℗ 2024 Decca Music Group Limited
| Released | April 26, 2024 |
| Duration | 2h 32m 42s |
| Record Label | Universal Music Australia Pty. Ltd. |
| Genre | Classical |
Mozart: Die Entführung aus dem Serail; Turkish March; Opera Arias (Remastered 2024)
Wiener Philharmoniker, Josef Krips
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
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Die Entführung aus dem Serail, K. 384
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1.1
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Ouvertüre
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wiener Philharmoniker; Josef Krips |
4:36 | |||
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Die Entführung aus dem Serail, K. 384, Act I
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1.2
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Hier soll ich dich denn sehen
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Walther Ludwig; Wiener Philharmoniker; Josef Krips |
2:47 | |||
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1.3
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Wer ein Liebchen hat gefunden - Verwünscht seist du samt deinem Liede!
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Endre Koreh; Walther Ludwig; Peter Klein; Wiener Philharmoniker; Josef Krips |
7:25 | |||
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1.4
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Solche hergelaufne Laffen - Was bist du nur für ein Mensch! - Erst geköpft, dann gehangen
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Endre Koreh; Peter Klein; Walther Ludwig; Wiener Philharmoniker; Josef Krips |
6:41 | |||
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1.5
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Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Walther Ludwig; Peter Klein; Wiener Philharmoniker; Josef Krips |
5:12 | |||
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1.6
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Singt dem großen Bassa Lieder
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Heinz Woester; Wilma Lipp; Wiener Staatsopernchor; Wiener Philharmoniker; Josef Krips |
2:01 | |||
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1.7
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Ach ich liebte, war so glücklich
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wilma Lipp; Heinz Woester; Peter Klein; Walther Ludwig; Endre Koreh; Wiener Philharmoniker; Josef Krips |
6:20 | |||
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1.8
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Marsch! Trollt euch fort!
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Endre Koreh; Walther Ludwig; Peter Klein; Wiener Philharmoniker; Josef Krips |
2:07 | |||
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Die Entführung aus dem Serail, K. 384, Act II
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1.9
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Durch Zärtlichkeit und Schmeicheln
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Emmy Loose; Endre Koreh; Wiener Philharmoniker; Josef Krips |
5:12 | |||
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1.10
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Ich gehe, doch rate ich dir
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Endre Koreh; Emmy Loose; Wiener Philharmoniker; Josef Krips |
3:28 | |||
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1.11
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Traurigkeit ward mir zum Lose
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wilma Lipp; Heinz Woester; Wiener Philharmoniker; Josef Krips |
5:34 | |||
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1.12
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Martern aller Arten
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wilma Lipp; Wiener Philharmoniker; Josef Krips |
9:12 | |||
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1.13
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Welche Wonne, welche Lust
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Emmy Loose; Peter Klein; Wiener Philharmoniker; Josef Krips |
2:42 | |||
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1.14
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Frisch zum Kampfe
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Peter Klein; Endre Koreh; Wiener Philharmoniker; Josef Krips |
4:11 | |||
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1.15
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Vivat Bacchus! Bacchus lebe!
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wiener Philharmoniker; Josef Krips; Peter Klein; Endre Koreh |
3:27 | |||
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1.16
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Wenn der Freude Tränen fließen
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Walther Ludwig; Wiener Philharmoniker; Josef Krips |
5:15 | |||
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1.17
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Ach Belmonte! Ach, mein Leben!
