℗ 2010 Stunt Records
| Released | February 1, 2010 |
| Duration | 42m 55s |
| Record Label | Stunt Records |
| Catalogue No. | STUCD10022 |
| Genre | Jazz (Contemporary) |
|
1.1
|
Pica-Pau
Peter Rosendal |
3:39 | |||
|
1.2
|
Segundo
Peter Rosendal |
1:18 | |||
|
1.3
|
Olha Melancia
Peter Rosendal |
6:37 | |||
|
1.4
|
Casamento
Peter Rosendal |
3:12 | |||
|
1.5
|
Mariolas
Peter Rosendal |
2:57 | |||
|
1.6
|
Under Elmene
Peter Rosendal |
4:26 | |||
|
1.7
|
Livia
Peter Rosendal |
5:23 | |||
|
1.8
|
Quem Te Falou?
Peter Rosendal |
2:58 | |||
|
1.9
|
Flores para As Meninas
Peter Rosendal |
5:45 | |||
|
1.10
|
Maquina de Escrever
Peter Rosendal |
3:27 | |||
|
1.11
|
Bolha de Sabao
Peter Rosendal |
3:13 |
Danish jazz pianist Peter Rosendal recorded 2010's Pica-Pau with a guitarist and two horn players, a departure from his more typical solo recitals or trio albums. The songs reflect Rosendal's interest in and travels to Brazil, adding another level of complexity to his already accomplished music. The award-winning composer and musician has been described as "the Quentin Tarantino of Danish jazz"
by Denmark’s leading jazz magazine Jazz Special.
48 kHz / 24-bit PCM – Stunt Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.13 -14.07 to -2.90 | -29.79 -35.44 to -24.99 | -27.07 -31.90 to -23.10 | 14 13 to 15 | |
| 1 | Pica-Pau | -4.31 | -24.99 | -23.1 | 14 |
| 2 | Segundo | -14.07 | -35.44 | -31.9 | 13 |
| 3 | Olha Melancia | -2.90 | -26.36 | -23.7 | 15 |
| 4 | Casamento | -12.34 | -33.53 | -30.5 | 14 |
| 5 | Mariolas | -9.83 | -31.28 | -27.4 | 14 |
| 6 | Under Elmene | -9.12 | -28.06 | -26.2 | 13 |
| 7 | Livia | -8.14 | -30.36 | -28.1 | 15 |
| 8 | Quem Te Falou? | -3.90 | -25.77 | -23.6 | 14 |
| 9 | Flores para As Meninas | -6.41 | -27.97 | -25.5 | 14 |
| 10 | Maquina de Escrever | -5.01 | -29.69 | -26.9 | 15 |
| 11 | Bolha de Sabao | -13.34 | -34.21 | -30.9 | 13 |