℗ 2021 Elektra Records; A Low Country Sound/ Elektra Records Release:,
| Released | August 20, 2021 |
| Duration | 42m 12s |
| Record Label | Low Country Sound/Elektra |
| Genre | Singer/Songwriter |
Maybe We Never Die
Anderson East
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Maybe We Never Die
Anderson East |
4:29 | |||
|
1.2
|
Lights On
Anderson East |
3:32 | |||
|
1.3
|
Madelyn
Anderson East |
3:15 | |||
|
1.4
|
Drugs
Anderson East |
3:06 | |||
|
1.5
|
I Hate You
Anderson East |
2:46 | |||
|
1.6
|
Hood of My Car
Anderson East |
5:08 | |||
|
1.7
|
Falling
Anderson East |
2:39 | |||
|
1.8
|
Jet Black Pontiac
Anderson East |
2:57 | |||
|
1.9
|
Like Nothing Ever Happened
Anderson East |
3:11 | |||
|
1.10
|
If You Really Love Me
Anderson East |
4:11 | |||
|
1.11
|
Just You & I
Anderson East |
3:18 | |||
|
1.12
|
Interstellar Outer Space
Anderson East |
3:40 |
Maybe We Never Die, Anderson East's third release for Elektra/Low Country Sound takes the Alabama born, Nashville-based singer-songwriter’s seductively vintage voice in a decidedly fresh direction. The 12 tracks flow together with an overarching sense of ambience but maintain distinct musical boundaries. The energy toggles between a hunger for vulnerability in togetherness and a clinging to solitude as a romantic self-defense. There is consternation with the speed and volume at which the world operates and solace to be found in the simple act of getting up and going. And the beguiling title track, with its woozy strings swirling around East’s celestial falsetto as it curls towards the ceiling like smoke is, as they say, a whole mood; a sense of a single night’s dusk-to-sunrise contemplation. Collaborating once again with Dave Cobb along with longtime bandleader and now co-producer Philip Towns, East has found an enticing new avenue, one that maintains a connection to his past but keeps his eyes on the road ahead.
96 kHz / 24-bit PCM – Low Country Sound/Elektra Studio Masters
Track 5 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 5 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.10 -0.10 to -0.10 | -10.11 -12.59 to -8.80 | -8.08 -10.80 to -7.00 | 5 5 to 6 | |
| 1 | Maybe We Never Die | -0.10 | -10.44 | -8.4 | 5 |
| 2 | Lights On | -0.10 | -10.89 | -8.5 | 6 |
| 3 | Madelyn | -0.10 | -9.31 | -7.3 | 5 |
| 4 | Drugs | -0.10 | -9.07 | -7.0 | 5 |
| 5 | I Hate You | -0.10 | -9.58 | -7.3 | 5 |
| 6 | Hood of My Car | -0.10 | -10.20 | -7.6 | 6 |
| 7 | Falling | -0.10 | -8.80 | -7.1 | 5 |
| 8 | Jet Black Pontiac | -0.10 | -9.92 | -8.0 | 5 |
| 9 | Like Nothing Ever Happened | -0.10 | -12.59 | -10.8 | 6 |
| 10 | If You Really Love Me | -0.10 | -10.52 | -8.4 | 6 |
| 11 | Just You & I | -0.10 | -10.06 | -8.6 | 5 |
| 12 | Interstellar Outer Space | -0.10 | -9.93 | -8.0 | 5 |