℗ 2016 PHI
| Released | October 28, 2016 |
| Duration | 1h 15m 13s |
| Record Label | PHI |
| Catalogue No. | LPH023 |
| Genre | Classical (Chamber Music) |
Ludwig van Beethoven: String Quartet, Op. 130 - Große Fuge, Op. 133 - Piano Quintet, Op. 16
Edding Quartet, Northernlight, Maude Gratton
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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String Quartet No. 13 in B Flat Major, Op. 130
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1.1
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I. Adagio ma non troppo - Allegro
Ludwig van Beethoven; Edding Quartet |
14:45 | |||
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1.2
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II. Presto
Ludwig van Beethoven; Edding Quartet |
2:05 | |||
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1.3
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III. Andante con moto, ma non troppo
Ludwig van Beethoven; Edding Quartet |
7:15 | |||
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1.4
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IV. Alla danza tedesca. Allegro assai
Ludwig van Beethoven; Edding Quartet |
3:41 | |||
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1.5
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V. Cavatina. Adagio molto espressivo
Ludwig van Beethoven; Edding Quartet |
7:15 | |||
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1.6
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Große Fuge in B Flat Major, Op. 133
Ludwig van Beethoven; Edding Quartet |
15:07 | |||
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Piano Quintet in E Flat Major, Op. 16
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1.7
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I. Grave - Allegro ma non troppo
Ludwig van Beethoven; Northernlight; Maude Gratton |
12:55 | |||
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1.8
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II. Andante cantabile
Ludwig van Beethoven; Northernlight; Maude Gratton |
6:26 | |||
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1.9
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III. Rondo. Allegro ma non troppo
Ludwig van Beethoven; Northernlight; Maude Gratton |
5:44 | |||
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Digital Booklet
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The pairing of the two works on this album is unique as one comes from the dawn, the other from the dusk of Beethoven’s career. Whereas the composer wrote the Piano Quintet for winds and piano when he was only 26, he did not finish his String Quartet until a year before his death. The Edding Quartet presents the original version of the piece here, with the Grosse Fuge as final. The direct comparison of these compositions sheds vivid light on the fantastic distance Beethoven covered between the two points in time. The Edding Quartet and Northernlight join together once again on fresh readings of these masterpieces of the chamber music repertoire. Known as major interpreters of the Classical and Romantic repertoires, the two ensembles offer expert performances, refined and precise, of two of the German composer’s finest scores.
96 kHz / 24-bit PCM – PHI Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.85 -6.80 to -0.60 | -24.00 -28.19 to -20.88 | -20.31 -25.30 to -16.70 | 13 12 to 15 | |
| 1 | I. Adagio ma non troppo - Allegro | -1.89 | -24.73 | -20.5 | 14 |
| 2 | II. Presto | -2.75 | -25.33 | -21.3 | 14 |
| 3 | III. Andante con moto, ma non troppo | -3.34 | -25.35 | -21.8 | 15 |
| 4 | IV. Alla danza tedesca. Allegro assai | -6.80 | -26.03 | -22.5 | 12 |
| 5 | V. Cavatina. Adagio molto espressivo | -5.70 | -28.19 | -25.3 | 13 |
| 6 | Große Fuge in B Flat Major, Op. 133 | -0.60 | -21.17 | -16.7 | 13 |
| 7 | I. Grave - Allegro ma non troppo | -0.70 | -20.88 | -17.4 | 13 |
| 8 | II. Andante cantabile | -2.76 | -23.02 | -19.5 | 12 |
| 9 | III. Rondo. Allegro ma non troppo | -1.14 | -21.28 | -17.8 | 12 |