℗ 2021 UMG Recordings; An A&M Records Release
Released | April 1, 1973 |
Duration | 1h 04m 55s |
Record Label | A&M |
Genre | Rock |
1.1
|
Get Down To It
Humble Pie |
3:26 | |||
1.2
|
Good Booze And Bad Women
Humble Pie |
3:16 | |||
1.3
|
Is It For Love?
Humble Pie |
4:37 | |||
1.4
|
Drugstore Cowboy
Humble Pie |
5:39 | |||
1.5
|
Black Coffee
Humble Pie |
3:09 | |||
1.6
|
I Believe To My Soul
Humble Pie |
4:04 | |||
1.7
|
Shut Up And Don't Interrupt Me
Humble Pie |
3:06 | |||
1.8
|
That's How Strong My Love Is
Humble Pie |
3:46 | |||
1.9
|
Say No More
Humble Pie |
1:59 | |||
1.10
|
Oh, Bella (All That's Hers)
Humble Pie |
3:26 | |||
1.11
|
Summer Song
Humble Pie |
2:45 | |||
1.12
|
Beckton Dumps
Humble Pie |
3:14 | |||
1.13
|
Up Our Sleeve
Humble Pie |
5:02 | |||
1.14
|
Honky Tonk Women
Humble Pie |
3:56 | |||
1.15
|
Road Runner
Humble Pie |
13:30 |
Eat It is the sixth album by English rock group Humble Pie, released in 1973. A double album, it reached number 13 on the Billboard 200, number 34 in the UK Albums Chart and number 41 in Australia and number 9 in Australia.
Steve Marriott had been talking to the group about having backing singers from early on. During the recording of Eat It, he had been in touch with Venetta Fields and asked her to find two other women to help her out. Fields chose Clydie King and Sherlie Matthews (Both previously with Raeletts) to become the Blackberries and flew to London. When Marriott asked them to perform on tour with Humble Pie, Sherlie Matthews declined due to other commitments, such as her two children and her husband. Matthews chose Billie Barnum to be missing member of the Blackberries.
Marriott produced the album and it was the first album recorded in Marriott's newly built home recording studio he titled Clear Sounds, in a converted barn at Beehive Cottage, Moreton, Essex.
192 kHz / 24-bit PCM – A&M Studio Masters
Tracks 1-15 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-15 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.58 -1.27 to -0.20 | -18.09 -21.19 to -16.74 | -14.71 -17.70 to -13.80 | 12 9 to 14 | |
1 | Get Down To It | -1.20 | -18.68 | -14.6 | 12 |
2 | Good Booze And Bad Women | -1.27 | -18.35 | -14.7 | 12 |
3 | Is It For Love? | -0.20 | -16.83 | -13.9 | 9 |
4 | Drugstore Cowboy | -1.18 | -17.66 | -14.6 | 11 |
5 | Black Coffee | -1.18 | -18.58 | -14.4 | 12 |
6 | I Believe To My Soul | -0.78 | -17.72 | -14.1 | 11 |
7 | Shut Up And Don't Interrupt Me | -0.71 | -17.56 | -14.3 | 11 |
8 | That's How Strong My Love Is | -0.20 | -20.74 | -17.2 | 14 |
9 | Say No More | -0.20 | -16.74 | -14.2 | 12 |
10 | Oh, Bella (All That's Hers) | -0.20 | -17.26 | -14.7 | 12 |
11 | Summer Song | -0.56 | -21.19 | -17.7 | 14 |
12 | Beckton Dumps | -0.20 | -18.50 | -14.7 | 13 |
13 | Up Our Sleeve | -0.20 | -17.61 | -13.8 | 12 |
14 | Honky Tonk Women | -0.41 | -16.94 | -13.8 | 11 |
15 | Road Runner | -0.20 | -17.05 | -14.0 | 11 |