℗ 2016 Delphian
 

The Cellist of Sarajevo: Chamber Music by David Wilde

Red Note Ensemble

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Suite "Cry, Bosnia-Herzegovina"  
1
I. Totentanz: Ethnische Reinigung (Dance of Death: Ethnic Cleansing)
David Wilde; Red Note Ensemble
3:41
2
II. Totenglocke (Death Knell)
David Wilde; Red Note Ensemble
2:28
3
III. Notturno desolato
David Wilde; Red Note Ensemble
4:04
4
IV. Lament in Rondo
David Wilde; Red Note Ensemble
9:51
String Quartet No. 1  
5
I. Senza misura - Allegro moderato, con molta energia - Allegretto grazioso
David Wilde; Red Note Ensemble
14:11
6
II. Intermezzo. Andante espressivo, ma con alcuna licenza
David Wilde; Red Note Ensemble
4:34
7
III. Scherzo. Allegretto grazioso - Vivace ed un poco grottesco
David Wilde; Red Note Ensemble
7:13
8
IV. Threnody
David Wilde; Red Note Ensemble
10:01
Piano Trio  
1
I. Adagio ma non troppo - Allegro tempestuoso - Senza misura
David Wilde; Red Note Ensemble
8:21
2
II. Notturno. Lento
David Wilde; Red Note Ensemble
4:18
3
III. Scherzo. Vivace
David Wilde; Red Note Ensemble
4:09
4
IV. Finale. Allegro vivace
David Wilde; Red Note Ensemble
9:29
5
A Prayer for Bosnia (version for violin and piano)
David Wilde; Red Note Ensemble
2:00
Digital Booklet
Total Playing Time    1:24:20
David Wilde - extraordinary pianist and musician, pupil of Franz Reizenstein and Nadia Boulanger - is the veteran of nine Delphian piano recordings, documenting his remarkable Indian summer as a performer. Now, the label turns to his compositional output. Cellist Robert Irvine and his colleagues in Red Note Ensemble survey the works of Wilde's Bosnian period, when he travelled to besieged Sarajevo to help preserve the city's cultural life, earning him the friendship of the heroic members of the Sarajevo String Quartet. Wilde has made his home in Scotland since his retirement from teaching in Hanover, and the respect in which he is held by the leading chamber musicians of his adopted country shines through here, in their performances of music which recalls his earlier life in Central Europe and bears witness to the legacy of a dark period in late twentieth-century history.
48 kHz / 24-bit PCM – Delphian Studio Masters

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