℗ 2016 Australian Broadcasting Corporation
| Released | November 8, 2019 |
| Duration | 1h 34m 50s |
| Record Label | ABC Classic |
| Genre | Classical (Orchestral) |
Frederick Septimus Kelly – Orchestral Works
Benjamin Northey, Tasmanian Symphony Orchestra
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
|
1.1
|
Elegy – In Memoriam Rupert Brooke
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Johannes Fritzsch; Benjamin Northey |
9:20 | |||
|
German Symphony
|
|||||
|
1.2
|
I. Allegro con brio
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
8:46 | |||
|
1.3
|
II. Waltz
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
5:02 | |||
|
1.4
|
III. Intermezzo
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
7:38 | |||
|
1.5
|
IV. Introduction and Fugue
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
6:06 | |||
|
1.6
|
Scherzo
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
6:10 | |||
|
1.7
|
The Somme Lament
Frederick Septimus Kelly; Christopher Latham; Tasmanian Symphony Orchestra; Benjamin Northey |
4:58 | |||
|
1.8
|
A Coin For The Ferryman (Monograph No. 16)
Frederick Septimus Kelly; Christopher Latham; Tasmanian Symphony Orchestra; Benjamin Northey |
2:53 | |||
|
Two Organ Preludes - Arr. Latham
|
|||||
|
1.9
|
1. A Christmas Prelude
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
2:24 | |||
|
1.10
|
2. Prelude
Frederick Septimus Kelly; Tasmanian Symphony Orchestra; Benjamin Northey |
4:18 | |||
|
Serenade, Op. 7
|
|||||
|
1.11
|
I. Prelude
Frederick Septimus Kelly; Douglas Mackie; Marshall McGuire; Geoff Lierse; Tasmanian Symphony Orchestra; Benjamin Northey |
3:00 | |||
|
1.12
|
II. Idyl
Frederick Septimus Kelly; Douglas Mackie; Marshall McGuire; Geoff Lierse; Tasmanian Symphony Orchestra; Benjamin Northey |
7:22 | |||
|
1.13
|
III. Minuet
Frederick Septimus Kelly; Douglas Mackie; Marshall McGuire; Geoff Lierse; Tasmanian Symphony Orchestra; Benjamin Northey |
1:43 | |||
|
1.14
|
IV. Air and Variations
Frederick Septimus Kelly; Douglas Mackie; Marshall McGuire; Geoff Lierse; Tasmanian Symphony Orchestra; Benjamin Northey |
5:16 | |||
|
1.15
|
V. Jig
Frederick Septimus Kelly; Douglas Mackie; Marshall McGuire; Geoff Lierse; Tasmanian Symphony Orchestra; Benjamin Northey |
2:44 | |||
|
1.16
|
Songs of Love and Loss - Arr. I. It Is Not Dawn Till You Awake
Frederick Septimus Kelly; Christopher Latham; Andrew Goodwin; Tasmanian Symphony Orchestra; Benjamin Northey |
4:05 | |||
|
1.17
|
Songs of Love and Loss - Arr. II. Shall I Compare Thee to a Summer's Day
Frederick Septimus Kelly; Christopher Latham; Christina Wilson; Tasmanian Symphony Orchestra; Benjamin Northey |
3:15 | |||
|
1.18
|
Songs of Love and Loss - Arr. III. Music, When Soft Voices Die
Frederick Septimus Kelly; Christopher Latham; Andrew Goodwin; Tasmanian Symphony Orchestra; Benjamin Northey |
2:01 | |||
|
Songs of Love and Loss
|
|||||
|
1.19
|
IV. Aghadoe
Frederick Septimus Kelly; Christina Wilson; Tasmanian Symphony Orchestra; Benjamin Northey |
5:13 | |||
|
1.20
|
Songs of Love and Loss - Arr. V. Crossing the Bar
Frederick Septimus Kelly; Christopher Latham; Christina Wilson; Andrew Goodwin; Tasmanian Symphony Orchestra; Benjamin Northey |
2:36 | |||
Frederick Septimus Kelly was one of Australia's great cultural losses of World War One: a composer the equal of Vaughan Williams, who survived Gallipoli but was cut down in the final days of the Battle of the Somme. His music – crafted entirely in his head, and only committed to paper once perfected – displays touching lyricism and profound invention. Even during the war, he never stopped writing music: on troop ships during long ocean crossings, in training camps, in the trenches of Gallipoli, in a military hospital recovering from war wounds, in a bombed-out cellar barely 300 metres from enemy lines in France. This album presents his complete catalogue of orchestral works, many recorded here for the first time.
48 kHz / 24-bit PCM – ABC Classic Studio Masters
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.92 -14.09 to -0.23 | -27.05 -33.59 to -22.34 | -23.58 -30.60 to -18.30 | 13 11 to 15 | |
| 1 | Elegy – In Memoriam Rupert Brooke | 0.00 | -22.55 | -18.3 | 13 |
| 2 | I. Allegro con brio | -0.42 | -22.34 | -18.5 | 13 |
| 3 | II. Waltz | -0.30 | -25.20 | -22.0 | 15 |
| 4 | III. Intermezzo | -6.78 | -30.79 | -28.0 | 15 |
| 5 | IV. Introduction and Fugue | -0.23 | -23.48 | -19.2 | 14 |
| 6 | Scherzo | -3.77 | -28.51 | -24.6 | 15 |
| 7 | The Somme Lament | -7.13 | -27.82 | -25.2 | 12 |
| 8 | A Coin For The Ferryman (Monograph No. 16) | -7.74 | -27.08 | -23.6 | 11 |
| 9 | 1. A Christmas Prelude | -14.09 | -33.59 | -30.6 | 11 |
| 10 | 2. Prelude | -1.54 | -26.30 | -22.7 | 15 |
| 11 | I. Prelude | -7.73 | -27.71 | -24.3 | 13 |
| 12 | II. Idyl | -2.80 | -26.39 | -22.9 | 14 |
| 13 | III. Minuet | -3.21 | -23.95 | -19.6 | 12 |
| 14 | IV. Air and Variations | -2.70 | -26.57 | -22.6 | 15 |
| 15 | V. Jig | -5.91 | -28.57 | -25.6 | 14 |
| 16 | Songs of Love and Loss - Arr. I. It Is Not Dawn Till You Awake | -7.16 | -30.35 | -27.0 | 14 |
| 17 | Songs of Love and Loss - Arr. II. Shall I Compare Thee to a Summer's Day | -5.46 | -26.78 | -23.5 | 12 |
| 18 | Songs of Love and Loss - Arr. III. Music, When Soft Voices Die | -10.87 | -29.52 | -26.8 | 11 |
| 19 | IV. Aghadoe | -3.16 | -27.01 | -22.8 | 14 |
| 20 | Songs of Love and Loss - Arr. V. Crossing the Bar | -2.43 | -26.58 | -23.7 | 13 |