1.1
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Freedom Jazz Dance
Marc Johnson |
6:47 | |||
1.2
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Nardis
Marc Johnson |
5:18 | |||
1.3
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Samurai Fly
Marc Johnson |
4:20 | |||
1.4
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Love Theme from Spartacus
Marc Johnson |
4:23 | |||
1.5
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Life of Pai
Marc Johnson |
4:25 | |||
1.6
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And Strike Each Tuneful String
Marc Johnson |
7:20 | |||
1.7
|
Yin and Yang
Marc Johnson |
4:16 | |||
1.8
|
Whorled Whirled World
Marc Johnson |
6:32 | |||
Digital Booklet
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With Overpass, Marc Johnson makes a decisive and intriguing contribution to ECM’s solo bass tradition. Johnson’s experiments with the bass and its potential as a lead voice began during his tenure with the Bill Evans Trio, where his nightly solo feature on “Nardis”, Miles Davis’s tune, inspired him to new ideas. “Nardis” is revisited on this new studio album recorded in São Paulo, Brazil, alongside Alex North’s “Love Theme from Spartacus” (another Evans Trio favourite), Eddie Harris’s “Freedom Jazz Dance” and five Johnson originals including “Samurai Fly”, a recasting of “Samurai Hee-Haw”, which Marc previously recorded for ECM with his Bass Desires band and with the John Abercrombie Trio.
96 kHz / 24-bit PCM – ECM Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.02 -1.51 to -0.75 | -21.06 -24.47 to -18.59 | -18.93 -21.90 to -16.50 | 13 11 to 15 | |
1 | Freedom Jazz Dance | -0.75 | -19.63 | -17.9 | 12 |
2 | Nardis | -0.85 | -20.66 | -18.7 | 13 |
3 | Samurai Fly | -1.51 | -18.59 | -16.5 | 11 |
4 | Love Theme from Spartacus | -0.93 | -24.47 | -21.9 | 15 |
5 | Life of Pai | -0.80 | -22.24 | -19.5 | 14 |
6 | And Strike Each Tuneful String | -0.76 | -19.11 | -17.5 | 12 |
7 | Yin and Yang | -1.30 | -21.21 | -17.9 | 13 |
8 | Whorled Whirled World | -1.26 | -22.59 | -21.5 | 15 |