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wilma Lipp; Walther Ludwig; Peter Klein; Emmy Loose; Wiener Philharmoniker; Josef Krips |
9:58 | |||
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Die Entführung aus dem Serail, K. 384, Act III
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1.18
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In Mohrenland gefangen war
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Peter Klein; Walther Ludwig; Wilma Lipp; Endre Koreh; Emmy Loose; Wiener Philharmoniker; Josef Krips |
3:40 | |||
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1.19
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Ha, wie will ich triumphieren
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Endre Koreh; Heinz Woester; Wilma Lipp; Walther Ludwig; Wiener Philharmoniker; Josef Krips |
4:17 | |||
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1.20
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Welch ein Geschick - Meinetwegen willst du sterben
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Walther Ludwig; Wilma Lipp; Heinz Woester; Peter Klein; Endre Koreh; Wiener Philharmoniker; Josef Krips |
8:24 | |||
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1.21
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Nie werd' ich deine Huld verkennen - Bassa Selim lebe lange
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Walther Ludwig; Wilma Lipp; Emmy Loose; Peter Klein; Endre Koreh; Wiener Philharmoniker; Josef Krips |
4:20 | |||
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1.22
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Bassa Selim lebe lange
Wolfgang Amadeus Mozart; Gottlieb Stephanie the Younger; Christoph Friedrich Bretzner; Wiener Staatsopernchor; Wiener Philharmoniker; Josef Krips |
1:37 | |||
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Piano Sonata No. 11 in A Major, K. 331 - Arr. Orchestra
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1.23
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3. Turkish March
Wolfgang Amadeus Mozart; Harbeck; Wiener Philharmoniker; Josef Krips |
3:20 | |||
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Le nozze di Figaro, K. 492, Act II
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1.24
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Porgi amor
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Pierre Augustin Caron de Beaumarchais; Maria Reining; Wiener Philharmoniker; Josef Krips |
3:38 | |||
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Le nozze di Figaro, K. 492, Act III
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1.25
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E Susanna non vien!... Dove sono i bei momenti
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Pierre Augustin Caron de Beaumarchais; Maria Reining; Wiener Philharmoniker; Josef Krips |
6:51 | |||
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Die Zauberflöte, K. 620, Act II
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1.26
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Ach, ich fühl's, es ist verschwunden
Wolfgang Amadeus Mozart; Emanuel Johann Josef Schikaneder; Lisa Della Casa; Orchestre de la Suisse Romande; Victor Reinshagen |
4:34 | |||
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Le nozze di Figaro, K. 492, Act II
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1.27
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Voi che sapete (Sung in German)
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Pierre Augustin Caron de Beaumarchais; Lisa Della Casa; Orchestre de la Suisse Romande; Victor Reinshagen |
3:09 | |||
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Don Giovanni, K. 527, Act I
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1.28
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Madamina, il catalogo è questo
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Paul Schöffler; Wiener Philharmoniker; Karl Böhm |
5:31 | |||
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Le nozze di Figaro, K. 492, Act I
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1.29
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Non più andrai
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Pierre Augustin Caron de Beaumarchais; Paul Schöffler; Wiener Philharmoniker; Karl Böhm |
3:42 | |||
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Die Zauberflöte, K. 620, Act I
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1.30
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Dies Bildnis ist bezaubernd schön
Wolfgang Amadeus Mozart; Emanuel Johann Josef Schikaneder; Anton Dermota; Karl Böhm; Wiener Philharmoniker |
4:10 | |||
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Don Giovanni, K. 527, Act I
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1.31
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Dalla sua pace
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Anton Dermota; Karl Böhm; Wiener Philharmoniker |
4:51 | |||
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Don Giovanni, K. 527, Act II
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1.32
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Il mio tesoro intanto
Wolfgang Amadeus Mozart; Lorenzo Da Ponte; Anton Dermota; Wiener Philharmoniker; Karl Böhm |
4:30 | |||
Born and raised in Vienna, Josef Krips trained as a choirboy and studied with Felix Weingartner, who then hired him as a repetiteur at the Volksoper. He his debut there in 1921, before graduating to the Vienna State Opera in 1933. In the aftermath of the Second World War, it was Krips above all who reformed and re-trained the State Opera as a world-class ensemble, and in the most difficult conditions. His pragmatism and understated authority made him a model recording conductor, and Decca hired him to work with orchestras in several of their centres of activity.
Mozart was forever Krips’s hero: ‘My maxim is that everything has to sound as though it were by Mozart, or it will be a bad performance. When you perform Mozart, everything has to be crystal clear, everything has to be in balance and everything has to have a relaxed sound.’
Compiled here for the first time, as one of a two-volume Krips edition, are the conductor’s complete mono recordings for Decca beginning with Kingsway Hall sessions in October 1947. Mozart symphonies, concertos, overtures and arias appeared on 78s – newly transferred for this set by Andrew Hallifax. From the early LP era comes the first-ever complete recording of Die Entführung aus dem Serail, with a cast entirely drawn from the Vienna State Opera company, and (also from 1950) a remarkably forward-looking account of the Requiem, recorded with a cathedral-style all-male chorus including boys on the top line, much closer to Mozart’s world than contemporary, symphonic-style versions of the piece.
