℗ 2016 Sono Luminus
Released | November 18, 2016 |
Duration | 2h 33m 32s |
Record Label | Sono Luminus |
Catalogue No. | DSL-92209 |
Genre | Classical (Instrumental) |
J.S. Bach: Harpsichord Partitas, BWV 825-830
Jory Vinikour
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
Harpsichord Partita No. 1 in B Flat Major, BWV 825
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1.1
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I. Prelude
Johann Sebastian Bach; Jory Vinikour |
2:08 | |||
1.2
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II. Allemande
Johann Sebastian Bach; Jory Vinikour |
3:49 | |||
1.3
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III. Corrente
Johann Sebastian Bach; Jory Vinikour |
2:59 | |||
1.4
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IV. Sarabande
Johann Sebastian Bach; Jory Vinikour |
5:28 | |||
1.5
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V. Minuet I-II
Johann Sebastian Bach; Jory Vinikour |
2:59 | |||
1.6
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VI. Gigue
Johann Sebastian Bach; Jory Vinikour |
2:31 | |||
Harpsichord Partita No. 2 in C Minor, BWV 826
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1.7
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I. Sinfonia
Johann Sebastian Bach; Jory Vinikour |
4:27 | |||
1.8
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II. Allemande
Johann Sebastian Bach; Jory Vinikour |
5:29 | |||
1.9
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III. Courante
Johann Sebastian Bach; Jory Vinikour |
2:37 | |||
1.10
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IV. Sarabande
Johann Sebastian Bach; Jory Vinikour |
3:12 | |||
1.11
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V. Rondeaux
Johann Sebastian Bach; Jory Vinikour |
1:44 | |||
1.12
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VI. Capriccio
Johann Sebastian Bach; Jory Vinikour |
3:50 | |||
Harpsichord Partita No. 3 in A Minor, BWV 827
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2.1
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I. Fantasia
Johann Sebastian Bach; Jory Vinikour |
2:45 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Jory Vinikour |
3:11 | |||
2.3
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III. Corrente
Johann Sebastian Bach; Jory Vinikour |
3:14 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Jory Vinikour |
3:53 | |||
2.5
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V. Burlesca
Johann Sebastian Bach; Jory Vinikour |
2:15 | |||
2.6
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VI. Scherzo
Johann Sebastian Bach; Jory Vinikour |
1:12 | |||
2.7
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VII. Gigue
Johann Sebastian Bach; Jory Vinikour |
3:22 | |||
Harpsichord Partita No. 4 in D Major, BWV 828
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2.8
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I. Ouverture
Johann Sebastian Bach; Jory Vinikour |
6:05 | |||
2.9
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II. Allemande
Johann Sebastian Bach; Jory Vinikour |
11:08 | |||
2.10
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III. Courante
Johann Sebastian Bach; Jory Vinikour |
3:56 | |||
2.11
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IV. Aria
Johann Sebastian Bach; Jory Vinikour |
2:16 | |||
2.12
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V. Sarabande
Johann Sebastian Bach; Jory Vinikour |
5:29 | |||
2.13
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VI. Menuet
Johann Sebastian Bach; Jory Vinikour |
1:28 | |||
2.14
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VII. Gigue
Johann Sebastian Bach; Jory Vinikour |
4:24 | |||
Harpsichord Partita No. 5 in G Major, BWV 829
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3.1
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I. Praeambulum
Johann Sebastian Bach; Jory Vinikour |
2:30 | |||
3.2
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II. Allemande
Johann Sebastian Bach; Jory Vinikour |
6:08 | |||
3.3
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III. Corrente
Johann Sebastian Bach; Jory Vinikour |
1:55 | |||
3.4
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IV. Sarabande
Johann Sebastian Bach; Jory Vinikour |
5:23 | |||
3.5
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V. Tempo di minuetto
Johann Sebastian Bach; Jory Vinikour |
2:02 | |||
3.6
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VI. Passepied
Johann Sebastian Bach; Jory Vinikour |
1:53 | |||
3.7
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VII. Gigue
Johann Sebastian Bach; Jory Vinikour |
4:09 | |||
Harpsichord Partita No. 6 in E Minor, BWV 830
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3.8
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I. Toccata
Johann Sebastian Bach; Jory Vinikour |
8:02 | |||
3.9
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II. Allemande
Johann Sebastian Bach; Jory Vinikour |
3:15 | |||
3.10
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III. Corrente
Johann Sebastian Bach; Jory Vinikour |
5:28 | |||
3.11
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IV. Air
Johann Sebastian Bach; Jory Vinikour |
1:32 | |||
3.12
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V. Sarabande
Johann Sebastian Bach; Jory Vinikour |
6:57 | |||
3.13
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VI. Tempo di Gavotta
Johann Sebastian Bach; Jory Vinikour |
2:08 | |||
3.14
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VII. Gigue
Johann Sebastian Bach; Jory Vinikour |
6:19 | |||
Digital Booklet
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"... (Vinikour) gets superb engineering ... the sonics envelop Vinikour’s harpsichord ... a warm, ample and resonant ambience, with a special ring to sustained bass notes and clarity in all registers ... a serious and major achievement by a serious and major artist."
