℗ 2016 UMG Recordings, Inc.; A Mercury Records Release
Released November 4, 1997
Duration 1h 00m 03s
Record Label Mercury Nashville
Genre Country
 

Come On Over (Standard Version)

Shania Twain

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
Man! I Feel Like A Woman!
Shania Twain
3:54
1.2
I'm Holdin' On To Love (To Save My Life)
Shania Twain
3:29
1.3
Love Gets Me Every Time
Shania Twain
3:32
1.4
Don't Be Stupid (You Know I Love You)
Shania Twain
3:35
1.5
From This Moment On
Shania Twain
4:41
1.6
Come On Over
Shania Twain
2:54
1.7
When
Shania Twain
3:39
1.8
Whatever You Do! Don't!
Shania Twain
3:49
1.9
If You Wanna Touch Her, Ask!
Shania Twain
4:04
1.10
You're Still The One
Shania Twain
3:32
1.11
Honey, I'm Home
Shania Twain
3:35
1.12
That Don't Impress Me Much (Edit)
Shania Twain
3:39
1.13
Black Eyes, Blue Tears
Shania Twain
3:40
1.14
I Won't Leave You Lonely
Shania Twain
4:12
1.15
Rock This Country!
Shania Twain
4:22
1.16
You've Got A Way
Shania Twain
3:26
Billboard 200 - #195, 1997 Canada Top Albums - #7, 1997 Billboard 200 - #3, 1999 "Come On Over presents a game-changing record for country music that infused millions upon millions of fans and dollars into the genre. The fact that it did so while also being sonically and lyrically adventurous is inspiring. Even the most ardent of outlaw country loyalists need to give this record the respect it deserves." - Jeremy Burchard, Wide Open Country This third studio album from Canadian country singer Shania Twain successfully broke free of country music stereotypes creating an instant crossover success and rewriting the western music rulebook. The substantial rock influence of Twain's producer Robert John "Mutt" Lange allowed the pair to transcend Nashville formulas.
96 kHz / 24-bit PCM – Mercury Nashville Studio Masters

This album contains high-resolution digital transfers of material originating from an analogue master source. Tracks 1-16 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.12
-0.48 to 0.00
-13.34
-14.08 to -12.04
-10.10
-10.80 to -8.70
8
7 to 9
1
Man! I Feel Like A Woman!
-0.34-13.98-10.69
2
I'm Holdin' On To Love (To Save My Life)
0.00-13.77-10.69
3
Love Gets Me Every Time
-0.22-13.40-10.18
4
Don't Be Stupid (You Know I Love You)
-0.04-13.46-10.28
5
From This Moment On
0.00-14.07-10.88
6
Come On Over
-0.48-13.38-10.18
7
When
-0.06-12.26-8.97
8
Whatever You Do! Don't!
0.00-13.97-10.48
9
If You Wanna Touch Her, Ask!
-0.17-12.73-9.88
10
You're Still The One
0.00-14.08-10.68
11
Honey, I'm Home
-0.15-12.61-9.37
12
That Don't Impress Me Much (Edit)
-0.08-14.04-10.79
13
Black Eyes, Blue Tears
-0.09-12.55-9.37
14
I Won't Leave You Lonely
-0.24-13.34-10.78
15
Rock This Country!
-0.01-12.04-8.77
16
You've Got A Way
0.00-13.70-10.88

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions