℗ 2021 Hania Rani and Dobrawa Czocher
 

Inner Symphonies

Hania Rani, Dobrawa Czocher

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
Ouverture
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
3:54
1.2
Con Moto
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
5:04
1.3
Whale's Song
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
5:08
1.4
Scream
Hania Rani; Hania Rani; Dobrawa Czocher; Kornelia Grądzka; Karolina Gutowska; Mateusz Wasiucionek
4:36
1.5
There Will Be Hope
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
4:37
1.6
Anima
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher; Kornelia Grądzka
3:54
1.7
Demons
Hania Rani; Hania Rani; Dobrawa Czocher
8:33
1.8
Malasana
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
5:21
1.9
Dunkel
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
4:56
1.10
Spring
Hania Rani; Dobrawa Czocher; Hania Rani; Dobrawa Czocher
7:40
Total Playing Time    53:43
Hania Rani and Dobrawa Czocher are the youngest female composer duo signed to Deutsche Grammophon. They began making music together in their early teens, discovering an instinctive artistic connection with one another. Both are now successful musicians in their own right, but that special bond remains unchanged. “There’s a lot of sisterhood between us,” explains Rani. Czocher agrees, adding, “When you’re siblings, you can be honest. We trust each other.” That sense of mutual trust and understanding has inspired their debut DG album. Written by composer-pianist-singer Hania and composer-cellist Dobrawa, and recorded by them in their native Poland, Inner Symphonies is their first full album of original works. The central element of Inner Symphonies is hope. During lockdown Hania and Dobrawa were able to encourage each other both as friends and as musical collaborators when they began composing this distinctive set of pieces. “I remember Hania telling me her grandmother would say, ‘Spring will come, that’s for sure’”, recalls Dobrawa. “The world seemed to be falling apart when we began work on the album, but we had hope for a better future. And it was a joy to have the Deutsche Grammophon team on our side. They were so supportive, and that gave us the freedom to develop our music.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters

Tracks 1-3, 5-10 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 4 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit

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