℗ 2021 Grand Piano
Released | November 12, 2021 |
Duration | 59m 17s |
Record Label | Grand Piano |
Catalogue No. | GP880 |
Genre | Classical (Chamber) |
Fiorini: In the Midst of Things – Piano & Chamber Music
Dimitri Ashkenazy, Rebecca Raimondi, Charlene Farrugia, Stefan Jess-Kropfitsch
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Trio Lamina for Clarinet, Violin & Piano
Karl Fiorini; Dimitri Ashkenazy; Rebecca Raimondi; Charlene Farrugia |
10:04 | |||
1.2
|
Les âmes effleurées
Karl Fiorini; Charlene Farrugia |
5:17 | |||
1.3
|
Reflets flous
Karl Fiorini; Charlene Farrugia |
4:32 | |||
1.4
|
Piano Trio
Karl Fiorini; Rebecca Raimondi; Stefan Jess-Kropfitsch; Charlene Farrugia |
12:18 | |||
1.5
|
Piano Sonata No. 1
Karl Fiorini; Charlene Farrugia |
10:45 | |||
In the Midst of Things
|
|||||
1.6
|
I. Grave - Vivo
Karl Fiorini; Dimitri Ashkenazy; Rebecca Raimondi; Stefan Jess-Kropfitsch; Charlene Farrugia |
6:03 | |||
1.7
|
II. Dotted Half Note = 52 - Meno mosso
Karl Fiorini; Dimitri Ashkenazy; Rebecca Raimondi; Stefan Jess-Kropfitsch; Charlene Farrugia |
3:41 | |||
1.8
|
III. Patetico, ma non troppo - Poco più mosso - Molto più lento
Karl Fiorini; Dimitri Ashkenazy; Rebecca Raimondi; Stefan Jess-Kropfitsch; Charlene Farrugia |
3:31 | |||
1.9
|
IV. Presto - Poco più mosso
Karl Fiorini; Dimitri Ashkenazy; Rebecca Raimondi; Stefan Jess-Kropfitsch; Charlene Farrugia |
3:06 | |||
Digital Booklet
|
Maltese composer Karl Fiorini is a European without frontiers – the compositions in this album reflect his early detachment from a Mediterranean identity towards a more varied and intense sound world. Trio Lamina features elements of Bartók’s ‘night music’ in its complex sub-sections, whereas Fiorini’s two piano studies, which predate his move to Paris, already exude a Gallic ambience. Influenced by North African folk music, the Piano Trio expands his global reach, and the Piano Sonata, a gritty virtuoso concert piece, shifts geographical influence towards Eastern Europe to powerful effect. All of these world première recordings were recorded in the presence of the composer.
96 kHz / 24-bit PCM – Grand Piano Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.65 -13.81 to -1.00 | -29.59 -36.79 to -25.52 | -24.81 -31.70 to -21.10 | 15 14 to 18 | |
1 | Trio Lamina for Clarinet, Violin & Piano | -4.24 | -29.88 | -24.9 | 18 |
2 | Les âmes effleurées | -7.70 | -32.58 | -27.6 | 15 |
3 | Reflets flous | -13.81 | -36.79 | -31.7 | 14 |
4 | Piano Trio | -1.32 | -27.09 | -21.6 | 16 |
5 | Piano Sonata No. 1 | -1.00 | -25.52 | -21.1 | 14 |
6 | I. Grave - Vivo | -5.44 | -28.46 | -23.8 | 14 |
7 | II. Dotted Half Note = 52 - Meno mosso | -4.94 | -28.76 | -23.8 | 14 |
8 | III. Patetico, ma non troppo - Poco più mosso - Molto più lento | -8.79 | -30.38 | -26.3 | 14 |
9 | IV. Presto - Poco più mosso | -3.64 | -26.85 | -22.5 | 15 |