℗ 2021 First Hand Records
| Released | October 1, 2021 |
| Duration | 1h 02m 31s |
| Record Label | First Hand Records |
| Catalogue No. | FHR113 |
| Genre | Classical (Baroque Era) |
The Ghost in the Machine
Emily Baines, Amyas, Steven Devine, Arngeir Hauksson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Suite in D Major, HWV 341
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1.1
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I. Overture (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
1:50 | |||
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Saul, HWV 53
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1.2
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Dead March (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
2:15 | |||
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Judas Maccabaeus, HWV 63
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1.3
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See the Conquering Hero Comes (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
2:11 | |||
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Ornamented Airs & Brunettes
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1.4
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No. 9, L'amour, le seul amour
Emily Baines; Amyas |
2:00 | |||
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1.5
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No. 7, L'autre jour ma Cloris
Emily Baines; Amyas |
2:13 | |||
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Organ Concerto No. 5 in F Major, Op. 4 No. 5, HWV 293 (Arr. for Recorder & Orchestra)
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1.6
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I. Larghetto
Emily Baines; Amyas |
2:14 | |||
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1.7
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II. Allegro
Emily Baines; Amyas |
2:34 | |||
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1.8
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III. Alla siciliana
Emily Baines; Amyas |
1:38 | |||
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1.9
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IV. Presto
Emily Baines; Amyas |
2:30 | |||
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Ottone, HWV 15
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1.10
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Alla fama, dimmi il vero (Arr. for Recorder & Organ)
Emily Baines; Steven Devine |
2:17 | |||
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Arianna in Creta, HWV 32
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1.11
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Overture (Arr. for Recorder & Organ)
Emily Baines; Steven Devine |
1:56 | |||
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Scipione, HWV 20
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1.12
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Overture (Arr. for Recorder & Organ)
Emily Baines; Steven Devine |
1:12 | |||
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1.13
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Mr. Reddin's Ground
Emily Baines; Amyas |
2:19 | |||
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Macbeth
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1.14
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The Favorite March in Purcell's "Bonduca" (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
1:16 | |||
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1.15
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God Save the King (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
0:52 | |||
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1.16
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Rule, Britannia! (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
2:22 | |||
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Recorder Sonata in G Minor, Op. 1 No. 3
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1.17
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I. Adagio
Emily Baines; Amyas |
2:06 | |||
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1.18
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II. Allegro
Emily Baines; Amyas |
3:45 | |||
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1.19
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III. Largo
Emily Baines; Amyas |
2:10 | |||
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1.20
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IV. Gavotta
Emily Baines; Amyas |
2:21 | |||
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1.21
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V. Minuet
Emily Baines; Amyas |
1:17 | |||
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1.22
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The Lass of Patie's Mill (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
2:06 | |||
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A Treatise of Good Taste in the Art of Musick
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1.23
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Air No. 1, Auld Bob Morrice (Arr. for Chamber Ensemble)
Emily Baines; Amyas |
2:24 | |||
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Rinaldo, HWV 7b (Excerpts)
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1.24
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Overture (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
2:56 | |||
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1.25
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Lascia ch'io pianga (Arr. E. Baines for Recorder & Theorbo)
Emily Baines; Arngeir Hauksson |
4:08 | |||
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Rodelinda, HWV 19
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1.26
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Minuet (Arr. E. Baines for Chamber Ensemble)
Emily Baines; Amyas |
2:17 | |||
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6 Recorder Concertos, No. 6 in D Major
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1.27
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I. Allegro
Emily Baines; Amyas |
1:50 | |||
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1.28
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II. Siciliana
Emily Baines; Amyas |
1:41 | |||
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1.29
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III. Allegro
Emily Baines; Amyas |
1:51 | |||
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Digital Booklet
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96 kHz / 24-bit PCM – First Hand Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.17 -8.07 to -1.03 | -22.06 -25.11 to -16.37 | -18.99 -22.40 to -12.90 | 10 9 to 12 | |
| 1 | I. Overture (Arr. E. Baines for Chamber Ensemble) | -2.68 | -20.36 | -16.4 | 11 |
| 2 | Dead March (Arr. E. Baines for Chamber Ensemble) | -6.20 | -23.37 | -20.5 | 10 |
| 3 | See the Conquering Hero Comes (Arr. E. Baines for Chamber Ensemble) | -1.03 | -16.37 | -12.9 | 10 |
| 4 | No. 9, L'amour, le seul amour | -7.86 | -22.92 | -20.2 | 9 |
| 5 | No. 7, L'autre jour ma Cloris | -4.10 | -21.84 | -19.0 | 11 |
| 6 | I. Larghetto | -3.97 | -21.41 | -18.6 | 9 |
| 7 | II. Allegro | -3.52 | -20.77 | -17.9 | 11 |
| 8 | III. Alla siciliana | -2.43 | -19.82 | -16.8 | 10 |
| 9 | IV. Presto | -2.11 | -20.46 | -17.6 | 12 |
| 10 | Alla fama, dimmi il vero (Arr. for Recorder & Organ) | -6.79 | -21.51 | -19.0 | 9 |
| 11 | Overture (Arr. for Recorder & Organ) | -7.49 | -24.76 | -22.0 | 11 |
| 12 | Overture (Arr. for Recorder & Organ) | -6.33 | -24.25 | -21.4 | 9 |
| 13 | Mr. Reddin's Ground | -7.00 | -22.51 | -19.7 | 10 |
| 14 | The Favorite March in Purcell's "Bonduca" (Arr. E. Baines for Chamber Ensemble) | -4.03 | -20.85 | -17.3 | 11 |
| 15 | God Save the King (Arr. E. Baines for Chamber Ensemble) | -4.91 | -19.61 | -16.1 | 9 |
| 16 | Rule, Britannia! (Arr. E. Baines for Chamber Ensemble) | -3.22 | -18.90 | -15.1 | 10 |
| 17 | I. Adagio | -6.43 | -22.77 | -19.8 | 10 |
| 18 | II. Allegro | -4.24 | -22.83 | -20.1 | 11 |
| 19 | III. Largo | -4.17 | -22.00 | -19.1 | 10 |
| 20 | IV. Gavotta | -8.07 | -25.11 | -22.4 | 11 |
| 21 | V. Minuet | -6.62 | -23.71 | -20.4 | 9 |
| 22 | The Lass of Patie's Mill (Arr. E. Baines for Chamber Ensemble) | -7.75 | -24.87 | -22.4 | 11 |
| 23 | Air No. 1, Auld Bob Morrice (Arr. for Chamber Ensemble) | -7.96 | -24.57 | -21.4 | 11 |
| 24 | Overture (Arr. E. Baines for Chamber Ensemble) | -5.07 | -22.60 | -19.8 | 10 |
| 25 | Lascia ch'io pianga (Arr. E. Baines for Recorder & Theorbo) | -6.25 | -24.73 | -21.4 | 10 |
| 26 | Minuet (Arr. E. Baines for Chamber Ensemble) | -7.35 | -23.39 | -20.7 | 11 |
| 27 | I. Allegro | -3.42 | -21.08 | -17.5 | 12 |
| 28 | II. Siciliana | -4.74 | -21.59 | -17.8 | 9 |
| 29 | III. Allegro | -4.12 | -20.88 | -17.3 | 11 |