℗ 2014 Decca Music Group Limited
| Released | 2014 |
| Duration | 2h 27m 45s |
| Record Label | Universal Music Group |
| Genre | Classical |
Bellini: Beatrice di Tenda
Josephine Veasey, Luciano Pavarotti, Cornelius Opthof, London Symphony Orchestra
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Beatrice di Tenda
|
|||||
|
1.1
|
Preludio
Vincenzo Bellini; London Symphony Orchestra; Richard Bonynge |
2:58 | |||
|
Beatrice di Tenda / Act 1
|
|||||
|
1.2
|
"Tu, signor! lasciar sì presto"
Vincenzo Bellini; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
5:00 | |||
|
1.3
|
"Ah! non pensar che pieno"
Vincenzo Bellini; Josephine Veasey; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
9:24 | |||
|
1.4
|
"Silenzio e notte intorno"
Vincenzo Bellini; Josephine Veasey; Luciano Pavarotti; London Symphony Orchestra; Richard Bonynge |
5:00 | |||
|
1.5
|
"Sì: rivale ... rivale regnante"
Vincenzo Bellini; Josephine Veasey; Luciano Pavarotti; London Symphony Orchestra; Richard Bonynge |
6:58 | |||
|
1.6
|
"Respiro io qui"
Vincenzo Bellini; Dame Joan Sutherland; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
7:29 | |||
|
1.7
|
"Ma la sola, ahimè! son io"
Vincenzo Bellini; Dame Joan Sutherland; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
3:50 | |||
|
1.8
|
"Ah! la pena in lor piombò"
Vincenzo Bellini; Dame Joan Sutherland; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
3:55 | |||
|
1.9
|
"Vedi? ... La tua presenza fugge sdegnosa"
Vincenzo Bellini; Dame Joan Sutherland; Joseph Ward; Cornelius Opthof; London Symphony Orchestra; Richard Bonynge |
2:50 | |||
|
1.10
|
"E quali? quali? spergiura! ingrata!"
Vincenzo Bellini; Dame Joan Sutherland; Cornelius Opthof; London Symphony Orchestra; Richard Bonynge |
4:47 | |||
|
1.11
|
"Qui di ribelli sudditi"
Vincenzo Bellini; Dame Joan Sutherland; Cornelius Opthof; London Symphony Orchestra; Richard Bonynge |
6:17 | |||
|
1.12
|
"Lo vedeste?"
Vincenzo Bellini; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
5:30 | |||
|
1.13
|
"Il mio dolore e l'ira"
Vincenzo Bellini; Dame Joan Sutherland; Luciano Pavarotti; London Symphony Orchestra; Richard Bonynge |
10:20 | |||
|
1.14
|
"Parti ... Deh! perdona ... Fuggi ... parti"
Vincenzo Bellini; Dame Joan Sutherland; Luciano Pavarotti; Josephine Veasey; Cornelius Opthof; Joseph Ward; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
1:34 | |||
|
1.15
|
"Ah! tal onta io meritai"
Vincenzo Bellini; Dame Joan Sutherland; Josephine Veasey; Luciano Pavarotti; Joseph Ward; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
8:00 | |||
|
Beatrice di Tenda / Act 2
|
|||||
|
2.1
|
Introduzione ... "Lassa! e può il ciel"
Vincenzo Bellini; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
6:38 | |||
|
2.2
|
"Omai del suo destino"
Vincenzo Bellini; Joseph Ward; Cornelius Opthof; London Symphony Orchestra; Richard Bonynge |
3:18 | |||
|
2.3
|
"O troppo a mie preghiere"
Vincenzo Bellini; Dame Joan Sutherland; Josephine Veasey; Luciano Pavarotti; Joseph Ward; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
6:49 | |||
|
2.4
|
"Orombello! - Oh! voce! è dessa!"
Vincenzo Bellini; Dame Joan Sutherland; Josephine Veasey; Luciano Pavarotti; Joseph Ward; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
3:45 | |||
|
2.5
|
"Al tuo fallo ammenda festi generosa"
Vincenzo Bellini; Dame Joan Sutherland; Josephine Veasey; Luciano Pavarotti; Joseph Ward; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
9:02 | |||
|
2.6
|
"Filippo! Tu! ... ti appressa"
Vincenzo Bellini; Josephine Veasey; Cornelius Opthof; London Symphony Orchestra; Richard Bonynge |
2:08 | |||
|
2.7
|
"Rimorso in lei?"