Combined with Decca’s famous ‘ffrr’ sound, these Mozartian qualities also illuminate Krips’s mono recordings of symphonies by Haydn, Beethoven, Brahms and Schubert, concertos by Schumann and Dvořák, Johann Strauss waltzes and a version of Mendelssohn’s Elijah which combines the best of the British oratorio tradition with an operatic momentum and a gently glowing orchestral palette.
Distinguished soloists on these recordings include Clifford Curzon and Mischa Elman in Mozart; Zara Nelsova in Dvořák’s Cello Concerto; and Hilde Gueden, Maria Reining, Anton Dermota and Richard Lewis singing opera arias (recorded on 78, several receiving their first digital transfer in this box).
48 kHz / 24-bit PCM – Universal Music Australia Pty. Ltd. Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.43 -7.83 to -0.77 | -23.71 -32.78 to -17.78 | -19.29 -28.20 to -13.80 | 11 9 to 18 | |
| 1 | Ouvertüre | -3.56 | -24.09 | -19.2 | 13 |
| 2 | Hier soll ich dich denn sehen | -5.00 | -24.06 | -18.6 | 11 |
| 3 | Wer ein Liebchen hat gefunden - Verwünscht seist du samt deinem Liede! | -1.65 | -20.74 | -16.7 | 11 |
| 4 | Solche hergelaufne Laffen - Was bist du nur für ein Mensch! - Erst geköpft, dann gehangen | -0.77 | -22.83 | -17.8 | 13 |
| 5 | Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig | -4.20 | -24.70 | -20.6 | 13 |
| 6 | Singt dem großen Bassa Lieder | -2.08 | -18.62 | -14.5 | 10 |
| 7 | Ach ich liebte, war so glücklich | -5.73 | -23.24 | -18.9 | 10 |
| 8 | Marsch! Trollt euch fort! | -1.36 | -17.78 | -13.8 | 10 |
| 9 | Durch Zärtlichkeit und Schmeicheln | -4.26 | -24.61 | -19.6 | 12 |
| 10 | Ich gehe, doch rate ich dir | -3.02 | -21.07 | -17.1 | 11 |
| 11 | Traurigkeit ward mir zum Lose | -6.25 | -25.02 | -20.2 | 10 |
| 12 | Martern aller Arten | -2.99 | -20.94 | -16.8 | 10 |
| 13 | Welche Wonne, welche Lust | -3.10 | -19.18 | -15.4 | 9 |
| 14 | Frisch zum Kampfe | -3.39 | -23.17 | -18.1 | 11 |
| 15 | Vivat Bacchus! Bacchus lebe! | -2.21 | -22.08 | -17.5 | 12 |
| 16 | Wenn der Freude Tränen fließen | -6.45 | -26.55 | -22.2 | 13 |
| 17 | Ach Belmonte! Ach, mein Leben! | -2.27 | -21.14 | -16.8 | 11 |
| 18 | In Mohrenland gefangen war | -5.64 | -32.78 | -28.2 | 18 |
| 19 | Ha, wie will ich triumphieren | -4.57 | -26.24 | -22.0 | 14 |
| 20 | Welch ein Geschick - Meinetwegen willst du sterben | -4.00 | -22.16 | -17.7 | 10 |
| 21 | Nie werd' ich deine Huld verkennen - Bassa Selim lebe lange | -2.68 | -22.29 | -18.6 | 12 |
| 22 | Bassa Selim lebe lange | -3.38 | -19.57 | -15.1 | 10 |
| 23 | 3. Turkish March | -5.56 | -24.48 | -20.0 | 12 |
| 24 | Porgi amor | -5.69 | -23.56 | -19.1 | 9 |
| 25 | E Susanna non vien!... Dove sono i bei momenti | -3.24 | -22.57 | -19.1 | 10 |
| 26 | Ach, ich fühl's, es ist verschwunden | -6.41 | -28.69 | -24.1 | 12 |
| 27 | Voi che sapete (Sung in German) | -7.76 | -27.93 | -22.9 | 11 |
| 28 | Madamina, il catalogo è questo | -7.61 | -27.52 | -23.3 | 12 |
| 29 | Non più andrai | -6.83 | -24.83 | -21.0 | 12 |
| 30 | Dies Bildnis ist bezaubernd schön | -7.60 | -26.59 | -21.3 | 11 |
| 31 | Dalla sua pace | -4.79 | -23.83 | -19.4 | 11 |
| 32 | Il mio tesoro intanto | -7.83 | -25.84 | -21.8 | 11 |