℗ 2021 Toccata Next
Released October 15, 2021
Duration 1h 17m 11s
Record Label Toccata Next
Catalogue No. TOCN0010
Genre Classical (Orchestral)
 

Catalan Concertinos & Fantasias

National Symphony Orchestra of Ukraine, Vladimir Sirenko, Kalina Macuta, Sergi Pacheco, Daniel Blanch

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Fantasia popular  
1.1
I. Overture
Marc Migó; National Symphony Orchestra of Ukraine; Vladimir Sirenko
1:17
1.2
II. Pastoral (El rossinyol)
Marc Migó; National Symphony Orchestra of Ukraine; Vladimir Sirenko
3:44
1.3
III. Processó (La dama d'Aragó)
Marc Migó; National Symphony Orchestra of Ukraine; Vladimir Sirenko
3:59
1.4
IV. Scherzo (En Pere Gallerí)
Marc Migó; National Symphony Orchestra of Ukraine; Vladimir Sirenko
1:20
1.5
V. Coda
Marc Migó; National Symphony Orchestra of Ukraine; Vladimir Sirenko
1:37
Violin Concertino, Op. A-49  
1.6
I. Moderato energico
Joan Manén; Kalina Macuta; National Symphony Orchestra of Ukraine; Vladimir Sirenko
11:35
1.7
II. Andante espressivo
Joan Manén; Kalina Macuta; National Symphony Orchestra of Ukraine; Vladimir Sirenko
3:59
1.8
III. Allegro
Joan Manén; Kalina Macuta; National Symphony Orchestra of Ukraine; Vladimir Sirenko
10:17
Piano Concertino  
1.9
I. Moderato
Marc Migó; Sergi Pacheco; National Symphony Orchestra of Ukraine; Vladimir Sirenko
5:37
1.10
II. Perpetuum mobile. Allegro
Marc Migó; Sergi Pacheco; National Symphony Orchestra of Ukraine; Vladimir Sirenko
4:09
1.11
Epitaphium Hans Rott in memoriam
Marc Migó; National Symphony Orchestra of Ukraine; Vladimir Sirenko
16:31
1.12
Rapsòdia catalana, Op. A-50
Joan Manén; Daniel Blanch; National Symphony Orchestra of Ukraine; Vladimir Sirenko
13:06
Digital Booklet
Most of the works by the two Catalan composers heard here – Joan Manén (1883–1971) and Marc Migo (b. 1993) – use material from their folk tradition, making the music fresh, immediate and direct, rather in the manner of Manuel de Falla. But there is also a loose connection with Vienna: Manén’s Violin ‘Concertino’ – an unusually modest label for a full-scale concerto – is something of a cousin to the Korngold Concerto; and Migó’s poignant Epitafi a Hans Rott was written in memory of a short-lived Austrian composer who was a close friend of Mahler.
44.1 kHz / 24-bit PCM – Toccata Next Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-2.16
-4.34 to -1.13
-24.73
-29.35 to -20.64
-20.79
-25.50 to -16.80
14
12 to 17
1
I. Overture
-1.55-21.40-17.212
2
II. Pastoral (El rossinyol)
-4.29-28.60-24.515
3
III. Processó (La dama d'Aragó)
-1.54-22.84-18.412
4
IV. Scherzo (En Pere Gallerí)
-1.93-26.54-22.914
5
V. Coda
-1.53-20.64-16.812
6
I. Moderato energico
-1.13-24.12-20.115
7
II. Andante espressivo
-4.17-28.20-24.315
8
III. Allegro
-1.34-25.65-21.917
9
I. Moderato
-1.14-23.98-19.113
10
II. Perpetuum mobile. Allegro
-1.13-20.84-17.813
11
Epitaphium Hans Rott in memoriam
-4.34-29.35-25.515
12
Rapsòdia catalana, Op. A-50
-1.77-24.56-21.015

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