Madrigali: Vokalmusik von Max Beckschäfer
Franz Vitzthum, Stimmwerck, Robert Sellier, Christine Hoock, Ensemble Il Capriccio, Christian Rieger, Oliver Fraenzke
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Meeresgespräche
|
|||||
1.1
|
No. 1. Hoy, mar
Max Beckschäfer; Franz Vitzthum |
1:39 | |||
1.2
|
No. 2. Yace aquí el mar
Max Beckschäfer; Franz Vitzthum |
1:22 | |||
1.3
|
No. 3. Dame la ingenuidad, mar
Max Beckschäfer; Franz Vitzthum |
0:51 | |||
1.4
|
No. 4. Feroces leones
Max Beckschäfer; Franz Vitzthum |
1:21 | |||
1.5
|
No. 5. Quiero, mar
Max Beckschäfer; Franz Vitzthum |
1:31 | |||
Wie got kumet in die sele
|
|||||
1.6
|
No. 1. Wie got kumet in die sele
Max Beckschäfer; Stimmwerck |
1:03 | |||
1.7
|
No. 2. Von siben hande liebin gottes
Max Beckschäfer; Stimmwerck |
2:54 | |||
1.8
|
No. 3. Der got minnet, der angesiget drin dingen
Max Beckschäfer; Stimmwerck |
2:09 | |||
1.9
|
No. 4. Ze sexte zit
Max Beckschäfer; Stimmwerck |
2:12 | |||
1.10
|
No. 5. Ich sach under Lucifer der helle grunt
Max Beckschäfer; Stimmwerck |
3:50 | |||
1.11
|
No. 6. Das himelriche hat manige porten
Max Beckschäfer; Stimmwerck |
3:15 | |||
1.12
|
No. 7. Ich grůsse dich vrowe
Max Beckschäfer; Stimmwerck |
3:00 | |||
Ritratto di Pontormo
|
|||||
1.13
|
Adì 7 in domenica sera
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:05 | |||
1.14
|
Sabato Batista è venuto
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:06 | |||
1.15
|
Lunedì feci quella teretta
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:50 | |||
1.16
|
Mercoledì: S'asettò e palco
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:22 | |||
1.17
|
Adì 27 detto portai
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:00 | |||
1.18
|
Mercoledì ebi uno intonico
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:04 | |||
1.19
|
Adì 18 non lavorai
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:42 | |||
1.20
|
Adì 25 mercoledì
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:45 | |||
1.21
|
Venerdì piove
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:31 | |||
1.22
|
Domenica mattina
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:01 | |||
1.23
|
Lunedì adì 22 d'Aprile
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:27 | |||
1.24
|
Venerdì uno campo azurro
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:00 | |||
1.25
|
Lunedì sera in casa Daniello
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:25 | |||
1.26
|
Mercoledì feci quello resto del putto
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:09 | |||
1.27
|
Adì 20 si bollì
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:16 | |||
1.28
|
E in tal sera empiei la botte del vino
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:20 | |||
1.29
|
Martedì feci in casa
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:37 | |||
1.30
|
Adì 20 giovedì
Max Beckschäfer; Robert Sellier; Christine Hoock |
0:39 | |||
1.31
|
Venerdì cominciò a essere fredo
Max Beckschäfer; Robert Sellier; Christine Hoock |
1:23 | |||
Madrigali veneziani
|
|||||
1.32
|
No. 1. O primavera
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
4:16 | |||
1.33
|
No. 2. Partita dell'amata
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
3:28 | |||
1.34
|
No. 3. Sospiro della sua donna
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
2:09 | |||
1.35
|
No. 4 Bella mano veduta
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
2:34 | |||
1.36
|
No. 5. Guerra di baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
3:38 | |||
1.37
|
No. 6. Cari baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
4:40 | |||
1.38
|
No. 7. Vasto mar
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
4:41 | |||
Versuch über das Glück
|
|||||
1.39
|
No. 1. Versuch über das Glück
Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
2:23 | |||
1.40
|
No. 2. Vergänglichkeit
Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
1:05 | |||
1.41
|
No. 3. Gedicht für einen Baum
Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
2:31 | |||
1.42
|
No. 4. Im Garten von Schloss Hirschberg
Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
1:52 | |||
1.43
|
No. 5. Der glückliche Löwe
Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
1:18 | |||
1.44
|
No. 6. Santa Maria dei Miracoli
Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
2:50 | |||
Digital Booklet
|
|||||
Total Playing Time 79:14
|
Munich composer Max Beckschäfer invites us on a fantastic roller coaster ride filled with moving moments on his new Genuin release, where each piece is a world premiere recording. Beckschäfer presents settings of new and old poetry from the Middle Ages to the post-modern era, bridging the gap over several centuries. Sometimes we feel like we are listening to a medieval troubadour, sometimes we hear the disconcerting sound clusters of our time. A pupil of Killmayer, Beckschäfer collaborated with brilliant countertenor Franz Vitzthum, the Ensemble Stimmwerck, and the Ensemble Il Capriccio for this production- artists who truly make the dazzling colors of his music shine.
48 kHz / 24-bit PCM – Genuin Studio Masters