℗ 2021 Delphian Records
| Released | October 22, 2021 |
| Duration | 1h 06m 59s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34265 |
| Genre | Classical (Choral) |
Robert Fayrfax (1464-1521): Music for Tudor Kings and Queens
Ensemble Pro Victoria, Toby Ward
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Magnificat Regale
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
12:37 | |||
|
1.2
|
Benedicite! What dremyd I
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
2:02 | |||
|
1.3
|
Alas, for lak of her presens
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
1:50 | |||
|
1.4
|
Most clere of colour
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
1:34 | |||
|
Missa Sponsus amat sponsum
|
|||||
|
1.5
|
Credo (Reconstructed by Roger Bray and Magnus Williamson)
Robert Fayrfax; Ensemble Pro Victoria; Toby Carr; Toby Ward |
5:43 | |||
|
1.6
|
I love, loved, and loved wolde I be
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
1:53 | |||
|
1.7
|
Sumwhat musyng
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
2:57 | |||
|
1.8
|
Ave lumen gratiae (Reconstructed by Magnus Williamson)
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
8:00 | |||
|
1.9
|
That was my woo
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
2:18 | |||
|
1.10
|
Salve Regina
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
11:25 | |||
|
1.11
|
To complayne me, alas
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
3:02 | |||
|
1.12
|
Maria plena virtute
Robert Fayrfax; Ensemble Pro Victoria; Toby Ward |
13:38 | |||
In that golden age of British choral music half a millennium ago, when polyphonic voices soared in the vaulting of the great late-Gothic churches and chapels that seemed to have been built for them to fill, one composer was in especial favour with the royal family: Robert Fayrfax.
A newly reconstructed movement from a mass for the private wedding of Henry VIII and Catherine of Aragon, later treasured in darker times by the recusant gentry for its Catholic associations, sits here alongside exuberant masterpieces from the Eton Choirbook and, in intimate contrast, Fayrfax’s seven surviving courtly songs, brought together on a single recording for the first time.
An exciting new signing for Delphian, Ensemble Pro Victoria’s young professionals bring both freshness and individuality to Fayrfax’s music in the five hundredth anniversary year of his death.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.88 -6.16 to -0.40 | -22.77 -26.41 to -19.98 | -19.29 -22.90 to -16.50 | 12 11 to 13 | |
| 1 | Magnificat Regale | -0.40 | -20.09 | -16.7 | 12 |
| 2 | Benedicite! What dremyd I | -4.25 | -23.05 | -19.5 | 11 |
| 3 | Alas, for lak of her presens | -2.21 | -22.73 | -18.8 | 12 |
| 4 | Most clere of colour | -2.73 | -22.31 | -18.6 | 12 |
| 5 | Credo (Reconstructed by Roger Bray and Magnus Williamson) | -2.39 | -21.79 | -18.5 | 12 |
| 6 | I love, loved, and loved wolde I be | -1.53 | -22.61 | -19.0 | 13 |
| 7 | Sumwhat musyng | -6.16 | -25.66 | -22.2 | 13 |
| 8 | Ave lumen gratiae (Reconstructed by Magnus Williamson) | -2.78 | -23.71 | -20.5 | 13 |
| 9 | That was my woo | -5.73 | -26.41 | -22.9 | 11 |
| 10 | Salve Regina | -0.40 | -20.38 | -17.0 | 13 |
| 11 | To complayne me, alas | -5.63 | -24.56 | -21.3 | 11 |
| 12 | Maria plena virtute | -0.40 | -19.98 | -16.5 | 12 |