℗ 2000 Australian Broadcasting Corporation
Released | March 8, 2019 |
Duration | 2h 17m 55s |
Record Label | ABC Classic |
Genre | Classical |
Women of Note: A Century of Australian Composers
Various Artists
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Piano Concerto No. 1 in E-Flat Minor
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1.1
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I. Allegro
Miriam Hyde; Geoffrey Simon; Miriam Hyde; West Australian Symphony Orchestra |
11:18 | |||
1.2
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II. Lento
Miriam Hyde; Geoffrey Simon; Miriam Hyde; West Australian Symphony Orchestra |
9:53 | |||
1.3
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III. Allegro scherzando
Miriam Hyde; Geoffrey Simon; Miriam Hyde; West Australian Symphony Orchestra |
9:15 | |||
Piano Trio
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1.4
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I. Allegro non troppo (Live from City Recital Hall, Sydney, 2015)
Dulcie Holland; Eggner Trio |
5:51 | |||
1.5
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II. Fast (Live from City Recital Hall, Sydney, 2015)
Dulcie Holland; Eggner Trio |
4:29 | |||
1.6
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III. Allegro maestoso (Live from City Recital Hall, Sydney, 2015)
Dulcie Holland; Eggner Trio |
5:39 | |||
Etruscan Concerto
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1.7
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I. Promenade
Peggy Glanville-Hicks; Richard Mills; Caroline Almonte; Tasmanian Symphony Orchestra |
4:05 | |||
1.8
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II. Meditation
Peggy Glanville-Hicks; Richard Mills; Caroline Almonte; Tasmanian Symphony Orchestra |
7:27 | |||
1.9
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3. Scherzo
Peggy Glanville-Hicks; Richard Mills; Caroline Almonte; Tasmanian Symphony Orchestra |
3:46 | |||
Concerto for Violin and Orchestra
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1.10
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1. Allegro
Margaret Sutherland; Patrick Thomas; Melbourne Symphony Orchestra; Leonard Dommett |
10:05 | |||
1.11
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2. Adagio
Margaret Sutherland; Patrick Thomas; Melbourne Symphony Orchestra; Leonard Dommett |
7:15 | |||
1.12
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3. Allegro
Margaret Sutherland; Patrick Thomas; Melbourne Symphony Orchestra; Leonard Dommett |
7:28 | |||
1.13
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As I crossed a bridge of dreams
Anne Boyd; Antony Walker; The Contemporary Singers |
10:27 | |||
1.14
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Russian Rag
Elena Kats-Chernin; David Stanhope; Sydney Alpha Ensemble |
3:50 | |||
Di Primavera
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1.15
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I. Lively and steadily
Maria Grenfell; Karin Schaupp; Claire Edwardes |
3:03 | |||
1.16
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II. Rubato, espressivo
Maria Grenfell; Karin Schaupp; Claire Edwardes |
3:14 | |||
1.17
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III. With energy and bounce
Maria Grenfell; Karin Schaupp; Claire Edwardes |
1:47 | |||
1.18
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Road Trip
Sally Whitwell; Sally Walker; Sally Whitwell |
3:28 | |||
1.19
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Fern
Kate Moore; Ensemble Offspring |
12:22 | |||
1.20
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Spinning Top
Nicole Murphy; Benaud Trio |
6:16 | |||
1.21
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Bardju (Footprints / Arr. by Jessica Wells)
Brenda Gifford; Jessica Wells; Ensemble Offspring |
1:59 | |||
1.22
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Crystalline
Olivia Bettina Davies; ACO Collective |
4:58 |
ABC Classic releases Women of Note: A Century of Australian Composers – the first in a new series celebrating Australian female composers. Australia has always punched above our weight musically, our female musicians especially – Nellie Melba, Joan Sutherland and Eileen Joyce in particular loom large among the finest musicians of the twentieth century. But beyond these celebrated performers, the history of Australia’s female composers is equally outstanding.
Miriam Hyde,Dulcie Holland and Margaret Sutherland were hugely influential in the early years of Australia’s musical development. Peggy Glanville-Hicks and Anne Boydlooked beyond our borders to the musical traditions of other cultures, and sought to find a place for Australia among the community of musical nations.
Elena Kats-Cherninis a phenomenon unto herself, arguably Australia’s most popular and best known composer. Yuin woman Brenda Gifford brings insights from her Indigenous culture to the Western classical tradition. And composers such as Sally Whitwell, Maria Grenfell,Kate Moore,Nicole Murphy andOlivia Bettina Davies represent the myriad ways in which classical music is developing in the 21st century.
This compilation is a fascinating journey through the history of Australian composition, highlighting just how much of that history has been written by women.
48 kHz / 24-bit PCM – ABC Classic Studio Masters
Track 18 – 48 kHz / 23-bit PCM Tracks 1-3, 7-14, 19 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 18 – 48 kHz / 23-bit PCM Tracks 1-3, 7-14, 19 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.83 -5.98 to -0.11 | -22.52 -28.59 to -18.35 | -19.11 -24.10 to -15.50 | 13 10 to 17 | |
1 | I. Allegro | -0.61 | -18.35 | -15.5 | 11 |
2 | II. Lento | -0.81 | -21.82 | -18.2 | 12 |
3 | III. Allegro scherzando | -0.32 | -18.83 | -15.7 | 11 |
4 | I. Allegro non troppo (Live from City Recital Hall, Sydney, 2015) | -2.55 | -22.81 | -18.7 | 12 |
5 | II. Fast (Live from City Recital Hall, Sydney, 2015) | -3.12 | -22.09 | -18.7 | 11 |
6 | III. Allegro maestoso (Live from City Recital Hall, Sydney, 2015) | -2.40 | -21.91 | -17.8 | 12 |
7 | I. Promenade | -0.20 | -21.38 | -18.2 | 13 |
8 | II. Meditation | -5.98 | -27.12 | -24.0 | 13 |
9 | 3. Scherzo | -0.93 | -18.81 | -16.0 | 12 |
10 | 1. Allegro | -0.91 | -20.82 | -17.1 | 12 |
11 | 2. Adagio | -1.27 | -22.29 | -19.1 | 13 |
12 | 3. Allegro | -1.85 | -21.76 | -17.8 | 12 |
13 | As I crossed a bridge of dreams | -2.44 | -28.59 | -24.1 | 14 |
14 | Russian Rag | -2.07 | -22.03 | -19.1 | 13 |
15 | I. Lively and steadily | -0.11 | -21.93 | -18.8 | 14 |
16 | II. Rubato, espressivo | -3.20 | -27.57 | -24.0 | 15 |
17 | III. With energy and bounce | -0.33 | -22.60 | -19.1 | 14 |
18 | Road Trip | -0.58 | -21.08 | -16.5 | 12 |
19 | Fern | 0.00 | -22.55 | -20.7 | 14 |
20 | Spinning Top | -3.43 | -22.11 | -19.0 | 12 |
21 | Bardju (Footprints / Arr. by Jessica Wells) | -0.64 | -25.43 | -22.0 | 17 |
22 | Crystalline | -4.63 | -23.52 | -20.4 | 10 |