℗ 2021 haenssler CLASSIC
| Released | October 1, 2021 |
| Duration | 1h 03m 58s |
| Record Label | haenssler CLASSIC |
| Catalogue No. | HC21017 |
| Genre | Classical (Chamber) |
Tränen der Musen
Nitzan Bartana, Dana Barak, Roglit Ishay
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Suite from "L'histoire du soldat"
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1.1
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I. Marche du soldat
Igor Stravinsky; Nitzan Bartana; Dana Barak; Roglit Ishay |
1:33 | |||
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1.2
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II. Le violon du soldat
Igor Stravinsky; Nitzan Bartana; Dana Barak; Roglit Ishay |
2:33 | |||
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1.3
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III. Petit concert
Igor Stravinsky; Nitzan Bartana; Dana Barak; Roglit Ishay |
2:57 | |||
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1.4
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IV. Tango-valse-rag
Igor Stravinsky; Nitzan Bartana; Dana Barak; Roglit Ishay |
6:25 | |||
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1.5
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V. La danse du diable
Igor Stravinsky; Nitzan Bartana; Dana Barak; Roglit Ishay |
1:30 | |||
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1.6
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Poema
Roglit Ishay; Nitzan Bartana; Dana Barak; Roglit Ishay |
7:47 | |||
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1.7
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Tränen der Musen
Jörg Widmann; Nitzan Bartana; Dana Barak; Roglit Ishay |
10:44 | |||
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Suita Zeira
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1.8
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I. When the Leaves Fall
Dana Barak; Nitzan Bartana; Dana Barak; Roglit Ishay |
4:22 | |||
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1.9
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II. Two Roses
Dana Barak; Nitzan Bartana; Dana Barak; Roglit Ishay |
4:34 | |||
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1.10
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III. There Were Nights
Dana Barak; Nitzan Bartana; Dana Barak; Roglit Ishay |
4:58 | |||
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Contrasts, Sz. 111
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1.11
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No. 1, Verbunkos
Béla Bartók; Nitzan Bartana; Dana Barak; Roglit Ishay |
5:35 | |||
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1.12
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No. 2, Pihenő
Béla Bartók; Nitzan Bartana; Dana Barak; Roglit Ishay |
4:06 | |||
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1.13
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No. 3, Sebes
Béla Bartók; Nitzan Bartana; Dana Barak; Roglit Ishay |
6:54 | |||
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Digital Booklet
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Stravinsky suffered from the First World War and its consequences for Europe; Bartok spoke out before and during the Second World War against the nationalist mood in twentieth-century Europe; Bartok’s friend and colleague, the Hungarian violinist Joseph Szigeti, to whom he dedicated his Contrasts trio, had to flee Hungary for the USA in 1939 on account of the dangerous antisemitic climate in the country. Mordechai Zeira and Yaakov Orland suffered from the violence and antisemitic attacks in Imperial Russia at the start of the 20th century; they had to emigrate and found a new homeland in what is now Israel. The German composer Jörg Widmann addresses the political question: “Do the Muses have the right to remain silent when the weapons speak?”. And finally there is the “Poema” trio by Roglit Ishay. It is dedicated to the people of Le Chambon-sur-Lignon (France), who risked their lives to save strangers from their Nazi persecutors. Music in spite of all – that is the principle common to our whole musical program.
44.1 kHz / 24-bit PCM – haenssler CLASSIC Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.51 -6.66 to -0.67 | -26.56 -30.04 to -23.06 | -22.44 -26.10 to -18.90 | 14 12 to 17 | |
| 1 | I. Marche du soldat | -2.17 | -24.63 | -20.2 | 14 |
| 2 | II. Le violon du soldat | -6.66 | -30.04 | -26.1 | 15 |
| 3 | III. Petit concert | -3.08 | -25.99 | -22.6 | 14 |
| 4 | IV. Tango-valse-rag | -4.04 | -26.77 | -23.5 | 15 |
| 5 | V. La danse du diable | -2.51 | -23.06 | -18.9 | 12 |
| 6 | Poema | -3.24 | -24.87 | -21.6 | 13 |
| 7 | Tränen der Musen | -0.67 | -27.65 | -20.0 | 17 |
| 8 | I. When the Leaves Fall | -5.32 | -27.83 | -23.9 | 13 |
| 9 | II. Two Roses | -2.59 | -28.69 | -24.5 | 15 |
| 10 | III. There Were Nights | -4.88 | -27.41 | -24.1 | 14 |
| 11 | No. 1, Verbunkos | -1.83 | -24.71 | -20.2 | 14 |
| 12 | No. 2, Pihenő | -5.66 | -29.23 | -25.2 | 14 |
| 13 | No. 3, Sebes | -3.05 | -24.41 | -20.9 | 14 |