℗ 2021 Signum Records
| Released | November 19, 2021 |
| Duration | 1h 10m 07s |
| Record Label | Signum Records |
| Catalogue No. | SIGCD694 |
| Genre | Classical (Crossover) |
Labyrinths
Orchestra of the Swan, Daniele Rosina
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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On the Nature of Daylight
Max Richter; Orchestra of the Swan; Daniele Rosina |
7:10 | |||
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Gli Uccelli
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1.2
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II. La Columba
Ottorino Respighi; Orchestra of the Swan; Victoria Brawn; Daniele Rosina |
4:46 | |||
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1.3
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La Rotta (Arrr. David Le Page)
Anonymous; Orchestra of the Swan; Guy Schalom; Trish Clowes; Daniele Rosina |
3:55 | |||
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Mit Fried und Freud ich fahr dahin, Bux WV 76
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1.4
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Lamentation
Benjamin Britten; Orchestra of the Swan; Nicky Spence; Francesca Moore-Bridger; Daniele Rosina |
4:39 | |||
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1.5
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Cold Genius from King Arthur
Jim Moray; Henry Purcell; Orchestra of the Swan; Jim Moray; Daniele Rosina |
2:48 | |||
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1.6
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A Prayer
David Le Page; Orchestra of the Swan; David Le Page; Daniele Rosina |
5:30 | |||
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Confessions
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1.7
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Dog and Frog
Nico Muhly; Orchestra of the Swan; David Gordon; Mark Ashford; Diane Clarke; Daniele Rosina |
2:37 | |||
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1.8
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William of Barbary (Arr. Jim Moray)
Anonymous; Orchestra of the Swan; Daniele Rosina |
3:55 | |||
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1.9
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Comptine d’un autre été, l'après-Midi (Arr. for Violin, Harp & Orchestra by David Le Page)
Yann Tiersen; Orchestra of the Swan; David Le Page; Eleanor Turner; Daniele Rosina |
2:29 | |||
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1.10
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Oblivion (Arr. for Clarinet & Orchestra by Eduardo Garcia)
Astor Piazzolla; Orchestra of the Swan; Sally Harrop; Daniele Rosina |
4:40 | |||
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1.11
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New Dawn Fades (Arr. for Violin & Orchestra by David Le Page)
Ian Curtis; Bernard Sumner; Stephen Morris; Peter Hook; Orchestra of the Swan; David Le Page; Daniele Rosina |
6:11 | |||
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1.12
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Bounce
Trish Clowes; Orchestra of the Swan; Trish Clowes; Daniele Rosina |
3:15 | |||
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Serenade for Tenor, Horn and Strings
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1.13
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II. Pastoral
Benjamin Britten; Orchestra of the Swan; Nicky Spence; Francesca Moore-Bridger; Daniele Rosina |
3:29 | |||
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1.14
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See Emily Play (Arr. for Violin & Orchestra by David Le Page)
Syd Barrett; Orchestra of the Swan; Trish Clowes; Daniele Rosina |
3:11 | |||
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The Yellow Cake Review
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1.15
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I. Farewell to Stromness (Arr. for Violin & Orchestra by Rosemary Furniss)
Peter Maxwell Davies; Orchestra of the Swan; David Le Page; Daniele Rosina |
5:08 | |||
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1.16
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An Ending (Ascent / Arr. for Violin, Harp & Orchestra by David Le Page)
Brian Eno; Orchestra of the Swan; David Le Page; Eleanor Turner; Daniele Rosina |
6:24 | |||
Following the success of their last album, Timelapse, this new album from Orchestra of the Swan is a collection of extraordinary works connected by ideas of pilgrimage, contemplation, exploration and enlightenment through the works of composers such as Richter, Respighi, Britten, Piazzolla, Brian Eno, Nico Muhly, Joy Division and more. As with Timelapse, the joy is to be found in discovering the surprising and delightful connections between culturally disparate and musically contrasting time periods. Labyrinths have been an important part of humanity’s cultural landscape for thousands of years; from the Ancient Greek myth of Theseus and the Minotaur to the intriguing stories of Jorge Luis Borges and Umberto Eco. Our overwhelming desire to find patterns and ‘the hidden truth’ is perhaps nowhere more evident than in the subversive and complex vistas of music.
Formed in 1995, Orchestra of the Swan is a British chamber orchestra which, under the artistic direction of David Le Page, is passionate about audience inclusivity and blurring the lines between genres, through its adventurous and accessible programming.
96 kHz / 24-bit PCM – Signum Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.95 -7.06 to -0.18 | -25.16 -31.16 to -21.79 | -21.68 -26.70 to -18.20 | 13 11 to 16 | |
| 1 | On the Nature of Daylight | -2.79 | -25.56 | -22.0 | 13 |
| 2 | II. La Columba | -4.94 | -25.75 | -22.0 | 11 |
| 3 | La Rotta (Arrr. David Le Page) | -2.99 | -21.83 | -19.0 | 12 |
| 4 | Lamentation | -5.02 | -26.04 | -22.4 | 13 |
| 5 | Cold Genius from King Arthur | -3.61 | -27.85 | -24.3 | 16 |
| 6 | A Prayer | -1.65 | -24.15 | -21.2 | 15 |
| 7 | Dog and Frog | -6.48 | -31.16 | -26.7 | 13 |
| 8 | William of Barbary (Arr. Jim Moray) | -5.23 | -24.06 | -20.7 | 12 |
| 9 | Comptine d’un autre été, l'après-Midi (Arr. for Violin, Harp & Orchestra by David Le Page) | -7.06 | -28.04 | -25.0 | 12 |
| 10 | Oblivion (Arr. for Clarinet & Orchestra by Eduardo Garcia) | -4.78 | -23.92 | -20.9 | 11 |
| 11 | New Dawn Fades (Arr. for Violin & Orchestra by David Le Page) | -3.38 | -27.25 | -22.8 | 16 |
| 12 | Bounce | -2.83 | -21.79 | -18.9 | 12 |
| 13 | II. Pastoral | -0.18 | -22.04 | -18.2 | 12 |
| 14 | See Emily Play (Arr. for Violin & Orchestra by David Le Page) | -2.97 | -22.11 | -19.0 | 12 |
| 15 | I. Farewell to Stromness (Arr. for Violin & Orchestra by Rosemary Furniss) | -5.12 | -25.05 | -21.6 | 11 |
| 16 | An Ending (Ascent / Arr. for Violin, Harp & Orchestra by David Le Page) | -4.21 | -25.99 | -22.1 | 12 |