℗ 2021 Koninklijk Concertgebouworkest
| Released | September 10, 2021 |
| Duration | 1h 23m 34s |
| Record Label | Royal Concertgebouw Orchestra |
| Genre | Classical (Choral) |
Berlioz: Requiem, Op. 5
Concertgebouworkest, Antonio Pappano, Chorus of the Accademia Nazionale di Santa Cecilia
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Requiem, Op. 5
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1.1
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I. Requiem - Kyrie
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
11:05 | |||
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1.2
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II. Dies irae - Tuba mirum
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
12:23 | |||
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1.3
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III. Quid sum miser
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
3:17 | |||
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1.4
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IV. Rex tremendae
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
6:04 | |||
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1.5
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V. Quaerens me
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
4:26 | |||
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1.6
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VI. Lacrymosa
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
10:44 | |||
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1.7
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VII. Offertorium
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
9:15 | |||
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1.8
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VIII. Hostias
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
3:13 | |||
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1.9
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IX. Sanctus
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
10:34 | |||
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1.10
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X. Agnus Dei
Hector Berlioz; Concertgebouworkest; Antonio Pappano; Chorus of the Accademia Nazionale di Santa Cecilia |
12:33 | |||
Berlioz composed his Requiem at the request of a French government minister to commemorate the soldiers who died in the July Revolution in 1830. The Requiem would become one of Berlioz’s most popular works, among other things because of its imaginative instrumentation and gigantic orchestration, including four brass ensembles distributed throughout the hall. The work was also dear to the composer’s own heart. He once said, ‘If someone were to threaten to destroy all my works, I would beg for mercy on behalf of my Grande messe des morts.’
This awe-inspiring work is in good hands with conductor Antonio Pappano, whose refinement, energy and drama, usually put to good use in the opera house, are exactly what the performance of this French mammoth calls for. The Chorus of the Accademia Nazionale di Santa Cecilia is supporting the Concertgebouworkest, and the solo tenor is the Mexican singer Javier Camarena.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Royal Concertgebouw Orchestra Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.50 -11.34 to -0.03 | -27.45 -37.06 to -19.98 | -22.71 -33.10 to -15.70 | 14 12 to 17 | |
| 1 | I. Requiem - Kyrie | -1.64 | -25.90 | -21.3 | 15 |
| 2 | II. Dies irae - Tuba mirum | -0.04 | -19.98 | -15.7 | 12 |
| 3 | III. Quid sum miser | -11.34 | -37.06 | -33.1 | 15 |
| 4 | IV. Rex tremendae | -0.03 | -22.10 | -16.3 | 13 |
| 5 | V. Quaerens me | -7.74 | -33.21 | -28.9 | 15 |
| 6 | VI. Lacrymosa | -0.12 | -21.66 | -17.3 | 14 |
| 7 | VII. Offertorium | -4.78 | -29.85 | -25.0 | 14 |
| 8 | VIII. Hostias | -7.29 | -31.33 | -26.6 | 14 |
| 9 | IX. Sanctus | -0.67 | -24.58 | -19.4 | 14 |
| 10 | X. Agnus Dei | -1.36 | -28.82 | -23.5 | 17 |