℗ 2016 Genuin
Released November 4, 2016
Duration 1h 19m 14s
Record Label Genuin
Catalogue No. GEN16444
Genre Classical (Vocal)
 

Madrigali: Vokalmusik von Max Beckschäfer

Franz Vitzthum, Stimmwerck, Robert Sellier, Christine Hoock, Ensemble Il Capriccio, Christian Rieger, Oliver Fraenzke

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 48 kHz | 24-bit
    • FLAC 48 kHz | 24-bit
Add to cart
discounted price

 
Meeresgespräche  
1.1
No. 1. Hoy, mar
Max Beckschäfer; Franz Vitzthum
1:39
1.2
No. 2. Yace aquí el mar
Max Beckschäfer; Franz Vitzthum
1:22
1.3
No. 3. Dame la ingenuidad, mar
Max Beckschäfer; Franz Vitzthum
0:51
1.4
No. 4. Feroces leones
Max Beckschäfer; Franz Vitzthum
1:21
1.5
No. 5. Quiero, mar
Max Beckschäfer; Franz Vitzthum
1:31
Wie got kumet in die sele  
1.6
No. 1. Wie got kumet in die sele
Max Beckschäfer; Stimmwerck
1:03
1.7
No. 2. Von siben hande liebin gottes
Max Beckschäfer; Stimmwerck
2:54
1.8
No. 3. Der got minnet, der angesiget drin dingen
Max Beckschäfer; Stimmwerck
2:09
1.9
No. 4. Ze sexte zit
Max Beckschäfer; Stimmwerck
2:12
1.10
No. 5. Ich sach under Lucifer der helle grunt
Max Beckschäfer; Stimmwerck
3:50
1.11
No. 6. Das himelriche hat manige porten
Max Beckschäfer; Stimmwerck
3:15
1.12
No. 7. Ich grůsse dich vrowe
Max Beckschäfer; Stimmwerck
3:00
Ritratto di Pontormo  
1.13
Adì 7 in domenica sera
Max Beckschäfer; Robert Sellier; Christine Hoock
1:05
1.14
Sabato Batista è venuto
Max Beckschäfer; Robert Sellier; Christine Hoock
1:06
1.15
Lunedì feci quella teretta
Max Beckschäfer; Robert Sellier; Christine Hoock
0:50
1.16
Mercoledì: S'asettò e palco
Max Beckschäfer; Robert Sellier; Christine Hoock
0:22
1.17
Adì 27 detto portai
Max Beckschäfer; Robert Sellier; Christine Hoock
1:00
1.18
Mercoledì ebi uno intonico
Max Beckschäfer; Robert Sellier; Christine Hoock
1:04
1.19
Adì 18 non lavorai
Max Beckschäfer; Robert Sellier; Christine Hoock
0:42
1.20
Adì 25 mercoledì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:45
1.21
Venerdì piove
Max Beckschäfer; Robert Sellier; Christine Hoock
0:31
1.22
Domenica mattina
Max Beckschäfer; Robert Sellier; Christine Hoock
1:01
1.23
Lunedì adì 22 d'Aprile
Max Beckschäfer; Robert Sellier; Christine Hoock
1:27
1.24
Venerdì uno campo azurro
Max Beckschäfer; Robert Sellier; Christine Hoock
1:00
1.25
Lunedì sera in casa Daniello
Max Beckschäfer; Robert Sellier; Christine Hoock
0:25
1.26
Mercoledì feci quello resto del putto
Max Beckschäfer; Robert Sellier; Christine Hoock
1:09
1.27
Adì 20 si bollì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:16
1.28
E in tal sera empiei la botte del vino
Max Beckschäfer; Robert Sellier; Christine Hoock
1:20
1.29
Martedì feci in casa
Max Beckschäfer; Robert Sellier; Christine Hoock
0:37
1.30
Adì 20 giovedì
Max Beckschäfer; Robert Sellier; Christine Hoock
0:39
1.31
Venerdì cominciò a essere fredo
Max Beckschäfer; Robert Sellier; Christine Hoock
1:23
Madrigali veneziani  
1.32
No. 1. O primavera
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:16
1.33
No. 2. Partita dell'amata
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
3:28
1.34
No. 3. Sospiro della sua donna
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
2:09
1.35
No. 4 Bella mano veduta
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
2:34
1.36
No. 5. Guerra di baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
3:38
1.37
No. 6. Cari baci
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:40
1.38
No. 7. Vasto mar
Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio
4:41
Versuch über das Glück  
1.39