Vincenzo Bellini; Cornelius Opthof; Joseph Ward; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
4:40 | |||
|
2.8
|
"Qui m'accolse oppresso"
Vincenzo Bellini; Cornelius Opthof; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
6:11 | |||
|
2.9
|
"Prega! Ah! no, non sia la misera"
Vincenzo Bellini; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
2:59 | |||
|
2.10
|
"Nulla io dissi ... Di sovrumana forza"
Vincenzo Bellini; Dame Joan Sutherland; Josephine Veasey; Luciano Pavarotti; Joseph Ward; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
10:53 | |||
|
2.11
|
"Ah! se un'urna è a me concessa"
Vincenzo Bellini; Dame Joan Sutherland; Joseph Ward; Ambrosian Opera Chorus; London Symphony Orchestra; Richard Bonynge |
7:30 | |||
|
Digital Booklet
|
|||||
"Sutherland is thrilling. She possessed one of the most beautiful voices of all time, and the sound itself, allied to immaculate technique, generated an astonishing emotional charge."
- The Guardian
Vincenzo Bellini’s penultimate opera, written for Teatro La Fenice, Venice, in 1833. Packed with intrigue, jealousy and revenge, Beatrice di Tenda is a tragic opera that recounts the final months of one of Renaissance history's most fascinating and ill-fated characters. This 1966 set is historic as it offered the legendary Joan Sutherland/Luciano Pavarotti collaboration on record for the first time. The album also marks Josephine Veasey's only commercially recorded Italian role.
96 kHz / 24-bit PCM – Universal Music Group Studio Masters
Recording Producers: Ray Minshull, John Mordler Recording Engineers: Kenneth Wilkinson, Gordon Parry Recording Location: Walthamstow Assembly Hall, London. January & February 1966
Recording Producers: Ray Minshull, John Mordler Recording Engineers: Kenneth Wilkinson, Gordon Parry Recording Location: Walthamstow Assembly Hall, London. January & February 1966
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.12 -5.23 to -0.03 | -22.96 -28.80 to -18.53 | -18.33 -23.70 to -14.00 | 13 10 to 17 | |
| 1.1 | Preludio | -0.21 | -20.56 | -16.2 | 12 |
| 1.2 | "Tu, signor! lasciar sì presto" | -0.22 | -22.20 | -17.0 | 13 |
| 1.3 | "Ah! non pensar che pieno" | -0.07 | -23.46 | -17.4 | 13 |
| 1.4 | "Silenzio e notte intorno" | -3.27 | -28.80 | -23.7 | 15 |
| 1.5 | "Sì: rivale ... rivale regnante" | -0.21 | -20.83 | -16.7 | 12 |
| 1.6 | "Respiro io qui" | -0.94 | -23.46 | -18.4 | 13 |
| 1.7 | "Ma la sola, ahimè! son io" | -3.79 | -24.80 | -21.0 | 12 |
| 1.8 | "Ah! la pena in lor piombò" | -0.21 | -19.44 | -14.1 | 10 |
| 1.9 | "Vedi? ... La tua presenza fugge sdegnosa" | -4.75 | -27.93 | -23.6 | 14 |
| 1.10 | "E quali? quali? spergiura! ingrata!" | -1.33 | -21.76 | -16.7 | 12 |
| 1.11 | "Qui di ribelli sudditi" | -1.32 | -21.01 | -16.8 | 12 |
| 1.12 | "Lo vedeste?" | -0.24 | -21.97 | -17.0 | 12 |
| 1.13 | "Il mio dolore e l'ira" | -0.75 | -23.77 | -19.5 | 14 |
| 1.14 | "Parti ... Deh! perdona ... Fuggi ... parti" | -0.41 | -18.53 | -14.0 | 10 |
| 1.15 | "Ah! tal onta io meritai" | -0.08 | -19.11 | -14.9 | 11 |
| 2.1 | Introduzione ... "Lassa! e può il ciel" | -0.22 | -22.01 | -17.6 | 13 |
| 2.2 | "Omai del suo destino" | -5.23 | -26.68 | -22.8 | 14 |
| 2.3 | "O troppo a mie preghiere" | -0.38 | -24.26 | -19.3 | 14 |
| 2.4 | "Orombello! - Oh! voce! è dessa!" | -0.11 | -22.94 | -18.3 | 12 |
| 2.5 | "Al tuo fallo ammenda festi generosa" | -0.03 | -19.16 | -14.6 | 11 |
| 2.6 | "Filippo! Tu! ... ti appressa" | -1.76 | -25.64 | -21.6 | 14 |
| 2.7 | "Rimorso in lei?" | -0.38 | -25.01 | -19.7 | 15 |
| 2.8 | "Qui m'accolse oppresso" | -0.83 | -22.43 | -17.9 | 13 |
| 2.9 | "Prega! Ah! no, non sia la misera" | -1.98 | -24.47 | -20.2 | 13 |
| 2.10 | "Nulla io dissi ... Di sovrumana forza" | -0.09 | -25.91 | -21.5 | 17 |
| 2.11 | "Ah! se un'urna è a me concessa" | -0.27 | -20.94 | -16.0 | 12 |