaimed complete cycle of Mozart operas, period instrument orchestra Classical Opera presents the unfinished Zaide, featuring soprano Sophie Bevan in the title role. One of the very few of the composer's works to be written without a commission, Mozart completed 15 numbers before abandoning the work to fulfill the commission for his opera seria Idomeneo, which includes two searing melodramas, some superb ensembles and a sequence of arias including the celebrated Ruhe sanft.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Recorded at the Church of St. Augustine, Kilburn, London, UK from 10 to 13 March 2016 Produced and engineered by Andrew Mellor Assistant engineer: Claire Hay Post-production by Andrew Mellor and Claire Hay Design by GM Toucari Cover image by Debbie Coates Photographs by Benjamin Ealovega German language coaches: Johanna Mayr and Rahel Wagner Harpsichord technician: Malcolm Greenhalgh Orchestra playing on period instruments at A = 430 Hz
Recorded at the Church of St. Augustine, Kilburn, London, UK from 10 to 13 March 2016 Produced and engineered by Andrew Mellor Assistant engineer: Claire Hay Post-production by Andrew Mellor and Claire Hay Design by GM Toucari Cover image by Debbie Coates Photographs by Benjamin Ealovega German language coaches: Johanna Mayr and Rahel Wagner Harpsichord technician: Malcolm Greenhalgh Orchestra playing on period instruments at A = 430 Hz
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.55 -5.90 to -0.50 | -24.42 -31.88 to -20.91 | -20.59 -27.70 to -17.20 | 13 11 to 16 | |
| 1 | Thamos, König in Ägypten, K.345: Overture | -2.67 | -24.35 | -21.1 | 14 |
| 2 | Act I Scene 1: “Brüder, laßt uns lustig sein” (Chorus) | -0.67 | -22.66 | -19.0 | 13 |
| 3 | Act I Scene 2: “Unerforschliche Fügung” (Melodrama) | -4.21 | -31.88 | -27.7 | 16 |
| 4 | Act I Scene 3: Ruhe sanft, mein holdes Leben” (Aria) | -1.82 | -23.03 | -19.2 | 12 |
| 5 | Act I Scene 3: "Rase, Schicksal, wüte immer” (Aria) | -0.71 | -21.90 | -17.5 | 11 |
| 6 | Act I Scene 6: “Meine Seele hüpft vor Freuden” (Duet) | -3.68 | -25.76 | -21.7 | 15 |
| 7 | Act I Scene 4: "Herr und Freund, wie dank’ ich dir” (Aria) | -3.68 | -25.76 | -21.7 | 15 |
| 8 | Act I Scene 5: “Nur mutig, mein Herze, versuche dein Glück” (Aria) | -5.90 | -25.28 | -22.0 | 12 |
| 9 | Act I Scene 6: “O selige Wonne” (Trio) | -0.50 | -22.06 | -18.4 | 13 |
| 10 | Act II Scene 1: “Zaide entflohen” (Melodrama) | -0.57 | -24.89 | -20.2 | 14 |
| 11 | Act II Scene 1: “Der stolze Löw läßt sich zwar zähmen” (Aria) | -2.23 | -22.34 | -18.9 | 12 |
| 12 | Act II Scene 3: “Wer hungrig bei der Tafel sitzt” (Aria) | -4.28 | -26.59 | -23.1 | 15 |
| 13 | Act II Scene 4: “Ich bin so bös’ als gut” (Aria) | -2.64 | -24.38 | -20.9 | 14 |
| 14 | Act II Scene 5: “Trostlos schluchzet Philomele” (Aria) | -1.27 | -22.22 | -17.8 | 12 |
| 15 | Act II Scene 6: “Tiger! wetze nur die Klauen” (Aria) | -0.72 | -20.91 | -17.2 | 13 |
| 16 | Act II Scene 7: “Ihr Mächtigen seht ungerührt” (Aria) | -5.83 | -28.56 | -25.0 | 14 |
| 17 | Act II Scene 8: “Freundin, stille deine Tränen” (Quartet) | -2.02 | -22.54 | -18.7 | 13 |