Messiaen: Cinq rechants, O sacrum convivium & A-cappella-Werke von Debussy, Ravel und Mahler (Arr. Clytus Gottwald)
Kammerchor Stuttgart, Frieder Bernius
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Cinq rechants, Chant d'amour
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1.1
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Cinq rechants I
Olivier Messiaen; Kammerchor Stuttgart; Frieder Bernius |
4:05 | |||
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1.2
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Cinq rechants II
Olivier Messiaen; Kammerchor Stuttgart; Frieder Bernius |
2:43 | |||
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1.3
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Cinq rechants III
Olivier Messiaen; Kammerchor Stuttgart; Frieder Bernius |
4:09 | |||
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1.4
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Cinq rechants IV
Olivier Messiaen; Kammerchor Stuttgart; Frieder Bernius |
2:41 | |||
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1.5
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Cinq rechants V
Olivier Messiaen; Kammerchor Stuttgart; Frieder Bernius |
3:59 | |||
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1.6
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O sacrum convivium!
Olivier Messiaen; Kammerchor Stuttgart; Frieder Bernius |
4:57 | |||
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1.7
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Les Angélus (Arr. for 6 Voices by Clytus Gottwald)
Claude Debussy; Clytus Gottwald; Kammerchor Stuttgart; Frieder Bernius |
3:12 | |||
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1.8
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Soupir (Arr. for 16 Voices by Clytus Gottwald)
Maurice Ravel; Clytus Gottwald; Kammerchor Stuttgart; Frieder Bernius |
5:06 | |||
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1.9
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Des pas sur la neige (Arr. for 16 Voices by Clytus Gottwald)
Claude Debussy; Clytus Gottwald; Kammerchor Stuttgart; Frieder Bernius |
3:54 | |||
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1.10
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Ich bin der Welt abhanden gekommen (Arr. for 16 Voices by Clytus Gottwald)
Gustav Mahler; Clytus Gottwald; Kammerchor Stuttgart; Frieder Bernius |
7:29 | |||
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Digital Booklet
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With their latest recording, Frieder Bernius and the Kammerchor Stuttgart reach a new pinnacle in the art of interpretation: The Cinq Rechants for 12 mixed voices by Olivier Messiaen, with their rhythmically striking onomatopoeias, pose an enormous challenge for the performers. Since the novel and extremely complex rhythms which are composed of small cellular units cannot be fitted into traditional schemes, the time signatures change constantly. Melodically, Messiaen draws not only from traditional Andean love songs, but also from the medieval Dawn Song, in which a night watchman warns the secret lovers of discovery. The production is complemented by 20th century French vocal music for soloist ensembles. Outstanding!
44.1 kHz / 24-bit PCM – Carus Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.84 -9.89 to -0.60 | -29.69 -33.47 to -24.72 | -25.33 -29.10 to -19.70 | 14 13 to 15 | |
| 1 | Cinq rechants I | -1.85 | -28.07 | -23.6 | 15 |
| 2 | Cinq rechants II | -6.97 | -30.75 | -25.7 | 14 |
| 3 | Cinq rechants III | -0.60 | -24.72 | -19.7 | 15 |
| 4 | Cinq rechants IV | -8.55 | -30.89 | -26.8 | 13 |
| 5 | Cinq rechants V | -2.54 | -26.07 | -19.7 | 14 |
| 6 | O sacrum convivium! | -5.19 | -28.50 | -26.0 | 14 |
| 7 | Les Angélus (Arr. for 6 Voices by Clytus Gottwald) | -9.89 | -32.76 | -28.9 | 13 |
| 8 | Soupir (Arr. for 16 Voices by Clytus Gottwald) | -9.86 | -33.01 | -29.1 | 13 |
| 9 | Des pas sur la neige (Arr. for 16 Voices by Clytus Gottwald) | -9.65 | -33.47 | -28.8 | 14 |
| 10 | Ich bin der Welt abhanden gekommen (Arr. for 16 Voices by Clytus Gottwald) | -3.34 | -28.62 | -25.0 | 15 |