℗ 2021 Sono Luminus
| Released | September 24, 2021 |
| Duration | 1h 05m 37s |
| Record Label | Sono Luminus |
| Catalogue No. | DSL-92252 |
| Genre | Classical (Cello) |
Resonance Lines
Hannah Collins
Available in 352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
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1.1
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Chiacona in F Major (Arr. for Cello)
Giuseppe Colombi; Hannah Collins |
2:20 | |||
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1.2
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Dreaming Chaconne (After Colombi)
Kaija Saariaho; Hannah Collins |
2:50 | |||
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1.3
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In manus tuas
Caroline Shaw; Hannah Collins |
7:34 | |||
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7 Papillons
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1.4
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No. 1, —
Kaija Saariaho; Hannah Collins |
1:31 | |||
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1.5
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No. 2, —
Kaija Saariaho; Hannah Collins |
1:18 | |||
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1.6
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No. 3, —
Kaija Saariaho; Hannah Collins |
1:56 | |||
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1.7
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No. 4, —
Kaija Saariaho; Hannah Collins |
2:33 | |||
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1.8
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No. 5, —
Kaija Saariaho; Hannah Collins |
1:22 | |||
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1.9
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No. 6, —
Kaija Saariaho; Hannah Collins |
1:36 | |||
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1.10
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No. 7, —
Kaija Saariaho; Hannah Collins |
1:09 | |||
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Suite for Cello Solo No. 1, Op. 72
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1.11
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Canto primo. Sostenuto e largamente
Benjamin Britten; Hannah Collins |
2:36 | |||
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1.12
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I. Fuga. Andante moderato
Benjamin Britten; Hannah Collins |
3:48 | |||
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1.13
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II. Lamento. Lento rubato
Benjamin Britten; Hannah Collins |
2:59 | |||
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1.14
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Canto secondo. Sostenuto
Benjamin Britten; Hannah Collins |
1:20 | |||
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1.15
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III. Serenata. Allegretto (Pizzicato)
Benjamin Britten; Hannah Collins |
2:11 | |||
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1.16
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IV. Marcia. Alla marcia moderato
Benjamin Britten; Hannah Collins |
3:18 | |||
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1.17
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Canto terzo. Sostenuto
Benjamin Britten; Hannah Collins |
2:32 | |||
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1.18
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V. Bordone. Moderato quasi recitativo
Benjamin Britten; Hannah Collins |
3:10 | |||
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1.19
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VI. Moto perpetuo e canto quarto. Presto
Benjamin Britten; Hannah Collins |
3:33 | |||
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1.20
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Cadenza (With or Without Haydn)
Thomas Kotcheff; Hannah Collins |
16:01 | |||
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Digital Booklet
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Resonance Lines, a term borrowed loosely from physics, refers to the energy emitted or absorbed by an atom as it transitions between different energy states. This is a unique and innate quality for each type of atom that can only be measured and observed under the right enabling circumstances. An ideal artistic collaboration feels like the discovery and realization of deeply held potential for shared creativity – a sympathetic resonance or surge of energy in the colloquial sense – that is revealed when the right conditions are in place. It may feel lucky or it may feel destined, and in special cases, the “resonating” artists are able to nurture and develop their complementary qualities with lasting effect. This album is a collection of music grown of such pairings, collaborations between composers and cellists joined by shared experiences that lead to creative sparks, unique musical gestures, and new sound worlds.
352.8 kHz / 24-bit, 192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.22 -7.86 to -0.30 | -23.82 -35.40 to -18.10 | -19.24 -27.60 to -14.30 | 12 10 to 14 | |
| 1 | Chiacona in F Major (Arr. for Cello) | -0.30 | -20.36 | -17.2 | 13 |
| 2 | Dreaming Chaconne (After Colombi) | -0.30 | -24.28 | -19.6 | 14 |
| 3 | In manus tuas | -0.30 | -22.87 | -17.7 | 14 |
| 4 | No. 1, — | -7.86 | -31.47 | -25.7 | 12 |
| 5 | No. 2, — | -7.62 | -25.66 | -22.0 | 11 |
| 6 | No. 3, — | -6.29 | -31.05 | -24.7 | 13 |
| 7 | No. 4, — | -0.30 | -23.77 | -19.5 | 13 |
| 8 | No. 5, — | -3.14 | -26.86 | -22.3 | 12 |
| 9 | No. 6, — | -6.50 | -35.40 | -27.6 | 12 |
| 10 | No. 7, — | -0.30 | -19.51 | -14.8 | 11 |
| 11 | Canto primo. Sostenuto e largamente | -0.30 | -19.71 | -15.3 | 12 |
| 12 | I. Fuga. Andante moderato | -0.30 | -18.85 | -15.4 | 11 |
| 13 | II. Lamento. Lento rubato | -0.30 | -21.38 | -16.8 | 12 |
| 14 | Canto secondo. Sostenuto | -4.70 | -24.43 | -21.2 | 12 |
| 15 | III. Serenata. Allegretto (Pizzicato) | -0.30 | -23.09 | -19.5 | 14 |
| 16 | IV. Marcia. Alla marcia moderato | -0.30 | -20.45 | -14.3 | 11 |
| 17 | Canto terzo. Sostenuto | -0.73 | -20.68 | -17.3 | 11 |
| 18 | V. Bordone. Moderato quasi recitativo | -3.99 | -27.77 | -24.7 | 14 |
| 19 | VI. Moto perpetuo e canto quarto. Presto | -0.30 | -18.10 | -14.3 | 10 |
| 20 | Cadenza (With or Without Haydn) | -0.30 | -20.76 | -14.9 | 12 |