℗ 2021 BR-Klassik
Released | October 1, 2021 |
Duration | 2h 25m 04s |
Record Label | BR-Klassik |
Catalogue No. | 900203 |
Genre | Classical (Orchestral) |
Messiaen: Orchestral Works (Live)
Chor des Bayerischen Rundfunks, Howard Arman, Bavarian Radio Symphony Orchestra, Kent Nagano, Moon Yung Oh, Matthias Ettmayr, Jenny Daviet
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
La transfiguration de notre Seigneur Jésus-Christ, I/48, Premier septénaire
|
|||||
1.1
|
I. Recit evangelique (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
2:51 | |||
1.2
|
II. Configuratum corpori claritatis suae (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
5:55 | |||
1.3
|
III. Christus Jesus, splendor patris (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
6:52 | |||
1.4
|
IV. Recit evangelique (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
2:29 | |||
1.5
|
V. Quam dilecta tabernacula tua (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
8:41 | |||
1.6
|
VI. Candor est lucis aeternae (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
1:35 | |||
1.7
|
VII. Choral de la sainte montagne (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
4:05 | |||
La transfiguration de notre Seigneur Jésus-Christ, I/48, Deuxième septénaire
|
|||||
2.1
|
VIII. Recit evangelique (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
3:25 | |||
2.2
|
IX. Perfecte conscius illius perfectae generationis (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano; Moon Yung Oh; Matthias Ettmayr |
16:43 | |||
2.3
|
X. Adoptionem filiorum perfectam (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
7:38 | |||
2.4
|
XI. Recit evangelique (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
4:33 | |||
2.5
|
XII. Terribilis est locus iste (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
6:33 | |||
2.6
|
XIII. Tota trinitas apparuit (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
15:13 | |||
2.7
|
XIV. Choral de la lumière de gloire (Live)
Olivier Messiaen; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Kent Nagano |
7:54 | |||
Poemes pour Mi, I/17b, Livre 1
|
|||||
3.1
|
No. 1, Action de grâces (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
6:05 | |||
3.2
|
No. 2, Paysage (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
1:52 | |||
3.3
|
No. 3, La maison (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
1:43 | |||
3.4
|
No. 4, Épouvante (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
2:49 | |||
Poemes pour Mi, I/17b, Livre 2
|
|||||
3.5
|
No. 5, L'épouse (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
2:31 | |||
3.6
|
No. 6, Ta voix (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
3:26 | |||
3.7
|
No. 7, Les deux guerriers (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
1:45 | |||
3.8
|
No. 8, Le collier (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
4:05 | |||
3.9
|
No. 9, Prière exaucée (Live)
Olivier Messiaen; Jenny Daviet; Bavarian Radio Symphony Orchestra; Kent Nagano |
3:23 | |||
Chronochromie, I/43
|
|||||
3.10
|
I. Introduction (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
3:25 | |||
3.11
|
II. Strophe I (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
1:45 | |||
3.12
|
III. Antistrophe I (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
3:11 | |||
3.13
|
IV. Strophe II (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
1:36 | |||
3.14
|
V. Antistrophe II (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
5:45 | |||
3.15
|
VI. Épôde (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
