℗ 2014 Australian Broadcasting Corporation
Released | August 15, 2014 |
Duration | 1h 13m 41s |
Record Label | ABC Classic |
Genre | Classical |
1.1
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Chanson de matin, Op. 15, No. 2
Edward Elgar; David Measham; West Australian Symphony Orchestra |
3:47 | |||
The Carnival of the Animals
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1.2
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13. The Swan
Camille Saint-Saëns; Janis Laurs; Anna Goldsworthy; Mark Kruger |
2:53 | |||
Peer Gynt Suite No. 2, Op. 55
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1.3
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4. Solveig's Song
Edvard Grieg; Sebastian Lang-Lessing; Tasmanian Symphony Orchestra |
5:40 | |||
Suite in A Major "American Suite", Op. 98b
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1.4
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4. Andante
Antonín Dvořák; Vernon Handley; West Australian Symphony Orchestra |
4:06 | |||
1.5
|
Adagio for Strings, Op. 11
Samuel Barber; Jorge Mester; Melbourne Symphony Orchestra |
8:07 | |||
Symphony No. 39 in E-Flat Major, K. 543
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1.6
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2. Andante con moto
Wolfgang Amadeus Mozart; Sebastian Lang-Lessing; Tasmanian Symphony Orchestra |
7:24 | |||
A Shropshire Lad
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1.7
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Rhapsody
George Butterworth; Bernard Heinze; South Australian Symphony Orchestra |
10:39 | |||
Variations on an Original Theme, Op. 36 "Enigma"
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1.8
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Variation No. 9 "Nimrod"
Edward Elgar; Adelaide Symphony Orchestra; David Stanhope |
4:24 | |||
Trumpet Concerto in E-Flat Major, Hob. VIIe/1
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1.9
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2. Andante
Franz Joseph Haydn; Geoffrey Payne; Melbourne Symphony Orchestra; Michael Halász |
3:10 | |||
Concerto for Piano and Orchestra
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1.10
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2. Second Movement
Ross Edwards; Myer Fredman; Dennis Hennig; Queensland Symphony Orchestra |
8:55 | |||
1.11
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Fantasia on a Theme by Thomas Tallis (Excerpt)
Ralph Vaughan Williams; Patrick Thomas; Queensland Symphony Orchestra |
6:14 | |||
Symphony No. 6 in F Major, Op. 68 "Pastoral"
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1.12
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5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto)
Ludwig van Beethoven; David Porcelijn; Tasmanian Symphony Orchestra |
8:22 |
48 kHz / 24-bit PCM – ABC Classic Studio Masters
Tracks 1-12 – 44.1 kHz / 24-bit PCM Track 2 – contains material which has been processed by a perceptual audio coding algorithm
Tracks 1-12 – 44.1 kHz / 24-bit PCM Track 2 – contains material which has been processed by a perceptual audio coding algorithm
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.18 -8.42 to -0.16 | -26.15 -30.46 to -21.42 | -22.13 -26.40 to -17.00 | 12 11 to 15 | |
1 | Chanson de matin, Op. 15, No. 2 | -6.28 | -25.88 | -22.1 | 11 |
2 | 13. The Swan | -7.44 | -27.76 | -24.7 | 12 |
3 | 4. Solveig's Song | -4.65 | -30.46 | -26.4 | 13 |
4 | 4. Andante | -4.72 | -26.96 | -23.5 | 12 |
5 | Adagio for Strings, Op. 11 | -6.76 | -28.54 | -24.7 | 12 |
6 | 2. Andante con moto | -0.40 | -25.89 | -21.9 | 14 |
7 | Rhapsody | -2.20 | -24.11 | -19.1 | 12 |
8 | Variation No. 9 "Nimrod" | -0.16 | -21.42 | -17.0 | 12 |
9 | 2. Andante | -8.42 | -26.77 | -23.2 | 11 |
10 | 2. Second Movement | -5.17 | -29.00 | -24.9 | 15 |
11 | Fantasia on a Theme by Thomas Tallis (Excerpt) | -3.18 | -23.88 | -19.7 | 12 |
12 | 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) | -0.72 | -23.08 | -18.3 | 13 |