℗ 2021 Orfeo
| Released | November 5, 2021 |
| Duration | 1h 02m 17s |
| Record Label | Orfeo |
| Catalogue No. | C210241 |
| Genre | Classical (Orchestral) |
Zemlinsky: Lyric Symphony, Op. 18 (Live)
Michael Gielen, ORF Vienna Radio Symphony Orchestra, Roland Hermann, Karan Armstrong
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Lyric Symphony, Op. 18
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1.1
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I. Ich bin friedlos (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Roland Hermann |
9:45 | |||
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1.2
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II. Mutter, der junge Prinz (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Karan Armstrong |
6:13 | |||
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1.3
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III. Du bist die Abendwolke (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Roland Hermann |
6:02 | |||
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1.4
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IV. Sprich zu mir, Geliebter (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Karan Armstrong |
7:45 | |||
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1.5
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V. Befrei' mich von den Banden (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Roland Hermann |
1:55 | |||
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1.6
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VI. Vollende denn das letzte Lied (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Karan Armstrong |
4:12 | |||
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1.7
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VII. Friede, mein Herz (Live)
Alexander von Zemlinsky; Michael Gielen; ORF Vienna Radio Symphony Orchestra; Roland Hermann |
7:22 | |||
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1.8
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Prelude to a Drama (Live)
Franz Schreker; Michael Gielen; ORF Vienna Radio Symphony Orchestra |
19:03 | |||
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Digital Booklet
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Alexander Zemlinsky composed his Lyric Symphony op. 18 for soprano, baritone and orchestra during his time as musical director of the New German Theatre in Prague, where he had moved in 1911 from Vienna. It was generally regarded as his corresponding equivalent to Mahler’s Lied von der Erde (C210021) and is based on Nobel Prize laureate and most important representative of modern Indian literature Rabindranath Tagore. The work is combined with the befriended and three years older ‘phantasmogorist’ Franz Schreker’s Prelude to a Drama, which is a version of the overture of his Die Gezeichneten. It might be considered symptomatic for the most notable characteristic of Schreker’s music: the dominance of chordal sounds over the melodic element.
48 kHz / 24-bit PCM – Orfeo Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.05 -6.60 to -0.19 | -22.61 -28.76 to -18.68 | -18.31 -25.70 to -14.80 | 13 12 to 15 | |
| 1 | I. Ich bin friedlos (Live) | -0.20 | -19.64 | -15.8 | 12 |
| 2 | II. Mutter, der junge Prinz (Live) | -0.20 | -20.14 | -16.1 | 12 |
| 3 | III. Du bist die Abendwolke (Live) | -0.20 | -22.93 | -19.2 | 13 |
| 4 | IV. Sprich zu mir, Geliebter (Live) | -6.60 | -28.76 | -25.7 | 13 |
| 5 | V. Befrei' mich von den Banden (Live) | -0.20 | -18.68 | -15.1 | 12 |
| 6 | VI. Vollende denn das letzte Lied (Live) | -0.19 | -21.65 | -14.8 | 12 |
| 7 | VII. Friede, mein Herz (Live) | -0.20 | -23.09 | -18.8 | 14 |
| 8 | Prelude to a Drama (Live) | -0.58 | -26.00 | -21.0 | 15 |