℗ 2016 Ricercar
| Released | September 30, 2016 |
| Duration | 1h 04m 53s |
| Record Label | Ricercar |
| Catalogue No. | RIC370 |
| Genre | Classical (Vocal Ensemble) |
Roland de Lassus: Canticum canticorum
Chœur de Chambre de Namur, Clematis, Leonardo García Alarcón
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Osculetur me osculo
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
4:02 | |||
|
1.2
|
Veni in hortum meum
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
2:40 | |||
|
1.3
|
Tota pulchra es, amica mea
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
3:50 | |||
|
1.4
|
Vulnerasti cor meum
Roland de Lassus; Chœur de Chambre de Namur, Clematis; Leonardo García Alarcón |
2:23 | |||
|
1.5
|
Surge propera amica mea et veni
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
3:31 | |||
|
1.6
|
Quam pulchra es
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
5:50 | |||
|
1.7
|
Veni dilecte mi
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
3:46 | |||
|
1.8
|
Audi dulcis amica mea
Roland de Lassus; Chœur de Chambre de Namur; Clematis; Leonardo García Alarcón |
3:27 | |||
|
1.9
|
Magnificat super Ancor che col partire di Cipriano
Roland de Lassus; Chœur de Chambre de Namur; Leonardo García Alarcón |
8:29 | |||
|
Missa "Susanne un jour"
|
|||||
|
1.10
|
Kyrie
Roland de Lassus; Chœur de Chambre de Namur; Leonardo García Alarcón |
3:47 | |||
|
1.11
|
Gloria
Roland de Lassus; Chœur de Chambre de Namur; Leonardo García Alarcón |
5:23 | |||
|
1.12
|
Credo
Orlando di Lasso; Chœur de Chambre de Namur; Leonardo García Alarcón |
9:13 | |||
|
1.13
|
Sanctus
Roland de Lassus; Chœur de Chambre de Namur; Leonardo García Alarcón |
5:02 | |||
|
1.14
|
Agnus Dei
Roland de Lassus; Chœur de Chambre de Namur; Leonardo García Alarcón |
3:30 | |||
|
Digital Booklet
|
|||||
At the height of the Renaissance, the music of Orlande de Lassus frequently combined the emotion of both secular and religious compositions. With their erotic connotations, the texts of the Song of Songs are an ideal source for bringing together sacred and profane feelings. Lassus wrote one of his unitary masses based on his most famous song, Susanne un jour, while the Magnificat was composed on De Rore’s madrigal Ancor che col partire; these two religious works share themes borrowed from evocations of amorous turmoil. Leonardo García Alarcón leads the Choeur de Chambre de Namur, joined by the Baroque chamber ensemble Clematis on the Canticum canticorum.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.04 -7.76 to -0.89 | -23.87 -27.06 to -22.28 | -20.83 -24.10 to -19.20 | 13 12 to 14 | |
| 1 | Osculetur me osculo | -5.52 | -24.73 | -22.2 | 12 |
| 2 | Veni in hortum meum | -1.00 | -22.33 | -19.2 | 12 |
| 3 | Tota pulchra es, amica mea | -5.65 | -25.25 | -22.2 | 13 |
| 4 | Vulnerasti cor meum | -1.00 | -22.50 | -19.4 | 13 |
| 5 | Surge propera amica mea et veni | -1.26 | -22.28 | -19.2 | 12 |
| 6 | Quam pulchra es | -1.00 | -23.91 | -20.8 | 13 |
| 7 | Veni dilecte mi | -7.76 | -27.06 | -24.1 | 12 |
| 8 | Audi dulcis amica mea | -1.00 | -23.03 | -19.9 | 14 |
| 9 | Magnificat super Ancor che col partire di Cipriano | -3.10 | -24.26 | -20.7 | 13 |
| 10 | Kyrie | -4.61 | -24.14 | -21.1 | 12 |
| 11 | Gloria | -0.89 | -23.09 | -20.2 | 14 |
| 12 | Credo | -1.77 | -23.87 | -20.8 | 14 |
| 13 | Sanctus | -2.82 | -23.57 | -20.5 | 12 |
| 14 | Agnus Dei | -5.16 | -24.17 | -21.3 | 12 |