℗ 2021 Stax Records, Distributed by Concord.
| Released | November 5, 2021 |
| Duration | 41m 47s |
| Record Label | Stax |
| Catalogue No. | STX00480 |
| Genre | Rock |
The Future
Nathaniel Rateliff & The Night Sweats
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
The Future
Nathaniel Rateliff & The Night Sweats |
3:43 | |||
|
1.2
|
Survivor
Nathaniel Rateliff & The Night Sweats |
4:01 | |||
|
1.3
|
Face Down In The Moment
Nathaniel Rateliff & The Night Sweats |
4:39 | |||
|
1.4
|
Something Ain’t Right
Nathaniel Rateliff & The Night Sweats |
3:34 | |||
|
1.5
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Love Me Till I’m Gone
Nathaniel Rateliff & The Night Sweats |
3:48 | |||
|
1.6
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Baby I Got Your Number
Nathaniel Rateliff & The Night Sweats |
3:31 | |||
|
1.7
|
What If I
Nathaniel Rateliff & The Night Sweats |
3:34 | |||
|
1.8
|
I’m On Your Side
Nathaniel Rateliff & The Night Sweats |
3:18 | |||
|
1.9
|
So Put Out
Nathaniel Rateliff & The Night Sweats |
3:01 | |||
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1.10
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Oh, I
Nathaniel Rateliff & The Night Sweats |
3:28 | |||
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1.11
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Love Don’t
Nathaniel Rateliff & The Night Sweats |
5:10 |
For The Future, Nathaniel Rateliff and The Night Sweats escaped to Nathaniel’s new Colorado studio to write an album’s worth of songs, shedding light on their unique observations and songwriting reflecting on our current times. While recognizable, the new work has evolved and pushes the band to a new level.
Recorded at Rateliff’s own Broken Creek Studio outside of Denver, The Future was produced by Bradley Cook (Bon Iver, Kevin Morby, The War on Drugs) and R.M.B.—the production trio of Rateliff, Patrick Meese (The Night Sweats) and James Barone (Beach House)—who were the team behind Rateliff’s acclaimed 2020 solo album, And It’s Still Alright. Additional production was added by musician, engineer and producer Elijah Thompson (Father John Misty, Richard Swift) while Jenny Lewis, Jess Wolfe (Lucius) and Amelia Meath (Sylvan Esso) contributed backing vocals.
“I look at the album overall as a big question. When I was writing the record we were in the middle of a pandemic and our future looked pretty bleak. I just continue to try to write from a place of hope. Then my own neurosis, and maybe being a libra gets in the way, and I can’t make up my mind. There is this constant back and forth battle in me personally and I am sure that comes out in my writing.”
- Nathaniel Rateliff
88.2 kHz / 24-bit PCM – Stax Studio Masters
Tracks 1-11 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 1-11 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.51 -0.51 to -0.51 | -10.17 -11.85 to -9.65 | -7.43 -9.50 to -6.70 | 5 4 to 7 | |
| 1 | The Future | -0.51 | -9.65 | -6.7 | 5 |
| 2 | Survivor | -0.51 | -10.42 | -7.8 | 5 |
| 3 | Face Down In The Moment | -0.51 | -9.75 | -6.9 | 4 |
| 4 | Something Ain’t Right | -0.51 | -9.76 | -7.1 | 4 |
| 5 | Love Me Till I’m Gone | -0.51 | -9.94 | -7.1 | 6 |
| 6 | Baby I Got Your Number | -0.51 | -11.85 | -9.5 | 7 |
| 7 | What If I | -0.51 | -10.33 | -7.4 | 6 |
| 8 | I’m On Your Side | -0.51 | -9.89 | -7.5 | 6 |
| 9 | So Put Out | -0.51 | -9.80 | -7.1 | 5 |
| 10 | Oh, I | -0.51 | -10.23 | -7.5 | 5 |
| 11 | Love Don’t | -0.51 | -10.28 | -7.1 | 5 |