℗ 2016 Australian Broadcasting Corporation
| Released | August 17, 2018 |
| Duration | 2h 23m 21s |
| Record Label | ABC Classic |
| Genre | Classical |
Bespoke Classics: New Classics for Cool Dads
Various Artists
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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I Giorni (Arr. by Sally Whitwell)
Sally Whitwell; Ludovico Einaudi; Sally Maer; Sally Whitwell |
4:47 | |||
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Concertino bianco
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1.2
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2. Con venerazione
Georgs Pelēcis; Johannes Fritzsch; Tamara-Anna Cislowska; Tasmanian Symphony Orchestra |
6:31 | |||
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1.3
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Tuesday Suit
Elena Kats-Chernin; Tamara-Anna Cislowska |
5:02 | |||
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1.4
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The Hinchinbrook Riffs
Nigel Westlake; Slava Grigoryan |
8:33 | |||
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1.5
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Cantabile
Pēteris Vasks; Johannes Fritzsch; Tasmanian Symphony Orchestra |
9:29 | |||
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1.6
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Revelry
Caleb Followill; Nathan Followill; Jared Followill; Matthew Followill; Nat Bartsch Trio |
7:49 | |||
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1.7
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Forever #1
Lyle Chan; Lyle Chan |
1:10 | |||
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1.8
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Metamorphosis No. 3
Philip Glass; Sally Whitwell |
4:46 | |||
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1.9
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Re-Echo
Katy Abbott; Julian Smiles; Claire Edwardes |
5:24 | |||
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Suite bergamasque, L.75
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1.10
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3. Clair de lune
Claude Debussy; John Chen |
4:51 | |||
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String Quartet, Op.11
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1.11
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2. Molto adagio
Samuel Barber; Tankstream Quartet |
8:23 | |||
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1.12
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Eliza Aria
Elena Kats-Chernin; Elena Kats-Chernin; Tamara-Anna Cislowska |
4:54 | |||
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Cello Suite No. 1 in G Major, BWV 1007
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1.13
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1. Prelude (Arr. for Guitar by Slava Grigoryan)
Slava Grigoryan; Johann Sebastian Bach; Slava Grigoryan |
2:34 | |||
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1.14
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Here To There (From "The Piano")
Michael Nyman; Sally Whitwell |
1:30 | |||
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1.15
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Unsent Love Letters
Elena Kats-Chernin; Tamara-Anna Cislowska |
4:45 | |||
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Knips Suite
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1.16
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3. Knips In Brixton (L'Homme en colère: "Knips On Rye, Hold The Bread")
Carl Vine; Goldner String Quartet |
2:47 | |||
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1.17
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Falling (From "Twin Peaks" / Arr. for Piano by Sally Whitwell)
Sally Whitwell; Angelo Badalamenti; Sally Whitwell |
5:24 | |||
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Three Pieces in Olden Style
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1.18
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1. (Untitled)
Henryk Górecki; Johannes Fritzsch; Tasmanian Symphony Orchestra |
2:47 | |||
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Escapades
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1.19
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1. Closing In
John Williams; Benjamin Northey; Melbourne Symphony Orchestra; Sackbut: Amy Dickson |
3:00 | |||
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1.20
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Nocturne
