℗ 2016 Genuin
Madrigali: Vokalmusik von Max Beckschäfer
Franz Vitzthum, Stimmwerck, Robert Sellier, Christine Hoock, Ensemble Il Capriccio, Christian Rieger, Oliver Fraenzke
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Meeresgespräche |
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1 |
No. 1. Hoy, mar Max Beckschäfer; Franz Vitzthum |
1:39 | |||
2 |
No. 2. Yace aquí el mar Max Beckschäfer; Franz Vitzthum |
1:22 | |||
3 |
No. 3. Dame la ingenuidad, mar Max Beckschäfer; Franz Vitzthum |
0:51 | |||
4 |
No. 4. Feroces leones Max Beckschäfer; Franz Vitzthum |
1:21 | |||
5 |
No. 5. Quiero, mar Max Beckschäfer; Franz Vitzthum |
1:31 | |||
Wie got kumet in die sele |
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6 |
No. 1. Wie got kumet in die sele Max Beckschäfer; Stimmwerck |
1:03 | |||
7 |
No. 2. Von siben hande liebin gottes Max Beckschäfer; Stimmwerck |
2:54 | |||
8 |
No. 3. Der got minnet, der angesiget drin dingen Max Beckschäfer; Stimmwerck |
2:09 | |||
9 |
No. 4. Ze sexte zit Max Beckschäfer; Stimmwerck |
2:12 | |||
10 |
No. 5. Ich sach under Lucifer der helle grunt Max Beckschäfer; Stimmwerck |
3:50 | |||
11 |
No. 6. Das himelriche hat manige porten Max Beckschäfer; Stimmwerck |
3:15 | |||
12 |
No. 7. Ich grůsse dich vrowe Max Beckschäfer; Stimmwerck |
3:00 | |||
Ritratto di Pontormo |
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13 |
Adì 7 in domenica sera Max Beckschäfer; Robert Sellier; Christine Hoock |
1:05 | |||
14 |
Sabato Batista è venuto Max Beckschäfer; Robert Sellier; Christine Hoock |
1:06 | |||
15 |
Lunedì feci quella teretta Max Beckschäfer; Robert Sellier; Christine Hoock |
0:50 | |||
16 |
Mercoledì: S'asettò e palco Max Beckschäfer; Robert Sellier; Christine Hoock |
0:22 | |||
17 |
Adì 27 detto portai Max Beckschäfer; Robert Sellier; Christine Hoock |
1:00 | |||
18 |
Mercoledì ebi uno intonico Max Beckschäfer; Robert Sellier; Christine Hoock |
1:04 | |||
19 |
Adì 18 non lavorai Max Beckschäfer; Robert Sellier; Christine Hoock |
0:42 | |||
20 |
Adì 25 mercoledì Max Beckschäfer; Robert Sellier; Christine Hoock |
0:45 | |||
21 |
Venerdì piove Max Beckschäfer; Robert Sellier; Christine Hoock |
0:31 | |||
22 |
Domenica mattina Max Beckschäfer; Robert Sellier; Christine Hoock |
1:01 | |||
23 |
Lunedì adì 22 d'Aprile Max Beckschäfer; Robert Sellier; Christine Hoock |
1:27 | |||
24 |
Venerdì uno campo azurro Max Beckschäfer; Robert Sellier; Christine Hoock |
1:00 | |||
25 |
Lunedì sera in casa Daniello Max Beckschäfer; Robert Sellier; Christine Hoock |
0:25 | |||
26 |
Mercoledì feci quello resto del putto Max Beckschäfer; Robert Sellier; Christine Hoock |
1:09 | |||
27 |
Adì 20 si bollì Max Beckschäfer; Robert Sellier; Christine Hoock |
0:16 | |||
28 |
E in tal sera empiei la botte del vino Max Beckschäfer; Robert Sellier; Christine Hoock |
1:20 | |||
29 |
Martedì feci in casa Max Beckschäfer; Robert Sellier; Christine Hoock |
0:37 | |||
30 |
Adì 20 giovedì Max Beckschäfer; Robert Sellier; Christine Hoock |
0:39 | |||
31 |
Venerdì cominciò a essere fredo Max Beckschäfer; Robert Sellier; Christine Hoock |
1:23 | |||
Madrigali veneziani |
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32 |
No. 1. O primavera Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
4:16 | |||
33 |
No. 2. Partita dell'amata Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
3:28 | |||
34 |
No. 3. Sospiro della sua donna Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
2:09 | |||
35 |
No. 4 Bella mano veduta Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
2:34 | |||
36 |
No. 5. Guerra di baci Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
3:38 | |||
37 |
No. 6. Cari baci Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
4:40 | |||
38 |
No. 7. Vasto mar Max Beckschäfer; Franz Vitzthum; Ensemble Il Capriccio |
4:41 | |||
Versuch über das Glück |
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39 |
No. 1. Versuch über das Glück Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
2:23 | |||
40 |
No. 2. Vergänglichkeit Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
1:05 | |||
41 |
No. 3. Gedicht für einen Baum Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
2:31 | |||
42 |
No. 4. Im Garten von Schloss Hirschberg Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
1:52 | |||
43 |
No. 5. Der glückliche Löwe Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
1:18 | |||
44 |
No. 6. Santa Maria dei Miracoli Max Beckschäfer; Christian Rieger; Oliver Fraenzke |
2:50 | |||
Digital Booklet |
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Total Playing Time 79:14
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Munich composer Max Beckschäfer invites us on a fantastic roller coaster ride filled with moving moments on his new Genuin release, where each piece is a world premiere recording. Beckschäfer presents settings of new and old poetry from the Middle Ages to the post-modern era, bridging the gap over several centuries. Sometimes we feel like we are listening to a medieval troubadour, sometimes we hear the disconcerting sound clusters of our time. A pupil of Killmayer, Beckschäfer collaborated with brilliant countertenor Franz Vitzthum, the Ensemble Stimmwerck, and the Ensemble Il Capriccio for this production- artists who truly make the dazzling colors of his music shine.
48 kHz / 24-bit PCM – Genuin Studio Masters