℗ 2016 Winter and Winter
| Released | October 28, 2016 |
| Duration | 1h 00m 07s |
| Record Label | Winter and Winter |
| Catalogue No. | 910238-2 |
| Genre | Classical (Instrumental) |
Stefano Gervasoni: Le pré
Aldo Orvieto, Saori Furukawa, Alvise Vidolin
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Prés, Book 1
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1.1
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No. 1. Pré ludique
Stefano Gervasoni; Aldo Orvieto |
2:17 | |||
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1.2
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No. 2. Pré lubrique
Stefano Gervasoni; Aldo Orvieto |
1:44 | |||
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1.3
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No. 3. Pré public
Stefano Gervasoni; Aldo Orvieto |
2:02 | |||
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1.4
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No. 4. Prémisse
Stefano Gervasoni; Aldo Orvieto |
1:09 | |||
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1.5
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No. 5. Précipice
Stefano Gervasoni; Aldo Orvieto |
1:21 | |||
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1.6
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No. 6. Prémices
Stefano Gervasoni; Aldo Orvieto |
2:11 | |||
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1.7
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Sonatinexpressive
Stefano Gervasoni; Saori Furukawa; Aldo Orvieto |
14:55 | |||
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Prés, Book 2
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1.8
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No. 1. Précieux
Stefano Gervasoni; Aldo Orvieto |
1:09 | |||
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1.9
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No. 2. Prétentieux
Stefano Gervasoni; Aldo Orvieto |
1:03 | |||
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1.10
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No. 3. Pernicieux
Stefano Gervasoni; Aldo Orvieto |
1:32 | |||
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1.11
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No. 4. Pré épuré
Stefano Gervasoni; Aldo Orvieto |
2:02 | |||
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1.12
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No. 5. Pré carré
Stefano Gervasoni; Aldo Orvieto |
1:26 | |||
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1.13
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No. 6. Pré paré
Stefano Gervasoni; Aldo Orvieto |
2:26 | |||
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1.14
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Luce ignota della sera
Stefano Gervasoni; Aldo Orvieto; Alvise Vidolin |
4:45 | |||
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Prés, Book 3
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1.15
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No. 1. Prétérit
Stefano Gervasoni; Aldo Orvieto |
1:22 | |||
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1.16
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No. 2. Pré d'aprés
Stefano Gervasoni; Aldo Orvieto |
1:59 | |||
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1.17
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No. 3. Pressenti
Stefano Gervasoni; Aldo Orvieto |
2:03 | |||
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1.18
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No. 4. Pré d'avant
Stefano Gervasoni; Aldo Orvieto |
2:10 | |||
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1.19
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No. 5. Prédicatif
Stefano Gervasoni; Aldo Orvieto |
4:32 | |||
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1.20
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No. 6. Pré de prés
Stefano Gervasoni; Aldo Orvieto |
3:48 | |||
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1.21
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Adagio ghiacciato
Stefano Gervasoni; Saori Furukawa; Aldo Orvieto |
4:11 | |||
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Digital Booklet
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This album of world premieres from pianist Aldo Orvieto, violinist Saori Furukawa and Alvise Vidolin on live electronics includes Italian composer Stefano Gervasoni's two re-elaborations of pieces, one by Mozart and one by Schumann. The programme displays plenty of symmetries and cross-references: piano is not a piano, violin is not a violin. When a violin sings, it is an inner melody made by a transformed piano; when there is a real violin, it is reduced to a toy instrument.
96 kHz / 24-bit PCM – Winter and Winter Studio Masters
Track 14 – 48 kHz / 24-bit PCM Recorded at Conservatorio Statale di Musica "Cesare Pollini", Padua, Italy Prés recorded March 26th, 2014 and February 2nd, 2015 Sonatinexpressive and Adagio ghiacciato (d'après Mozart) recorded April 7th, 2014 Luce ignota della sera (d'après Schumann) recorded May 30th, 2015 Producer: Stefan Winter Recording engineer: Matteo Costa Editing engineer and post-production: Matteo Costa at Ing. Matteo Costa Studio, Padua, Italy, May 2015 and January 2016 Mastering engineer: Adrian von Ripka at AVR Studio, Steinenbronn, Germany, June 2016 Piano tuner: Silvano Zanta Illustration, layout and design: Günter Mattei Photo of Stefano Gervasoni: Paola Loreto Executive producer: Mariko Takahashi and Stefan Winter
Track 14 – 48 kHz / 24-bit PCM Recorded at Conservatorio Statale di Musica "Cesare Pollini", Padua, Italy Prés recorded March 26th, 2014 and February 2nd, 2015 Sonatinexpressive and Adagio ghiacciato (d'après Mozart) recorded April 7th, 2014 Luce ignota della sera (d'après Schumann) recorded May 30th, 2015 Producer: Stefan Winter Recording engineer: Matteo Costa Editing engineer and post-production: Matteo Costa at Ing. Matteo Costa Studio, Padua, Italy, May 2015 and January 2016 Mastering engineer: Adrian von Ripka at AVR Studio, Steinenbronn, Germany, June 2016 Piano tuner: Silvano Zanta Illustration, layout and design: Günter Mattei Photo of Stefano Gervasoni: Paola Loreto Executive producer: Mariko Takahashi and Stefan Winter
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.69 -11.62 to -0.80 | -26.56 -39.58 to -15.39 | -21.80 -35.80 to -12.20 | 14 10 to 19 | |
| 1 | No. 1. Pré ludique | -5.17 | -31.94 | -26.2 | 17 |
| 2 | No. 2. Pré lubrique | -4.42 | -28.03 | -22.5 | 16 |
| 3 | No. 3. Pré public | -1.87 | -27.92 | -23.5 | 15 |
| 4 | No. 4. Prémisse | -2.58 | -21.77 | -17.7 | 12 |
| 5 | No. 5. Précipice | -0.80 | -23.84 | -18.8 | 13 |
| 6 | No. 6. Prémices | -8.28 | -31.50 | -27.0 | 16 |
| 7 | Sonatinexpressive | -0.80 | -26.53 | -21.0 | 17 |
| 8 | No. 1. Précieux | -6.78 | -28.16 | -23.8 | 13 |
| 9 | No. 2. Prétentieux | -1.37 | -22.69 | -18.0 | 14 |
| 10 | No. 3. Pernicieux | -1.17 | -21.59 | -17.9 | 13 |
| 11 | No. 4. Pré épuré | -0.80 | -30.41 | -23.5 | 18 |
| 12 | No. 5. Pré carré | -3.87 | -23.87 | -20.2 | 12 |
| 13 | No. 6. Pré paré | -0.80 | -23.22 | -17.4 | 14 |
| 14 | Luce ignota della sera | -5.26 | -26.71 | -21.6 | 12 |
| 15 | No. 1. Prétérit | -1.70 | -25.08 | -20.9 | 14 |
| 16 | No. 2. Pré d'aprés | -4.82 | -25.14 | -20.8 | 12 |
| 17 | No. 3. Pressenti | -0.80 | -15.39 | -12.2 | 10 |
| 18 | No. 4. Pré d'avant | -4.08 | -27.76 | -22.7 | 16 |
| 19 | No. 5. Prédicatif | -1.93 | -23.74 | -18.6 | 12 |
| 20 | No. 6. Pré de prés | -8.61 | -32.95 | -27.7 | 16 |
| 21 | Adagio ghiacciato | -11.62 | -39.58 | -35.8 | 19 |