Lili Boulanger; Lili Juliette Boulanger; Duo Sol |
2:58 | |||
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4 Impromptus, Op.90, D.899
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1.21
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3. Impromptu In G-Flat Major
Franz Schubert; Roger Woodward |
6:33 | |||
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1.22
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Alone
Giovanni Sollima; Umberto Clerici |
5:30 | |||
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1.23
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Spiegel im Spiegel (Arr. for Piano)
Arvo Pärt; Tamara-Anna Cislowska |
8:23 | |||
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1.24
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All In The Past (Remembering Oskar Strock)
Georgs Pelēcis; Johannes Fritzsch; Tasmanian Symphony Orchestra; Emma McGrath |
3:29 | |||
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Six Pieces for Piano, Volume 2
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1.25
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3. La Dispute (From "Amélie")
Yann Tiersen; Sally Whitwell |
2:19 | |||
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Il primo libro di canzoni
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1.26
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Ciaccona
Andrea Falconieri; Australian Brandenburg Orchestra; Paul Dyer |
4:09 | |||
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The Well-Tempered Clavier
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1.27
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Book 1, BWV 846-869: Prelude No. 1 in C Major
Johann Sebastian Bach; Michael Kieran Harvey |
2:28 | |||
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Glassworks
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1.28
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1. Opening
Philip Glass; Sally Whitwell |
5:05 | |||
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Technologic 135
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1.29
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3. Cantabile
Matthew Hindson; Elektra String Quartet |
5:33 | |||
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1.30
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Recercada segunda (Arr. for Recorder and Accordion)
James Crabb; Genevieve Lacey; Diego Ortiz; James Crabb; Genevieve Lacey |
2:28 | |||
44.1 kHz / 24-bit PCM – ABC Classic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.77 -10.49 to -0.98 | -24.76 -32.38 to -18.05 | -21.46 -29.10 to -14.90 | 12 9 to 15 | |
| 1 | I Giorni (Arr. by Sally Whitwell) | -1.28 | -21.54 | -18.2 | 12 |
| 2 | 2. Con venerazione | -2.04 | -24.77 | -20.1 | 12 |
| 3 | Tuesday Suit | -4.61 | -27.26 | -24.5 | 13 |
| 4 | The Hinchinbrook Riffs | -2.43 | -20.76 | -18.2 | 12 |
| 5 | Cantabile | -3.18 | -21.96 | -18.2 | 11 |
| 6 | Revelry | -3.58 | -23.33 | -21.2 | 13 |
| 7 | Forever #1 | -7.55 | -25.76 | -22.3 | 11 |
| 8 | Metamorphosis No. 3 | -2.33 | -22.39 | -19.7 | 12 |
| 9 | Re-Echo | -7.04 | -25.37 | -22.1 | 9 |
| 10 | 3. Clair de lune | -4.97 | -28.54 | -24.2 | 14 |
| 11 | 2. Molto adagio | -5.59 | -25.71 | -22.0 | 12 |
| 12 | Eliza Aria | -10.49 | -31.36 | -28.1 | 12 |
| 13 | 1. Prelude (Arr. for Guitar by Slava Grigoryan) | -7.53 | -24.26 | -21.5 | 11 |
| 14 | Here To There (From "The Piano") | -0.98 | -18.05 | -14.9 | 12 |
| 15 | Unsent Love Letters | -9.67 | -28.77 | -26.0 | 12 |
| 16 | 3. Knips In Brixton (L'Homme en colère: "Knips On Rye, Hold The Bread") | -6.47 | -29.29 | -26.0 | 15 |
| 17 | Falling (From "Twin Peaks" / Arr. for Piano by Sally Whitwell) | -2.55 | -24.98 | -20.8 | 13 |
| 18 | 1. (Untitled) | -5.53 | -24.71 | -20.4 | 10 |
| 19 | 1. Closing In | -2.81 | -21.39 | -18.2 | 12 |
| 20 | Nocturne | -4.92 | -26.22 | -22.2 | 12 |
| 21 | 3. Impromptu In G-Flat Major | -1.52 | -22.13 | -19.4 | 13 |
| 22 | Alone | -2.46 | -20.90 | -17.9 | 11 |
| 23 | Spiegel im Spiegel (Arr. for Piano) | -9.18 | -32.38 | -29.1 | 14 |
| 24 | All In The Past (Remembering Oskar Strock) | -7.64 | -28.92 | -25.0 | 13 |
| 25 | 3. La Dispute (From "Amélie") | -2.77 | -25.94 | -23.0 | 12 |
| 26 | Ciaccona | -1.52 | -20.98 | -17.7 | 13 |
| 27 | Book 1, BWV 846-869: Prelude No. 1 in C Major | -7.69 | -25.92 | -23.0 | 10 |
| 28 | 1. Opening | -4.37 | -23.43 | -20.8 | 11 |
| 29 | 3. Cantabile | -6.32 | -24.43 | -21.1 | 11 |
| 30 | Recercada segunda (Arr. for Recorder and Accordion) | -4.03 | -21.44 | -18.1 | 13 |