℗ 2016 Naxos
 

Debussy: Four-Hand Piano Music, Vol. 2

Jean-Pierre Armengaud, Olivier Chauzu

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1
Prélude à l'Après-midi d'un faune (arr. by M. Ravel for Piano 4 hands)
Maurice Ravel; Claude Debussy; Jean-Pierre Armengaud; Olivier Chauzu
8:48
La mer, L. 109 (Version for Piano 4 Hands)  
2
No. 1. De l'aube à midi sur la mer
Claude Debussy; Jean-Pierre Armengaud; Olivier Chauzu
8:39
3
No. 2. Jeux de vagues
Claude Debussy; Jean-Pierre Armengaud; Olivier Chauzu
8:02
4
No. 3. Dialogue du vent et de la mer
Claude Debussy; Jean-Pierre Armengaud; Olivier Chauzu
8:32
Images pour orchestre, L. 122 (arr. by A. Caplet for Piano 4 Hands)  
5
No. 1. Gigues
André Caplet; Claude Debussy; Olivier Chauzu; Jean-Pierre Armengaud
7:22
6
No. 2. Ibéria: a. Par les rues et par les chemins -
André Caplet; Claude Debussy; Olivier Chauzu; Jean-Pierre Armengaud
7:25
7
No. 2. Ibéria: b. Les Parfums de la nuit -
André Caplet; Claude Debussy; Olivier Chauzu; Jean-Pierre Armengaud
7:17
8
No. 2. Ibéria: c. Le Matin d'un jour de fête
André Caplet; Claude Debussy; Olivier Chauzu; Jean-Pierre Armengaud
4:53
9
No. 3. Rondes de printemps
André Caplet; Claude Debussy; Olivier Chauzu; Jean-Pierre Armengaud
8:01
Digital Booklet
Total Playing Time    68:59
In 1891 Symbolist poet Stéphane Mallarmé asked Debussy to compose incidental music for a theatrical version of his poem "L’Après-midi d’un faune (The afternoon of the faun)" and the resulting work, with its innovative melodic, harmonic, and rhythmic writing, is both impassioned and expressive. The four-hand arrangement was made by Ravel in 1910. Subtitled “esquisses symphoniques” – or symphonic sketches – "La Mer", inspired by the natural phenomena of water, light and wind, is a masterpiece that doesn’t conform to structural convention. Of the evocatively enchanting "Images", he wrote that it marked a departure for him, dealing with “realities” instead of impressionism.
88.2 kHz / 24-bit PCM – Naxos Studio Masters

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