℗ 2021 Nina Kotova under exclusive licence to Parlophone Records Limited
| Released | September 10, 2021 |
| Duration | 1h 05m 27s |
| Record Label | Warner Classics |
| Genre | Classical (Concerto) |
Romantic Recital
Nina Kotova
Available in MQA and 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Cello Sonata No. 1 in E Minor, Op. 38
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1.1
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I. Allegro non troppo
Johannes Brahms; Nina Kotova |
14:22 | |||
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1.2
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II. Allegretto quasi menuetto
Johannes Brahms; Nina Kotova |
5:24 | |||
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1.3
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III. Allegro
Johannes Brahms; Nina Kotova |
6:35 | |||
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Cello Suite No. 2 in D Minor, Op. 131c/2
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1.4
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I. Präludium (Largo)
Max Reger; Nina Kotova |
6:10 | |||
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1.5
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II. Gavotte (Allegretto)
Max Reger; Nina Kotova |
4:21 | |||
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1.6
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III. Largo
Max Reger; Nina Kotova |
5:05 | |||
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1.7
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IV. Gigue (Vivace)
Max Reger; Nina Kotova |
3:33 | |||
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Fantasiestücke, Op. 73
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1.8
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I. Zart und mit Ausdruck
Robert Schumann; Nina Kotova |
3:26 | |||
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1.9
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II. Lebhaft, leicht
Robert Schumann; Nina Kotova |
3:41 | |||
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1.10
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III. Rasch und mit Feuer
Robert Schumann; Nina Kotova |
4:13 | |||
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1.11
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Adagio and Allegro in A-Flat Major, Op. 70
Robert Schumann; Nina Kotova |
8:37 | |||
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Digital Booklet
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“A talent to reckon with: poised, committed, graceful and spirited,” is how the Los Angeles Times has described the Russian-American cellist Nina Kotova. Her Warner Classics catalogue already includes an album of sonatas by Rachmaninov. It is now joined by a programme of German Romantic music which she recorded with the Brazilian-born pianist José Feghali, a laureate of the Van Cliburn Competition who died aged just 53 in 2014. Spanning 65 years of musical history, the recital comprises works by Schumann and Brahms, who were close friends, and by Max Reger. He drew inspiration for his Suite No. 2 for solo cello, composed in 1914, from Pablo Casals’s advocacy of Bach’s solo suites.
88.2 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.24 -5.06 to -0.11 | -19.00 -25.36 to -13.07 | -16.09 -22.10 to -10.30 | 11 7 to 13 | |
| 1 | I. Allegro non troppo | -0.30 | -18.01 | -15.0 | 10 |
| 2 | II. Allegretto quasi menuetto | -0.30 | -18.59 | -15.8 | 12 |
| 3 | III. Allegro | -0.30 | -14.63 | -11.9 | 8 |
| 4 | I. Präludium (Largo) | -1.17 | -20.03 | -17.1 | 12 |
| 5 | II. Gavotte (Allegretto) | -2.81 | -22.59 | -19.4 | 13 |
| 6 | III. Largo | -5.06 | -25.36 | -22.1 | 11 |
| 7 | IV. Gigue (Vivace) | -2.67 | -20.59 | -17.9 | 12 |
| 8 | I. Zart und mit Ausdruck | -0.30 | -20.09 | -17.3 | 13 |
| 9 | II. Lebhaft, leicht | -0.30 | -19.07 | -16.2 | 12 |
| 10 | III. Rasch und mit Feuer | -0.11 | -13.07 | -10.3 | 7 |
| 11 | Adagio and Allegro in A-Flat Major, Op. 70 | -0.30 | -17.00 | -14.0 | 10 |