℗ 2021 Tactus
| Released | October 1, 2021 |
| Duration | 1h 14m 20s |
| Record Label | Tactus |
| Catalogue No. | TC812101 |
| Genre | Classical (Piano) |
Unia: Piano Works
Massimiliano Génot, Andrea Vigna-Taglianti
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Grande fantaisie, Op. 43 (After Verdi)
Giuseppe Unia; Massimiliano Génot; Andrea Vigna-Taglianti |
12:32 | |||
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1.2
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Le diable boiteux, Op. 45 (After Verdi)
Giuseppe Unia; Massimiliano Génot |
2:56 | |||
|
1.3
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Il vessillo d'amore valzer, Op. 57
Giuseppe Unia; Massimiliano Génot |
7:41 | |||
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1.4
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Pensiero fuggitivo, Op. 72
Giuseppe Unia; Massimiliano Génot |
4:17 | |||
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1.5
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Notturno patetico, Op. 111
Giuseppe Unia; Andrea Vigna-Taglianti |
5:56 | |||
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1.6
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Casta diva norma da "La pluie des fleurs", Op. 117
Giuseppe Unia; Massimiliano Génot |
6:35 | |||
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1.7
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La cloche du village, Op. 126
Giuseppe Unia; Andrea Vigna-Taglianti |
5:00 | |||
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1.8
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Barcarolle célèbre de C.M. Weber, Op. 133
Giuseppe Unia; Massimiliano Génot |
3:59 | |||
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1.9
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Passeggiata sul lago d'orta, Op. 135
Giuseppe Unia; Massimiliano Génot |
5:14 | |||
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1.10
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Lowely, Op. 157
Giuseppe Unia; Andrea Vigna-Taglianti |
4:11 | |||
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1.11
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Marcia funebre, Op. 158
Giuseppe Unia; Andrea Vigna-Taglianti |
7:49 | |||
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1.12
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Divertimento brillante sull'opera "Marta" di Flotow, Op. 160
Giuseppe Unia; Andrea Vigna-Taglianti |
8:10 | |||
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Digital Booklet
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At last it is possible to present to the public the first monographic recording of works by Giuseppe Unia, who in the eighteen-sixties could boast the title of “court pianist-composer to His Majesty the King of Italy”, like his better-known colleague Hans von Bülow, court pianist to Ludwig ii of Bavaria and his friend Alfred Jaëll, pianist to the King of Hannover. Giuseppe Antonio Unia is one of the many Italian musicians whom history – or, should we say, time – has separated from us with the thin veil of oblivion. Yet his more than two hundred publications for publishers such as Ricordi, Canti and Vismara testify to a considerable degree of success, and the dedications of his works show that his friends were important people, both from a social point of view and from an artistic one. The pianists Massimiliano Génot and Andrea Vigna Taglianti here are proposing a careful selection of the piano works by Unia, fully reflecting the style and musical taste of Europe of his time, of which he was a profound connoisseur thanks to his numerous artistic experiences in Italy, Paris and Vienna.
96 kHz / 24-bit PCM – Tactus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.31 -5.42 to -0.65 | -22.14 -25.88 to -18.86 | -19.02 -23.10 to -16.00 | 12 11 to 13 | |
| 1 | Grande fantaisie, Op. 43 (After Verdi) | -0.85 | -18.86 | -16.0 | 11 |
| 2 | Le diable boiteux, Op. 45 (After Verdi) | -1.13 | -19.78 | -16.8 | 11 |
| 3 | Il vessillo d'amore valzer, Op. 57 | -0.65 | -20.34 | -17.2 | 13 |
| 4 | Pensiero fuggitivo, Op. 72 | -1.60 | -20.28 | -17.0 | 12 |
| 5 | Notturno patetico, Op. 111 | -3.22 | -23.96 | -20.6 | 12 |
| 6 | Casta diva norma da "La pluie des fleurs", Op. 117 | -5.42 | -25.88 | -23.1 | 13 |
| 7 | La cloche du village, Op. 126 | -3.87 | -24.81 | -21.6 | 13 |
| 8 | Barcarolle célèbre de C.M. Weber, Op. 133 | -0.94 | -20.42 | -17.1 | 11 |
| 9 | Passeggiata sul lago d'orta, Op. 135 | -4.55 | -24.94 | -22.2 | 12 |
| 10 | Lowely, Op. 157 | -1.84 | -21.60 | -18.3 | 12 |
| 11 | Marcia funebre, Op. 158 | -2.77 | -24.23 | -20.7 | 13 |
| 12 | Divertimento brillante sull'opera "Marta" di Flotow, Op. 160 | -0.81 | -20.60 | -17.6 | 12 |