℗ 2021 Signum Records
Released | October 8, 2021 |
Duration | 1h 09m 37s |
Record Label | Signum Records |
Catalogue No. | SIGCD693 |
Genre | Classical (Baroque) |
Behind Closed Doors, Brescianello Vol. 1
La Serenissima, Adrian Chandler
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Concerto No. 1 for Violin, Strings & Continuo in F Major, Op. 1
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1.1
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I. Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:10 | |||
1.2
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II. Adagio
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:22 | |||
1.3
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III. Allegro assai
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:26 | |||
Sinphonia No. 1 for Strings & Continuo in D Major, Op. 1
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1.4
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I. Allegro - Adagio
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:58 | |||
1.5
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II. Presto
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:03 | |||
Concerto No. 2 for Violin, Strings & Continuo in A Minor, Op. 1
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1.6
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I. Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
3:30 | |||
1.7
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II. Adagio ed a tempo giusto
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:32 | |||
1.8
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III. Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
3:49 | |||
Sinphonia No. 2 for Strings & Continuo in G Major, Op. 1
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1.9
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I. Allegro - Adagio
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
3:29 | |||
1.10
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II. Presto
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:49 | |||
Concerto No. 3 for Violin, Strings & Continuo in B-Flat Major, Op. 1
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1.11
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I. Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:23 | |||
1.12
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II. Adagio e cantabile
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:14 | |||
1.13
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III. Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:00 | |||
Sinfonia No. 3 for Strings & Continuo in C Major, Op. 1
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1.14
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I. Allegro - Largo
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
6:04 | |||
1.15
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II. Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:49 | |||
Ouverture Sinfonia in B-Flat Major
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1.16
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I. Ouverture - Fuga
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
4:13 | |||
1.17
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II. Gavotte
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:12 | |||
1.18
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III. Aria - Andante
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:25 | |||
1.19
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IV. Bourree
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:05 | |||
1.20
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V. Aria - Allegro
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:24 | |||
1.21
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VI. Menuet - Trio - Menuet
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:52 | |||
1.22
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VII. Rondeau
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
1:44 | |||
1.23
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VIII. Gigue
Giuseppe Antonio Brescianello; La Serenissima; Adrian Chandler |
2:04 |
“The performances by this accomplished ensemble are polished and invigorating. Chandler’s solo violin playing is articulate, warm toned and communicative, and he is supported throughout by his disciplined and responsive players, among whom the continuo group excels…In summary, a rewarding issue.”
– BBC Music Magazine
La Serenissima presents a post-lockdown recording of the little-known 18th Century Italian composer, Brescianello. A contemporary of Vivaldi, Brescianello is a composer whose music languishes in relative obscurity. Whilst the mists of time have claimed some composers’ music for justifiable reasons, Brescianello’s music presents many compelling arguments for its restoration. Having first included Brescianello in La Serenissima’s 2014 season, they have since staged his opera Tisbe, recorded a violin concerto, a trio sonata and other works. It is surprising that the Opus 1 was the only set of works that Brescianello chose to publish and thanks to the Coronavirus pandemic, La Serenissima have now been given the opportunity to start their exploration of this wonderful publication.
La Serenissima is recognised as the UK’s leading exponent of the music of eighteenth-century Venice and connected composers. Uniquely, the group’s entire repertoire is edited from source material, and it has been praised for its ‘glorious and all-too-rare ability to make one’s pulse race afresh with every new project’ (Gramophone). La Serenissima has become synonymous with virtuosity, dynamism and accessibility, uncovering a plethora of new repertoire and making it available to all through live performance, high calibre recording work, education and outreach initiatives.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.26 -7.40 to -0.20 | -21.86 -26.95 to -19.52 | -18.79 -23.40 to -16.20 | 13 11 to 15 | |
1 | I. Allegro | -0.31 | -22.12 | -19.1 | 14 |
2 | II. Adagio | -1.68 | -26.15 | -23.0 | 15 |
3 | III. Allegro assai | -0.66 | -20.45 | -17.3 | 13 |
4 | I. Allegro - Adagio | -1.94 | -20.60 | -17.6 | 13 |
5 | II. Presto | -1.14 | -20.88 | -17.8 | 13 |
6 | I. Allegro | -0.20 | -20.40 | -17.4 | 14 |
7 | II. Adagio ed a tempo giusto | -6.81 | -25.45 | -22.5 | 12 |
8 | III. Allegro | -1.01 | -20.45 | -17.3 | 13 |
9 | I. Allegro - Adagio | -1.58 | -21.24 | -18.3 | 13 |
10 | II. Presto | -2.86 | -21.39 | -18.2 | 12 |
11 | I. Allegro | -0.20 | -21.06 | -18.0 | 13 |
12 | II. Adagio e cantabile | -7.40 | -26.95 | -23.4 | 11 |
13 | III. Allegro | -0.72 | -21.35 | -18.3 | 12 |
14 | I. Allegro - Largo | -0.81 | -21.37 | -18.3 | 14 |
15 | II. Allegro | -1.02 | -20.16 | -17.1 | 12 |
16 | I. Ouverture - Fuga | -2.22 | -19.77 | -16.8 | 12 |
17 | II. Gavotte | -5.05 | -23.90 | -20.9 | 12 |
18 | III. Aria - Andante | -4.50 | -22.07 | -19.0 | 11 |
19 | IV. Bourree | -0.20 | -19.55 | -16.8 | 13 |
20 | V. Aria - Allegro | -3.83 | -22.96 | -19.9 | 11 |
21 | VI. Menuet - Trio - Menuet | -3.90 | -22.00 | -19.1 | 12 |
22 | VII. Rondeau | -2.02 | -22.92 | -19.9 | 12 |
23 | VIII. Gigue | -1.86 | -19.52 | -16.2 | 12 |