No. 1. Versuch über das Glück
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:23
1.40
No. 2. Vergänglichkeit
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:05
1.41
No. 3. Gedicht für einen Baum
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:31
1.42
No. 4. Im Garten von Schloss Hirschberg
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:52
1.43
No. 5. Der glückliche Löwe
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
1:18
1.44
No. 6. Santa Maria dei Miracoli
Max Beckschäfer; Christian Rieger; Oliver Fraenzke
2:50
Digital Booklet
Munich composer Max Beckschäfer invites us on a fantastic roller coaster ride filled with moving moments on his new Genuin release, where each piece is a world premiere recording. Beckschäfer presents settings of new and old poetry from the Middle Ages to the post-modern era, bridging the gap over several centuries. Sometimes we feel like we are listening to a medieval troubadour, sometimes we hear the disconcerting sound clusters of our time. A pupil of Killmayer, Beckschäfer collaborated with brilliant countertenor Franz Vitzthum, the Ensemble Stimmwerck, and the Ensemble Il Capriccio for this production- artists who truly make the dazzling colors of his music shine.
48 kHz / 24-bit PCM – Genuin Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.65
-14.58 to -0.24
-26.59
-37.31 to -21.29
-22.50
-31.90 to -17.00
12
7 to 15
1
No. 1. Hoy, mar
-6.00-24.51-19.210
2
No. 2. Yace aquí el mar
-8.00-27.83-23.410
3
No. 3. Dame la ingenuidad, mar
-8.39-27.90-23.511
4
No. 4. Feroces leones
-6.56-25.69-21.111
5
No. 5. Quiero, mar
-6.38-26.15-21.011
6
No. 1. Wie got kumet in die sele
-6.30-25.07-20.711
7
No. 2. Von siben hande liebin gottes
-1.23-23.08-19.513
8
No. 3. Der got minnet, der angesiget drin dingen
-1.79-23.35-19.613
9
No. 4. Ze sexte zit
-0.24-21.29-17.012
10
No. 5. Ich sach under Lucifer der helle grunt
-1.46-22.64-19.113
11
No. 6. Das himelriche hat manige porten
-2.63-23.91-20.212
12
No. 7. Ich grůsse dich vrowe
-3.29-25.90-21.714
13
Adì 7 in domenica sera
-2.50-23.77-20.512
14
Sabato Batista è venuto
-10.15-28.54-26.011
15
Lunedì feci quella teretta
-6.95-31.40-27.011
16
Mercoledì: S'asettò e palco
-9.55-31.27-26.912
17
Adì 27 detto portai
-7.72-28.54-24.511
18
Mercoledì ebi uno intonico
-2.92-27.26-23.311
19
Adì 18 non lavorai
-6.93-26.30-23.110
20
Adì 25 mercoledì
-14.58-36.27-30.812
21
Venerdì piove
-14.19-33.21-29.48
22
Domenica mattina
-0.85-23.99-19.711
23
Lunedì adì 22 d'Aprile
-4.17-25.66-22.212
24
Venerdì uno campo azurro
-14.56-32.36-27.89
25
Lunedì sera in casa Daniello
-4.86-25.58-22.312
26
Mercoledì feci quello resto del putto
-3.82-23.33-20.711
27
Adì 20 si bollì
-7.69-26.98-23.07
28
E in tal sera empiei la botte del vino
-2.95-23.68-21.112
29
Martedì feci in casa
-10.91-37.31-31.911
30
Adì 20 giovedì
-3.77-24.06-21.29
31
Venerdì cominciò a essere fredo
-8.71-29.86-26.211
32
No. 1. O primavera
-5.06-24.04-20.211
33
No. 2. Partita dell'amata
-5.24-25.48-21.012
34
No. 3. Sospiro della sua donna
-5.18-24.58-20.912
35
No. 4 Bella mano veduta
-5.30-22.40-18.610
36
No. 5. Guerra di baci
-5.03-23.29-19.511
37
No. 6. Cari baci
-5.62-24.13-20.711
38
No. 7. Vasto mar
-5.19-22.69-18.810
39
No. 1. Versuch über das Glück
-4.25-28.81-22.415
40
No. 2. Vergänglichkeit
-1.35-24.76-20.715
41
No. 3. Gedicht für einen Baum
-0.60-25.36-20.913
42
No. 4. Im Garten von Schloss Hirschberg
-7.13-33.02-27.214
43
No. 5. Der glückliche Löwe
-5.47-28.04-23.615
44
No. 6. Santa Maria dei Miracoli
-3.23-26.46-22.015

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions