℗ 2021 Gramola Records
| Released | September 17, 2021 |
| Duration | 58m 45s |
| Record Label | Gramola Records |
| Catalogue No. | Gramola99244 |
| Genre | Classical (Sacred) |
Vivaldi: Works
Nicholas Spanos, Pandolfis Consort
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Nisi Dominus, RV 608
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1.1
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I. Nisi dominus aedificaverit domum
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
2:44 | |||
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1.2
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II. Vanum est nobis
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:39 | |||
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1.3
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III. Surgite postquam sederitis
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:48 | |||
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1.4
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IV. Cum dederit dilectis suis
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
4:39 | |||
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1.5
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V. Sicut sagittae
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:32 | |||
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1.6
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VI. Beatus vir
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:06 | |||
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1.7
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VII. Gloria Patri
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
4:26 | |||
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1.8
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ViIII. Sicut erat in principio
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:04 | |||
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1.9
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IX. Amen
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:59 | |||
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Concerto for Violin, Organ, Strings & Basso continuo in D Minor, RV 541
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1.10
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I. Allegro
Antonio Vivaldi; Pandolfis Consort |
3:30 | |||
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1.11
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II. Grave
Antonio Vivaldi; Pandolfis Consort |
2:52 | |||
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1.12
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III. Allegro
Antonio Vivaldi; Pandolfis Consort |
2:12 | |||
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Concerto for 2 Violins, Cello, Strings & Basso continuo in G Minor, Op. 3 No. 2, RV 578
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1.13
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I. Adagio e spiccato
Antonio Vivaldi; Pandolfis Consort |
1:36 | |||
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1.14
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II. Allegro
Antonio Vivaldi; Pandolfis Consort |
2:26 | |||
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1.15
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III. Larghetto
Antonio Vivaldi; Pandolfis Consort |
2:50 | |||
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1.16
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IV. Allegro
Antonio Vivaldi; Pandolfis Consort |
2:34 | |||
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Stabat Mater, RV 621
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1.17
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I. Stabat Mater dolorosa
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
3:22 | |||
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1.18
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II. Cuius animam gementem
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:55 | |||
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1.19
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III. O quam tristis
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:51 | |||
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1.20
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IV. Quis est homo
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
3:11 | |||
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1.21
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V. Quis non posset
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
2:07 | |||
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1.22
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VI. Pro peccatis suae gentis
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:48 | |||
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1.23
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VII. Eia, Mater, fons amoris
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
3:04 | |||
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1.24
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VIII. Fac, ut ardeat
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:24 | |||
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1.25
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IX. Amen
Antonio Vivaldi; Nicholas Spanos; Pandolfis Consort |
1:06 | |||
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Digital Booklet
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Vivaldi, one of the most-performed composers these days, had lain dormant for nearly two centuries; his works were considered lost. All that changed when a stash of manuscripts was found in the library of a monastery in Piedmont/Italy. Vivaldi’s style is so unmistakable, that we can tell his authorship after just a few bars of music. We’re more likely to mix up phrases from differing works of his than we are to mistake any of his music for that of a contemporary composer. Vivaldi took the text from Psalm 126, which belongs to the Pilgrim Songs in the Book of Psalms and are meant to prepare believers for their meeting with God. The text which is ascribed to King Solomon speaks of the greatness of God without which all human toil remains fruitless. With its contemplative, touching, even glum sound “Stabat Mater” (RV 621) is one of the most popular works by Vivaldi. The first four tercets portray the Sorrowful Mother. The next four contemplate suffering as such. With the ninth tercet we arrive at the apex, the music thus calls to mind the image of Christ suffering from the lashes. Only the last stanza, set in a pastoral 12/8 rhythm, and a long Amen brings us any consolation.
96 kHz / 24-bit PCM – Gramola Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.94 -9.63 to -0.42 | -20.71 -25.63 to -17.16 | -18.21 -23.30 to -14.50 | 11 9 to 12 | |
| 1 | I. Nisi dominus aedificaverit domum | -1.10 | -17.93 | -15.6 | 11 |
| 2 | II. Vanum est nobis | -4.63 | -21.13 | -18.6 | 10 |
| 3 | III. Surgite postquam sederitis | -0.52 | -21.46 | -18.9 | 10 |
| 4 | IV. Cum dederit dilectis suis | -9.61 | -25.17 | -23.3 | 9 |
| 5 | V. Sicut sagittae | -1.41 | -19.11 | -16.4 | 11 |
| 6 | VI. Beatus vir | -4.50 | -21.58 | -18.8 | 10 |
| 7 | VII. Gloria Patri | -4.33 | -22.38 | -19.7 | 11 |
| 8 | ViIII. Sicut erat in principio | -0.43 | -17.43 | -15.3 | 11 |
| 9 | IX. Amen | -0.42 | -18.47 | -15.9 | 12 |
| 10 | I. Allegro | -2.16 | -21.45 | -19.2 | 12 |
| 11 | II. Grave | -9.63 | -25.63 | -23.2 | 10 |
| 12 | III. Allegro | -0.96 | -20.58 | -18.1 | 12 |
| 13 | I. Adagio e spiccato | -1.56 | -22.92 | -20.4 | 12 |
| 14 | II. Allegro | -1.18 | -20.65 | -18.1 | 12 |
| 15 | III. Larghetto | -2.24 | -21.46 | -18.2 | 12 |
| 16 | IV. Allegro | -1.94 | -20.13 | -17.7 | 12 |
| 17 | I. Stabat Mater dolorosa | -1.72 | -21.14 | -18.9 | 10 |
| 18 | II. Cuius animam gementem | -1.00 | -20.24 | -17.4 | 12 |
| 19 | III. O quam tristis | -2.71 | -18.98 | -16.8 | 10 |
| 20 | IV. Quis est homo | -2.32 | -18.73 | -16.7 | 10 |
| 21 | V. Quis non posset | -3.84 | -21.12 | -18.5 | 11 |
| 22 | VI. Pro peccatis suae gentis | -2.46 | -18.00 | -15.8 | 10 |
| 23 | VII. Eia, Mater, fons amoris | -8.32 | -25.61 | -22.4 | 10 |
| 24 | VIII. Fac, ut ardeat | -3.85 | -19.34 | -16.9 | 9 |
| 25 | IX. Amen | -0.58 | -17.16 | -14.5 | 10 |