℗ ℗ 2016 Genuin
 

Madrigali: Vokalmusik von Max Beckschäfer

Franz Vitzthum, Stimmwerck, Robert Sellier, Christine Hoock, Ensemble Il Capriccio, Christian Rieger, Oliver Fraenzke

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Meeresgespräche  
1.1
No. 1. Hoy, mar
Max Beckschäfer; Franz Vitzthum
1:39
1.2
No. 2. Yace aquí el mar
Max Beckschäfer; Franz Vitzthum
1:22
1.3
No. 3. Dame la ingenuidad, mar
Max Beckschäfer; Franz Vitzthum
0:51
1.4
No. 4. Feroces leones
Max Beckschäfer; Franz Vitzthum
1:21
1.5
No. 5. Quiero, mar
Max Beckschäfer; Franz Vitzthum
1:31
Wie got kumet in die sele  
1.6
No. 1. Wie got kumet in die sele
Max Beckschäfer; Stimmwerck
1:03
1.7
No. 2. Von siben hande liebin gottes
Max Beckschäfer; Stimmwerck
2:54
1.8
No. 3. Der got minnet, der angesiget drin dingen
Max Beckschäfer; Stimmwerck
2:09
1.9
No. 4. Ze sexte zit
Max Beckschäfer; Stimmwerck
2:12
1.10
No. 5. Ich sach under Lucifer der helle grunt
Max Beckschäfer; Stimmwerck
3:50
1.11
No. 6. Das himelriche hat manige porten
Max Beckschäfer; Stimmwerck
3:15
1.12
No. 7. Ich grůsse dich vrowe
Max Beckschäfer; Stimmwerck
3:00
Ritratto di Pontormo  
1.13
Adì 7 in domenica sera
Max Beckschäfer; Robert Sellier; Christine Hoock
1:05
1.14
Sabato Batista è venuto
Max Beckschäfer; Robert Sellier; Christine Hoock
1:06
1.15
Lunedì feci quella teretta
Max Beckschäfer; Robert Sellier; Christine Hoock
0:50
1.16
Mercoledì: S'asettò e palco
Max Beckschäfer; Robert Sellier; Christine Hoock
0:22
1.17
Adì 27 detto portai
Max Beckschäfer; Robert Sellier; Christine Hoock
1:00
1.18
Mercoledì ebi uno intonico
Max Beckschäfer; Robert Sellier; Christine Hoock
1:04
1.19
Adì 18 non lavorai
Max Beckschäfer; Robert Sellier; Christine Hoock
0:42
1.20
Adì 25 mercoledì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:45
1.21
Venerdì piove
Max Beckschäfer; Robert Sellier; Christine Hoock
0:31
1.22
Domenica mattina
Max Beckschäfer; Robert Sellier; Christine Hoock
1:01
1.23
Lunedì adì 22 d'Aprile
Max Beckschäfer; Robert Sellier; Christine Hoock
1:27
1.24
Venerdì uno campo azurro
Max Beckschäfer; Robert Sellier; Christine Hoock
1:00
1.25
Lunedì sera in casa Daniello
Max Beckschäfer; Robert Sellier; Christine Hoock
0:25
1.26
Mercoledì feci quello resto del putto
Max Beckschäfer; Robert Sellier; Christine Hoock
1:09
1.27
Adì 20 si bollì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:16
1.28
E in tal sera empiei la botte del vino
Max Beckschäfer; Robert Sellier; Christine Hoock
1:20
1.29
Martedì feci in casa
Max Beckschäfer; Robert Sellier; Christine Hoock
0:37
1.30
Adì 20 giovedì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:39
1.31
Venerdì cominciò a essere fredo
Max Beckschäfer; Robert Sellier; Christine Hoock
1:23
Madrigali veneziani  
1.32
No. 1. O primavera
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:16
1.33
No. 2. Partita dell'amata
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
3:28
1.34
No. 3. Sospiro della sua donna
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
2:09
1.35
No. 4 Bella mano veduta
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
2:34
1.36
No. 5. Guerra di baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
3:38
1.37
No. 6. Cari baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:40
1.38
No. 7. Vasto mar
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:41
Versuch über das Glück  
1.39
No. 1. Versuch über das Glück
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:23
1.40
No. 2. Vergänglichkeit
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:05
1.41
No. 3. Gedicht für einen Baum
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:31
1.42
No. 4. Im Garten von Schloss Hirschberg
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:52
1.43
No. 5. Der glückliche Löwe
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:18
1.44
No. 6. Santa Maria dei Miracoli
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:50
Digital Booklet
Total Playing Time    79:14
Munich composer Max Beckschäfer invites us on a fantastic roller coaster ride filled with moving moments on his new Genuin release, where each piece is a world premiere recording. Beckschäfer presents settings of new and old poetry from the Middle Ages to the post-modern era, bridging the gap over several centuries. Sometimes we feel like we are listening to a medieval troubadour, sometimes we hear the disconcerting sound clusters of our time. A pupil of Killmayer, Beckschäfer collaborated with brilliant countertenor Franz Vitzthum, the Ensemble Stimmwerck, and the Ensemble Il Capriccio for this production- artists who truly make the dazzling colors of his music shine.
48 kHz / 24-bit PCM – Genuin Studio Masters

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