- ClassicsToday.com
"Vinikour's performances are so buoyant, glistening or noble that you'll likely find yourself glued to your speakers (or headphones). And if you're accustomed to hearing the harpsichord at some distance in a concert hall, be prepared to listen as if you're standing next to the keyboard ..."
- Gramophone
Bach's six Harpsichord Partitas, presented on this acclaimed recording by Jory Vinikour, are considered among the greatest and most inspired keyboard works ever written. Although they are the first pieces he published, they represent Bach's genius at the height of his maturity, matched only by the Goldberg Variations. Each of the partitas is a microcosm, from the poetic and pastoral to the epic and tragic, with Bach showing himself to be playful, profound, meditative, theatrical and the greatest composer of counterpoint of all time. Vinikour plays a stunning copy of a North German instrument from Bach's time, rich and expressive but also clear and incisive.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.89 -3.65 to -0.28 | -18.31 -21.96 to -15.70 | -14.98 -18.70 to -12.20 | 12 11 to 14 | |
1.1 | I. Prelude | -0.34 | -18.67 | -15.2 | 13 |
1.2 | II. Allemande | -1.01 | -19.03 | -16.0 | 11 |
1.3 | III. Corrente | -0.31 | -16.57 | -13.3 | 12 |
1.4 | IV. Sarabande | -2.09 | -20.88 | -17.7 | 12 |
1.5 | V. Minuet I-II | -0.31 | -17.41 | -14.3 | 12 |
1.6 | VI. Gigue | -0.30 | -16.47 | -12.9 | 12 |
1.7 | I. Sinfonia | -0.28 | -17.86 | -14.5 | 12 |
1.8 | II. Allemande | -0.72 | -19.79 | -16.7 | 12 |
1.9 | III. Courante | -0.30 | -16.53 | -13.2 | 12 |
1.10 | IV. Sarabande | -2.63 | -20.17 | -17.0 | 12 |
1.11 | V. Rondeaux | -0.30 | -16.84 | -13.6 | 11 |
1.12 | VI. Capriccio | -0.30 | -15.70 | -12.2 | 11 |
2.1 | I. Fantasia | -0.67 | -18.29 | -14.9 | 12 |
2.2 | II. Allemande | -1.68 | -20.41 | -17.1 | 13 |
2.3 | III. Corrente | -0.30 | -17.05 | -13.8 | 12 |
2.4 | IV. Sarabande | -3.65 | -21.28 | -18.0 | 12 |
2.5 | V. Burlesca | -0.30 | -16.56 | -13.2 | 12 |
2.6 | VI. Scherzo | -0.32 | -16.83 | -13.3 | 12 |
2.7 | VII. Gigue | -0.30 | -17.04 | -13.8 | 12 |
2.8 | I. Ouverture | -0.30 | -17.14 | -13.7 | 12 |
2.9 | II. Allemande | -2.50 | -21.84 | -18.6 | 14 |
2.10 | III. Courante | -0.31 | -17.79 | -14.5 | 13 |
2.11 | IV. Aria | -0.30 | -16.99 | -13.5 | 12 |
2.12 | V. Sarabande | -3.50 | -21.73 | -18.3 | 12 |
2.13 | VI. Menuet | -0.31 | -18.21 | -14.8 | 12 |
2.14 | VII. Gigue | -0.31 | -17.11 | -13.6 | 12 |
3.1 | I. Praeambulum | -0.29 | -16.47 | -12.9 | 11 |
3.2 | II. Allemande | -3.39 | -21.08 | -17.9 | 12 |
3.3 | III. Corrente | -0.34 | -17.05 | -13.7 | 12 |
3.4 | IV. Sarabande | -1.85 | -21.96 | -18.7 | 14 |
3.5 | V. Tempo di minuetto | -2.72 | -21.49 | -18.4 | 12 |
3.6 | VI. Passepied | -0.29 | -17.37 | -14.2 | 12 |
3.7 | VII. Gigue | -0.29 | -16.06 | -12.6 | 11 |
3.8 | I. Toccata | -0.30 | -18.64 | -15.1 | 13 |
3.9 | II. Allemande | -0.96 | -20.31 | -17.1 | 12 |
3.10 | III. Corrente | -0.32 | -17.65 | -14.5 | 12 |
3.11 | IV. Air | -0.30 | -16.48 | -13.0 | 12 |
3.12 | V. Sarabande | -0.31 | -19.58 | -16.0 | 14 |
3.13 | VI. Tempo di Gavotta | -0.31 | -16.99 | -13.7 | 11 |
3.14 | VII. Gigue | -0.30 | -17.28 | -13.8 | 12 |