℗ 2018 Ondine
Released | June 8, 2018 |
Duration | 1h 44m 04s |
Record Label | Ondine |
Genre | Classical (Solo Instrumental) |
J.S. Bach: Sonatas, Partitas & Suites – Complete Arrangements for Solo Recorder
Bolette Roed
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Violin Partita No. 3 in E Major, BWV 1006 (Arr. F. Brüggen for Recorder)
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1.1
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I. Preludio
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
4:15 | |||
1.2
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III. Gavotte en rondeau
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:08 | |||
1.3
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V. Bourrée
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
1:40 | |||
1.4
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VI. Gigue
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
2:16 | |||
Violin Sonata No. 1 in G Minor, BWV 1001
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1.5
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I. Adagio (Arr. F. Brüggen for Recorder)
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:56 | |||
Violin Sonata No. 2 in A Minor, BWV 1003
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1.6
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IV. Allegro (Arr. F. Brüggen for Recorder)
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
7:20 | |||
Violin Sonata No. 3 in C Major, BWV 1005
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1.7
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IV. Allegro assai (Arr. F. Brüggen for Recorder)
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
6:05 | |||
Violin Partita No. 2 in D Minor, BWV 1004 (Arr. F. Brüggen for Recorder)
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1.8
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I. Allemanda
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
5:17 | |||
1.9
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II. Courante
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:06 | |||
1.10
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III. Sarabande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:56 | |||
1.11
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IV. Gigue
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
5:19 | |||
Cello Suite No. 1 in G Major, BWV 1007 (Arr. F. Brüggen for Recorder)
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2.1
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I. Prelude
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:08 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
4:46 | |||
2.3
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III. Courante
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
2:48 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
2:25 | |||
2.5
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V. Menuets I & II
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
2:52 | |||
2.6
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VI. Gigue
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
1:37 | |||
Cello Suite No. 2 in D Minor, BWV 1008 (Arr. F. Brüggen for Recorder)
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2.7
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I. Prelude
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:43 | |||
2.8
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II. Allemande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:44 | |||
2.9
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III. Courante
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
2:41 | |||
2.10
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IV. Sarabande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:34 | |||
2.11
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V. Menuets I & II
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:01 | |||
2.12
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VI. Gigue
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:05 | |||
Cello Suite No. 3 in C Major, BWV 1009 (Arr. F. Brüggen for Recorder)
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2.13
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I. Prelude
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:18 | |||
2.14
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II. Allemande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:35 | |||
2.15
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III. Courante
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:08 | |||
2.16
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IV. Sarabande
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:33 | |||
2.17
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V. Bourrées I & II
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:06 | |||
2.18
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VI. Gigue
Johann Sebastian Bach; Frans Brüggen; Bolette Roed |
3:42 | |||
Digital Booklet
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This new Ondine release by Danish-born recorder player Bolette Roed includes the music of Johann Sebastian Bach arranged for solo recorder. The works were arranged by Frans Brüggen (1934–2014), a famous Dutch recorder player and conductor, and one of the greatest exponents of the movement of historically informed performance practice.
Bolette Roed is an award-winning artist who regularly performs with major Danish orchestras as well as with early music ensembles and baroque orchestras in various countries. Roed strives to extend the instrument’s repertoire beyond its established role in Early Music, towards new frontiers of improvisation, folk, and world music. She aspires to adapt canonical classical works to the recorder, and remains in constant dialogue with, and commissions new works from, today’s composers.
96 kHz / 24-bit PCM – Ondine Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.47 -10.36 to -4.30 | -25.35 -27.67 to -22.86 | -22.09 -24.50 to -18.90 | 11 10 to 12 | |
1.1 | I. Preludio | -8.16 | -25.47 | -22.5 | 11 |
1.2 | III. Gavotte en rondeau | -8.61 | -26.31 | -23.4 | 11 |
1.3 | V. Bourrée | -8.42 | -26.84 | -24.1 | 12 |
1.4 | VI. Gigue | -10.36 | -27.61 | -24.5 | 11 |
1.5 | I. Adagio (Arr. F. Brüggen for Recorder) | -8.15 | -25.23 | -20.9 | 11 |
1.6 | IV. Allegro (Arr. F. Brüggen for Recorder) | -9.64 | -27.67 | -23.6 | 11 |
1.7 | IV. Allegro assai (Arr. F. Brüggen for Recorder) | -6.98 | -26.36 | -22.8 | 12 |
1.8 | I. Allemanda | -5.73 | -24.68 | -21.3 | 11 |
1.9 | II. Courante | -7.76 | -26.59 | -23.4 | 11 |
1.10 | III. Sarabande | -6.01 | -23.24 | -18.9 | 10 |
1.11 | IV. Gigue | -7.55 | -26.74 | -22.2 | 12 |
2.1 | I. Prelude | -6.68 | -24.85 | -21.7 | 10 |
2.2 | II. Allemande | -7.15 | -23.24 | -20.2 | 10 |
2.3 | III. Courante | -5.88 | -24.86 | -22.0 | 10 |
2.4 | IV. Sarabande | -8.45 | -25.28 | -22.2 | 10 |
2.5 | V. Menuets I & II | -8.30 | -25.79 | -22.9 | 11 |
2.6 | VI. Gigue | -9.44 | -26.52 | -23.2 | 10 |
2.7 | I. Prelude | -5.39 | -23.66 | -20.4 | 10 |
2.8 | II. Allemande | -6.40 | -24.69 | -21.7 | 10 |
2.9 | III. Courante | -5.44 | -23.38 | -20.3 | 11 |
2.10 | IV. Sarabande | -8.68 | -25.97 | -22.8 | 10 |
2.11 | V. Menuets I & II | -8.44 | -25.23 | -22.3 | 10 |
2.12 | VI. Gigue | -7.50 | -24.93 | -21.7 | 10 |
2.13 | I. Prelude | -5.95 | -23.88 | -20.9 | 11 |
2.14 | II. Allemande | -8.86 | -25.58 | -22.6 | 11 |
2.15 | III. Courante | -8.16 | -26.15 | -23.3 | 11 |
2.16 | IV. Sarabande | -4.30 | -22.86 | -19.4 | 10 |
2.17 | V. Bourrées I & II | -8.75 | -26.18 | -23.2 | 11 |
2.18 | VI. Gigue | -5.61 | -25.22 | -22.1 | 11 |