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Werden - Sein - Vergehen

Pacific Quartet Vienna

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Prelude for String Quartet  
1
Prelude for String Quartet
Toshirō Mayuzumi; Pacific Quartet Vienna
9:35
String Quartet No. 27 in D Major, Op. 20 No. 4, Hob. III:34  
2
I. Allegro di molto
Franz Joseph Haydn; Pacific Quartet Vienna
7:44
3
II. Un poco adagio e affettuoso
Franz Joseph Haydn; Pacific Quartet Vienna
8:31
4
III. Menuet alla zingarese. Allegretto
Franz Joseph Haydn; Pacific Quartet Vienna
1:42
5
IV. Presto e scherzando
Franz Joseph Haydn; Pacific Quartet Vienna
5:28
6 Bagatelles, Op. 9  
6
No. 1, Mäßig
Anton Webern; Pacific Quartet Vienna
0:35
7
No. 2, Leicht bewegt
Anton Webern; Pacific Quartet Vienna
0:25
8
No. 3, Ziemlich fließend
Anton Webern; Pacific Quartet Vienna
0:24
9
No. 4, Sehr langsam
Anton Webern; Pacific Quartet Vienna
0:47
10
No. 5, Äußerst langsam
Anton Webern; Pacific Quartet Vienna
1:12
11
No. 6, Fließend
Anton Webern; Pacific Quartet Vienna
0:36
String Quartet  
12
String Quartet
Anton Webern; Pacific Quartet Vienna
16:41
Triptychon, Op. 152  
13
I. Werden
Martin Derungs; Pacific Quartet Vienna
2:10
14
II. Sein
Martin Derungs; Pacific Quartet Vienna
2:43
15
III. Vergehen
Martin Derungs; Pacific Quartet Vienna
5:47
Digital Booklet
Total Playing Time    64:20
With their debut CD, the Pacific Quartet Vienna takes on a musical journey through very different spaces and epochs. The album title is derived from the “Alpine Triptych Becoming – Being – Passing Away” by the painter Giovanni Segantini, which he made for the World Exhibition in Paris, and constitutes the central source of inspiration for the internal structure of this CD recording. Starting with the Prelude for string quartet (1961) by Toshiro Mayuzumi, the ensemble presents one of the “Sun quartets” by Joseph Haydn (D major, Op. 20 No. 4), the String Quartet (1905) and the Six Bagatelles for String Quartet (1911/13) by Anton Webern. Triptychon (2015) by the Swiss composer Martin Derungs is dedicated to the Pacific Quartet Vienna and with its movements “becoming”, “being” and “passing away” directly refers to the influence of Segantini's painting.
96 kHz / 24-bit PCM – Gramola Records Studio Masters

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