℗ 2019 Ondine
Released | September 13, 2019 |
Duration | 1h 04m 19s |
Record Label | Ondine |
Catalogue No. | ODE1337-2 |
Genre | Classical (Sacred) |
Liszt: Via crucis, S. 53 - Pärt: Sacred Choral Works
Estonian Philharmonic Chamber Choir, Kaspars Putniņš, Kalle Randalu
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Solfeggio (Version for Chorus)
Arvo Pärt; Estonian Philharmonic Chamber Choir; Kaspars Putniņš |
3:28 | |||
1.2
|
Summa (Version for Chorus)
Arvo Pärt; Estonian Philharmonic Chamber Choir; Kaspars Putniņš |
6:21 | |||
1.3
|
Zwei Beter
Arvo Pärt; Estonian Philharmonic Chamber Choir; Kaspars Putniņš |
5:25 | |||
1.4
|
The Woman with the Alabaster Box
Arvo Pärt; Estonian Philharmonic Chamber Choir; Kaspars Putniņš |
5:57 | |||
Via crucis, S. 53
|
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1.5
|
Vexilla regis
Franz Liszt; Ülle Tuisk; Maarja Helstein; Joosep Trumm; Rainer Vilu; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
4:23 | |||
1.6
|
I. Jesus wird zum Tode verdammt
Franz Liszt; Aarne Talvik; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
1:22 | |||
1.7
|
II. Jesus trägt sein Kreuz
Franz Liszt; Olari Viikholm; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
2:21 | |||
1.8
|
III. Jesus fällt zum ersten Mal
Franz Liszt; Annika Lõhmus; Miina Pärn; Cätly Talvik; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
1:26 | |||
1.9
|
IV. Jesus begegnet seiner heiligen Mutter
Franz Liszt; Kalle Randalu |
2:15 | |||
1.10
|
V. Simon von Kyrene hilft Jesus das Kreuz tragen
Franz Liszt; Kalle Randalu |
3:09 | |||
1.11
|
VI. Sancta Veronica
Franz Liszt; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
2:29 | |||
1.12
|
VII. Jesus fällt zum zweiten Mal
Franz Liszt; Annika Lõhmus; Miina Pärn; Cätly Talvik; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
1:26 | |||
1.13
|
VIII. Die Frauen von Jerusalem
Franz Liszt; Olari Viikholm; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
3:05 | |||
1.14
|
IX. Jesus fällt zum dritten Mal
Franz Liszt; Annika Lõhmus; Miina Pärn; Cätly Talvik; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
1:32 | |||
1.15
|
X. Jesus wird entkleidet
Franz Liszt; Kalle Randalu |
1:46 | |||
1.16
|
XI. Jesus wird ans Kreuz gsechlagen
Franz Liszt; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
0:58 | |||
1.17
|
XII. Jesus stirbt am Kreuze
Franz Liszt; Olari Viikholm; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
7:41 | |||
1.18
|
XIII. Jesus wird vom Kreuz genommen
Franz Liszt; Annika Lõhmus; Miina Pärn; Cätly Talvik; Kalle Randalu |
3:50 | |||
1.19
|
XIV. Jesus wird ins Grab gelegt
Franz Liszt; Marianne Pärna; Estonian Philharmonic Chamber Choir; Kalle Randalu; Kaspars Putniņš |
5:25 | |||
Digital Booklet
|
This release by the award-winning Estonian Philharmonic Chamber Choir under the direction of its artistic director and chief conductor Kaspars Putniņš includes Franz Liszt’s (1881–1886) mystery-filled religious vocal work "Via Crucis" as well as four enigmatic and spiritual choral works by Estonian composer Arvo Pärt (b. 1935).
Liszt’s "Via Crucis" is one of his religious masterpieces and represents his late modern and somewhat austere style. Liszt joined the Franciscan Order in Rome in 1865 and remained as a devout Catholic until the end of his life. Through the process Liszt became deeply interested in the Gregorian chant and the works of Palestrina. His stay in Rome inside the Vatican walls inspired him to write several religious works, including the "Via Crucis". During Liszt’s lifetime, and even today, his religious works were somewhat neglected: "Via Crucis" was completed in 1879 but not premiered until 1929. The version in this recording is for choir and piano and features Kalle Randalu, one of Estonia’s internationally most well-known pianists.
This album also includes Arvo Pärt’s first choral work, "Solfeggio", from the 1960s, which is already looking towards his later style. Pärt has described his Summa from 1977 as his “most strict and enigmatic work” in his series of works in his now famous tintinnabuli style. The two other choral works are based on biblical narratives from the Gospels of Luke and Matthew.
96 kHz / 24-bit PCM – Ondine Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.64 -16.65 to -6.40 | -33.60 -42.09 to -26.16 | -28.75 -37.90 to -20.90 | 14 11 to 17 | |
1 | Solfeggio (Version for Chorus) | -8.56 | -31.01 | -25.8 | 12 |
2 | Summa (Version for Chorus) | -10.94 | -34.72 | -31.1 | 15 |
3 | Zwei Beter | -7.02 | -31.46 | -25.5 | 14 |
4 | The Woman with the Alabaster Box | -8.32 | -34.72 | -30.5 | 15 |
5 | Vexilla regis | -9.61 | -29.37 | -25.3 | 12 |
6 | I. Jesus wird zum Tode verdammt | -6.95 | -27.76 | -23.8 | 13 |
7 | II. Jesus trägt sein Kreuz | -8.50 | -33.39 | -30.1 | 14 |
8 | III. Jesus fällt zum ersten Mal | -7.11 | -31.00 | -23.7 | 12 |
9 | IV. Jesus begegnet seiner heiligen Mutter | -13.68 | -41.59 | -37.3 | 16 |
10 | V. Simon von Kyrene hilft Jesus das Kreuz tragen | -13.66 | -38.69 | -35.5 | 16 |
11 | VI. Sancta Veronica | -9.70 | -33.72 | -29.1 | 13 |
12 | VII. Jesus fällt zum zweiten Mal | -6.40 | -30.80 | -23.7 | 13 |
13 | VIII. Die Frauen von Jerusalem | -6.91 | -31.05 | -26.2 | 14 |
14 | IX. Jesus fällt zum dritten Mal | -6.44 | -30.82 | -22.3 | 13 |
15 | X. Jesus wird entkleidet | -15.23 | -36.30 | -32.9 | 12 |
16 | XI. Jesus wird ans Kreuz gsechlagen | -7.09 | -26.16 | -20.9 | 11 |
17 | XII. Jesus stirbt am Kreuze | -6.52 | -35.92 | -30.6 | 17 |
18 | XIII. Jesus wird vom Kreuz genommen | -16.65 | -42.09 | -37.9 | 16 |
19 | XIV. Jesus wird ins Grab gelegt | -13.77 | -37.93 | -34.1 | 15 |