℗ 2016 Frenchkiss Records
| Released | June 2, 2004 |
| Duration | 1h 00m 12s |
| Record Label | Frenchkiss Records |
| Catalogue No. | FKR086 |
| Genre | Rock (Alternative) |
Almost Killed Me (Deluxe Version)
The Hold Steady
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Positive Jam
The Hold Steady |
3:16 | |||
|
1.2
|
The Swish
The Hold Steady |
4:08 | |||
|
1.3
|
Barfruit Blues
The Hold Steady |
3:30 | |||
|
1.4
|
Most People Are DJs
The Hold Steady |
5:51 | |||
|
1.5
|
Certain Songs
The Hold Steady |
3:53 | |||
|
1.6
|
Knuckles
The Hold Steady |
3:45 | |||
|
1.7
|
Hostile, Mass.
The Hold Steady |
3:42 | |||
|
1.8
|
Sketchy Metal
The Hold Steady |
4:15 | |||
|
1.9
|
Sweet Payne
The Hold Steady |
4:33 | |||
|
1.10
|
Killer Parties
The Hold Steady |
5:47 | |||
|
1.11
|
Milkcrate Mosh
The Hold Steady |
5:57 | |||
|
1.12
|
Hot Fries
The Hold Steady |
3:43 | |||
|
1.13
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Curves And Nerves
The Hold Steady |
2:40 | |||
|
1.14
|
You Gotta Dance (With Who You Came To The Dance With)
The Hold Steady |
2:02 | |||
|
1.15
|
Modesto Is Not That Sweet
The Hold Steady |
3:10 |
Born from the ashes of Minneapolis' beloved Lifter Puller, The Hold Steady emerge as a bar band far too good for the bars, a spectacular mess of sprawling guitar, ferocious vocals, and well-channeled, raucous irritation. Former Lifter Puller vocalist Craig Finn and bassist Tad Kubler (now on lead guitar) are now ably backed by Galin Polivka and Judd Counsell, and their collective spew is awfully impressive: Earnest without being sentimental, and authentic without sounding contrived, The Hold Steady are one of the most convincing rock bands to emerge in recent years, a can-crushing throwdown of unadulterated aggression and ear-splitting amps.
–Amanda Petrusich, Pitchfork
44.1 kHz / 24-bit PCM – Frenchkiss Records Studio Masters
Tracks 13-15 contain material which has been processed by a perceptual audio coding algorithm
Tracks 13-15 contain material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.11 -0.11 to -0.11 | -11.57 -13.27 to -9.88 | -8.80 -10.60 to -7.10 | 7 6 to 8 | |
| 1 | Positive Jam | -0.11 | -13.27 | -10.2 | 6 |
| 2 | The Swish | -0.11 | -10.23 | -7.1 | 6 |
| 3 | Barfruit Blues | -0.11 | -10.51 | -8.2 | 7 |
| 4 | Most People Are DJs | -0.11 | -10.64 | -8.0 | 7 |
| 5 | Certain Songs | -0.11 | -12.80 | -10.4 | 7 |
| 6 | Knuckles | -0.11 | -11.78 | -8.7 | 7 |
| 7 | Hostile, Mass. | -0.11 | -9.88 | -7.2 | 6 |
| 8 | Sketchy Metal | -0.11 | -11.43 | -9.1 | 7 |
| 9 | Sweet Payne | -0.11 | -11.70 | -9.0 | 7 |
| 10 | Killer Parties | -0.11 | -11.15 | -8.5 | 7 |
| 11 | Milkcrate Mosh | -0.11 | -13.09 | -10.6 | 8 |
| 12 | Hot Fries | -0.11 | -11.57 | -8.7 | 7 |
| 13 | Curves And Nerves | -0.11 | -12.10 | -9.2 | 8 |
| 14 | You Gotta Dance (With Who You Came To The Dance With) | -0.11 | -11.63 | -8.2 | 7 |
| 15 | Modesto Is Not That Sweet | -0.11 | -11.77 | -8.9 | 7 |