℗ 2016 Genuin
 

Madrigali: Vokalmusik von Max Beckschäfer

Franz Vitzthum, Stimmwerck, Robert Sellier, Christine Hoock, Ensemble Il Capriccio, Christian Rieger, Oliver Fraenzke

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Meeresgespräche  
1
No. 1. Hoy, mar
Max Beckschäfer; Franz Vitzthum
1:39
2
No. 2. Yace aquí el mar
Max Beckschäfer; Franz Vitzthum
1:22
3
No. 3. Dame la ingenuidad, mar
Max Beckschäfer; Franz Vitzthum
0:51
4
No. 4. Feroces leones
Max Beckschäfer; Franz Vitzthum
1:21
5
No. 5. Quiero, mar
Max Beckschäfer; Franz Vitzthum
1:31
Wie got kumet in die sele  
6
No. 1. Wie got kumet in die sele
Max Beckschäfer; Stimmwerck
1:03
7
No. 2. Von siben hande liebin gottes
Max Beckschäfer; Stimmwerck
2:54
8
No. 3. Der got minnet, der angesiget drin dingen
Max Beckschäfer; Stimmwerck
2:09
9
No. 4. Ze sexte zit
Max Beckschäfer; Stimmwerck
2:12
10
No. 5. Ich sach under Lucifer der helle grunt
Max Beckschäfer; Stimmwerck
3:50
11
No. 6. Das himelriche hat manige porten
Max Beckschäfer; Stimmwerck
3:15
12
No. 7. Ich grůsse dich vrowe
Max Beckschäfer; Stimmwerck
3:00
Ritratto di Pontormo  
13
Adì 7 in domenica sera
Max Beckschäfer; Robert Sellier; Christine Hoock
1:05
14
Sabato Batista è venuto
Max Beckschäfer; Robert Sellier; Christine Hoock
1:06
15
Lunedì feci quella teretta
Max Beckschäfer; Robert Sellier; Christine Hoock
0:50
16
Mercoledì: S'asettò e palco
Max Beckschäfer; Robert Sellier; Christine Hoock
0:22
17
Adì 27 detto portai
Max Beckschäfer; Robert Sellier; Christine Hoock
1:00
18
Mercoledì ebi uno intonico
Max Beckschäfer; Robert Sellier; Christine Hoock
1:04
19
Adì 18 non lavorai
Max Beckschäfer; Robert Sellier; Christine Hoock
0:42
20
Adì 25 mercoledì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:45
21
Venerdì piove
Max Beckschäfer; Robert Sellier; Christine Hoock
0:31
22
Domenica mattina
Max Beckschäfer; Robert Sellier; Christine Hoock
1:01
23
Lunedì adì 22 d'Aprile
Max Beckschäfer; Robert Sellier; Christine Hoock
1:27
24
Venerdì uno campo azurro
Max Beckschäfer; Robert Sellier; Christine Hoock
1:00
25
Lunedì sera in casa Daniello
Max Beckschäfer; Robert Sellier; Christine Hoock
0:25
26
Mercoledì feci quello resto del putto
Max Beckschäfer; Robert Sellier; Christine Hoock
1:09
27
Adì 20 si bollì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:16
28
E in tal sera empiei la botte del vino
Max Beckschäfer; Robert Sellier; Christine Hoock
1:20
29
Martedì feci in casa
Max Beckschäfer; Robert Sellier; Christine Hoock
0:37
30
Adì 20 giovedì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:39
31
Venerdì cominciò a essere fredo
Max Beckschäfer; Robert Sellier; Christine Hoock
1:23
Madrigali veneziani  
32
No. 1. O primavera
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:16
33
No. 2. Partita dell'amata
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
3:28
34
No. 3. Sospiro della sua donna
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
2:09
35
No. 4 Bella mano veduta
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
2:34
36
No. 5. Guerra di baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
3:38
37
No. 6. Cari baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:40
38
No. 7. Vasto mar
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:41
Versuch über das Glück  
39
No. 1. Versuch über das Glück
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:23
40
No. 2. Vergänglichkeit
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:05
41
No. 3. Gedicht für einen Baum
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:31
42
No. 4. Im Garten von Schloss Hirschberg
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:52
43
No. 5. Der glückliche Löwe
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:18
44
No. 6. Santa Maria dei Miracoli
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:50
Digital Booklet
Total Playing Time    79:14
Munich composer Max Beckschäfer invites us on a fantastic roller coaster ride filled with moving moments on his new Genuin release, where each piece is a world premiere recording. Beckschäfer presents settings of new and old poetry from the Middle Ages to the post-modern era, bridging the gap over several centuries. Sometimes we feel like we are listening to a medieval troubadour, sometimes we hear the disconcerting sound clusters of our time. A pupil of Killmayer, Beckschäfer collaborated with brilliant countertenor Franz Vitzthum, the Ensemble Stimmwerck, and the Ensemble Il Capriccio for this production- artists who truly make the dazzling colors of his music shine.
48 kHz / 24-bit PCM – Genuin Studio Masters

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