4:35 | |||
3.16
|
VII. Coda (Live)
Olivier Messiaen; Bavarian Radio Symphony Orchestra; Kent Nagano |
2:41 | |||
Digital Booklet
|
Few performers are more familiar with the musical language of the French composer Olivier Messiaen than the American conductor Kent Nagano. Nagano has had Messiaen's orchestral works and oratorios in his program for several decades now, and he also participated in the world premiere of “Saint François d'Assise”, Messiaen's only opera. During the year 1982 Nagano spent his time with Messiaen in Paris, where not only an artistic relationship but also a close personal one developed between the two musicians. BR-KLASSIK has now released three masterpieces by the French composer with the magical sound, presented by Kent Nagano to the Munich concert audience in recent years as conductor of the Symphonieorchester des Bayerischen Rundfunks: the oratorio “La Transfiguration de Notre Seigneur Jésus-Christ" (The Transfiguration of Our Lord Jesus Christ) for chorus, seven solo instruments and orchestra, the song cycle "Poèmes pour Mi" for soprano and orchestra, as well as "Chronochromie" for large orchestra. These three live recordings document outstanding artistic events from the Munich concert program of June 2017, July 2018 and February 2019.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.08 -9.16 to -1.00 | -26.12 -32.11 to -20.34 | -21.65 -28.40 to -16.90 | 14 12 to 18 | |
1.1 | I. Recit evangelique (Live) | -3.30 | -28.43 | -23.2 | 15 |
1.2 | II. Configuratum corpori claritatis suae (Live) | -1.38 | -23.33 | -18.9 | 13 |
1.3 | III. Christus Jesus, splendor patris (Live) | -1.02 | -24.58 | -20.4 | 14 |
1.4 | IV. Recit evangelique (Live) | -4.76 | -30.22 | -25.6 | 15 |
1.5 | V. Quam dilecta tabernacula tua (Live) | -1.83 | -26.02 | -20.6 | 14 |
1.6 | VI. Candor est lucis aeternae (Live) | -5.88 | -25.04 | -21.5 | 12 |
1.7 | VII. Choral de la sainte montagne (Live) | -1.52 | -23.92 | -19.2 | 13 |
2.1 | VIII. Recit evangelique (Live) | -1.01 | -26.61 | -21.5 | 15 |
2.2 | IX. Perfecte conscius illius perfectae generationis (Live) | -1.01 | -23.44 | -18.4 | 14 |
2.3 | X. Adoptionem filiorum perfectam (Live) | -3.00 | -30.16 | -25.4 | 17 |
2.4 | XI. Recit evangelique (Live) | -3.38 | -28.92 | -23.4 | 16 |
2.5 | XII. Terribilis est locus iste (Live) | -1.01 | -23.81 | -19.8 | 14 |
2.6 | XIII. Tota trinitas apparuit (Live) | -1.01 | -22.56 | -18.5 | 14 |
2.7 | XIV. Choral de la lumière de gloire (Live) | -1.31 | -20.34 | -16.9 | 12 |
3.1 | No. 1, Action de grâces (Live) | -1.04 | -26.90 | -22.2 | 16 |
3.2 | No. 2, Paysage (Live) | -6.08 | -31.08 | -27.2 | 13 |
3.3 | No. 3, La maison (Live) | -6.83 | -31.71 | -27.1 | 15 |
3.4 | No. 4, Épouvante (Live) | -1.00 | -21.48 | -17.3 | 12 |
3.5 | No. 5, L'épouse (Live) | -7.23 | -32.11 | -28.4 | 13 |
3.6 | No. 6, Ta voix (Live) | -6.96 | -29.58 | -25.3 | 14 |
3.7 | No. 7, Les deux guerriers (Live) | -1.03 | -23.47 | -19.0 | 14 |
3.8 | No. 8, Le collier (Live) | -1.82 | -29.94 | -25.2 | 18 |
3.9 | No. 9, Prière exaucée (Live) | -1.01 | -22.60 | -18.2 | 13 |
3.10 | I. Introduction (Live) | -1.09 | -23.06 | -17.8 | 13 |
3.11 | II. Strophe I (Live) | -7.83 | -28.33 | -23.9 | 13 |
3.12 | III. Antistrophe I (Live) | -1.01 | -23.60 | -19.7 | 12 |
3.13 | IV. Strophe II (Live) | -6.19 | -26.30 | -21.9 | 14 |
3.14 | V. Antistrophe II (Live) | -1.75 | -24.41 | -20.5 | 14 |
3.15 | VI. Épôde (Live) | -9.16 | -29.47 | -25.6 | 14 |
3.16 | VII. Coda (Live) | -1.02 | -22.13 | -16.9 | 12 |