℗ 2016 Winter and Winter
Stefano Gervasoni: Le pré
Aldo Orvieto, Saori Furukawa, Alvise Vidolin
Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats
Prés, Book 1 |
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1 |
No. 1. Pré ludique Stefano Gervasoni; Aldo Orvieto |
2:17 | |||
2 |
No. 2. Pré lubrique Stefano Gervasoni; Aldo Orvieto |
1:44 | |||
3 |
No. 3. Pré public Stefano Gervasoni; Aldo Orvieto |
2:02 | |||
4 |
No. 4. Prémisse Stefano Gervasoni; Aldo Orvieto |
1:09 | |||
5 |
No. 5. Précipice Stefano Gervasoni; Aldo Orvieto |
1:21 | |||
6 |
No. 6. Prémices Stefano Gervasoni; Aldo Orvieto |
2:11 | |||
7 |
Sonatinexpressive Stefano Gervasoni; Saori Furukawa; Aldo Orvieto |
14:55 | |||
Prés, Book 2 |
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8 |
No. 1. Précieux Stefano Gervasoni; Aldo Orvieto |
1:09 | |||
9 |
No. 2. Prétentieux Stefano Gervasoni; Aldo Orvieto |
1:03 | |||
10 |
No. 3. Pernicieux Stefano Gervasoni; Aldo Orvieto |
1:32 | |||
11 |
No. 4. Pré épuré Stefano Gervasoni; Aldo Orvieto |
2:02 | |||
12 |
No. 5. Pré carré Stefano Gervasoni; Aldo Orvieto |
1:26 | |||
13 |
No. 6. Pré paré Stefano Gervasoni; Aldo Orvieto |
2:26 | |||
14 |
Luce ignota della sera Stefano Gervasoni; Aldo Orvieto; Alvise Vidolin |
4:45 | |||
Prés, Book 3 |
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15 |
No. 1. Prétérit Stefano Gervasoni; Aldo Orvieto |
1:22 | |||
16 |
No. 2. Pré d'aprés Stefano Gervasoni; Aldo Orvieto |
1:59 | |||
17 |
No. 3. Pressenti Stefano Gervasoni; Aldo Orvieto |
2:03 | |||
18 |
No. 4. Pré d'avant Stefano Gervasoni; Aldo Orvieto |
2:10 | |||
19 |
No. 5. Prédicatif Stefano Gervasoni; Aldo Orvieto |
4:32 | |||
20 |
No. 6. Pré de prés Stefano Gervasoni; Aldo Orvieto |
3:48 | |||
21 |
Adagio ghiacciato Stefano Gervasoni; Saori Furukawa; Aldo Orvieto |
4:11 | |||
Digital Booklet |
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Total Playing Time 60:07
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This album of world premieres from pianist Aldo Orvieto, violinist Saori Furukawa and Alvise Vidolin on live electronics includes Italian composer Stefano Gervasoni's two re-elaborations of pieces, one by Mozart and one by Schumann. The programme displays plenty of symmetries and cross-references: piano is not a piano, violin is not a violin. When a violin sings, it is an inner melody made by a transformed piano; when there is a real violin, it is reduced to a toy instrument.
96 kHz / 24-bit PCM – Winter and Winter Studio Masters
Track 14 – 48 kHz / 24-bit PCM
Recorded at Conservatorio Statale di Musica "Cesare Pollini", Padua, Italy
Prés recorded March 26th, 2014 and February 2nd, 2015
Sonatinexpressive and Adagio ghiacciato (d'après Mozart) recorded April 7th, 2014
Luce ignota della sera (d'après Schumann) recorded May 30th, 2015
Producer: Stefan Winter
Recording engineer: Matteo Costa
Editing engineer and post-production: Matteo Costa at Ing. Matteo Costa Studio, Padua, Italy, May 2015 and January 2016
Mastering engineer: Adrian von Ripka at AVR Studio, Steinenbronn, Germany, June 2016
Piano tuner: Silvano Zanta
Illustration, layout and design: Günter Mattei
Photo of Stefano Gervasoni: Paola Loreto
Executive producer: Mariko Takahashi and Stefan Winter
Track 14 – 48 kHz / 24-bit PCM
Recorded at Conservatorio Statale di Musica "Cesare Pollini", Padua, Italy
Prés recorded March 26th, 2014 and February 2nd, 2015
Sonatinexpressive and Adagio ghiacciato (d'après Mozart) recorded April 7th, 2014
Luce ignota della sera (d'après Schumann) recorded May 30th, 2015
Producer: Stefan Winter
Recording engineer: Matteo Costa
Editing engineer and post-production: Matteo Costa at Ing. Matteo Costa Studio, Padua, Italy, May 2015 and January 2016
Mastering engineer: Adrian von Ripka at AVR Studio, Steinenbronn, Germany, June 2016
Piano tuner: Silvano Zanta
Illustration, layout and design: Günter Mattei
Photo of Stefano Gervasoni: Paola Loreto
Executive producer: Mariko Takahashi and Stefan Winter