℗ 2012 BIS Records
| Released | July 3, 2012 |
| Duration | 1h 13m 17s |
| Record Label | BIS |
| Catalogue No. | BIS-SACD-1971 |
| Genre | Classical (Chamber Music) |
Bach: Secular Cantatas, Vol. 2
Bach Collegium Japan, Masaaki Suzuki
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
Sinfonia in F Major, BWV 1046a
|
|||||
|
1.1
|
I. —
Johann Sebastian Bach; Bach Collegium Japan; Masaaki Suzuki |
4:00 | |||
|
Was mir behagt, ist nur die muntre Jagd!, BWV 208, "Hunt Cantata"
|
|||||
|
1.2
|
Recitative: Was mir behagt, ist nur die muntre Jagd! (Soprano 1)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
0:42 | |||
|
1.3
|
Aria: Jagen ist die Lust der Gotter (Soprano 1)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:13 | |||
|
1.4
|
Recitative: Wie? Schonste Gottin! Wie? (Tenor)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
1:09 | |||
|
1.5
|
Aria: Willst du dich nicht mehr ergotzen (Tenor)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
5:47 | |||
|
1.6
|
Recitative: Ich liebe dich zwar noch! (Soprano 1, Tenor)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:11 | |||
|
1.7
|
Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
0:39 | |||
|
1.8
|
Aria: Ein Furst ist seines Landes Pan! (Bass)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:56 | |||
|
1.9
|
Recitative: Soll denn der Pales Opfer hier das letzte sein? (Soprano 2)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
0:38 | |||
|
1.10
|
Aria: Schafe konnen sicher weiden (Soprano 2)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
4:27 | |||
|
1.11
|
Recitative: So stimmt mit ein (Soprano 1)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
0:11 | |||
|
1.12
|
Lebe, Sonne dieser Erden (Chorus)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:39 | |||
|
1.13
|
Duet: Entzucket uns beide (Soprano 1, Tenor)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
1:57 | |||
|
1.14
|
Aria: Weil die wollenreichen Herden (Soprano 2)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:22 | |||
|
1.15
|
Aria: Ihr Felder und Auen, lasst grunend euch schauen (Bass)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:44 | |||
|
1.16
|
Ihr lieblichste Blicke! Ihr freudige Stunden! (Chorus)
Johann Sebastian Bach; Sophie Junker; Joanne Lunn; Makoto Sakurada; Roderick Williams; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
3:56 | |||
|
Die Zeit, die Tag und Jahre macht, BWV 134a
|
|||||
|
1.17
|
Recitative: Die Zeit, die Tag und Jahre macht (Alto, Tenor)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
0:34 | |||
|
1.18
|
Aria: Auf, Sterbliche, lasset ein Jauchzen ertonen (Tenor)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
5:54 | |||
|
1.19
|
Recitative: So bald, als dir die Sternen hold (Alto, Tenor)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:24 | |||
|
1.20
|
Aria: Es streiten, es siegen die kunftigen Zeiten (Alto, Tenor)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
8:16 | |||
|
1.21
|
Recitative: Bedenke nur, beglucktes Land (Alto, Tenor)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
2:57 | |||
|
1.22
|
Aria: Der Zeiten Herr hat viel vergnugte Stunden (Alto)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
5:26 | |||
|
1.23
|
Recitative: Hilf, Hochster, hilf, dass mich die Menschen preisen (Alto, Tenor)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
1:53 | |||
|
1.24
|
Ergetzet auf Erden, erfreuet von oben (Chorus)
Johann Sebastian Bach; Damien Guillon; Makoto Sakurada; Bach Collegium Japan Chorus; Bach Collegium Japan; Masaaki Suzuki |
7:22 | |||
|
Digital Booklet
|
|||||
"A pleasing sequel to the first volume of Bach’s secular cantatas, with extremely able soloists and instrumentalists who are capable of great delicacy of phrasing and who are a joy to listen to."
- MusicWeb International
"Four Stars ... Sophie Junker is a personable Diana to tenor Makoto Sakurada's youthfully lyrical Endymion. Best of all is baritone Roderick Williams's Pan who renders the outrageous toadying distinctly palatable. Suzuki shapes everything with his trademark light touch, if he's sometimes inclined to under-characterize the drama."
- BBC Music Magazine
"... brilliantly caught, from the casting of the four characters to the exceptional continuo work, led by Suzuki himself. Makoto Sakurada (as Endymion) conveys the ensnaring potential of love with friendly caution, while Pan (the ever-communicative Roderick Williams) delivers the first feel-good excursion in celebrating our Prince as Pan of his country."
- Gramophone
Bach Collegium Japan and Masaaki Suzuki present their highly-acclaimed second volume of secular cantatas by J.S. Bach, released in 2012. The album spotlights the talents of sopranos Sophie Junker and Joanne Lunn, tenor Makoto Sakurada and baritone Roderick Williams.
44.1 kHz / 24-bit PCM – BIS Studio Masters
Recording producer: Andreas Ruge Sound engineer: Matthias Spitzbarth
Recording producer: Andreas Ruge Sound engineer: Matthias Spitzbarth
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.70 -11.57 to -0.01 | -29.93 -35.78 to -23.52 | -26.16 -30.60 to -20.20 | 14 3 to 18 | |
| 1 | I. — | -5.04 | -24.62 | -21.7 | 12 |
| 2 | Recitative: Was mir behagt, ist nur die muntre Jagd! (Soprano 1) | -6.56 | -28.47 | -24.1 | 13 |
| 3 | Aria: Jagen ist die Lust der Gotter (Soprano 1) | -3.72 | -26.78 | -23.6 | 15 |
| 4 | Recitative: Wie? Schonste Gottin! Wie? (Tenor) | -9.89 | -34.69 | -29.8 | 13 |
| 5 | Aria: Willst du dich nicht mehr ergotzen (Tenor) | -9.20 | -35.78 | -30.6 | 18 |
| 6 | Recitative: Ich liebe dich zwar noch! (Soprano 1, Tenor) | -5.76 | -30.22 | -26.1 | 15 |
| 7 | Recitative: Ich, der ich sonst ein Gott in diesen Feldern bin (Bass) | -9.53 | -33.92 | -29.9 | 15 |
| 8 | Aria: Ein Furst ist seines Landes Pan! (Bass) | -7.93 | -29.06 | -25.7 | 15 |
| 9 | Recitative: Soll denn der Pales Opfer hier das letzte sein? (Soprano 2) | -8.22 | -31.11 | -26.7 | 15 |
| 10 | Aria: Schafe konnen sicher weiden (Soprano 2) | -1.04 | -26.67 | -22.7 | 13 |
| 11 | Recitative: So stimmt mit ein (Soprano 1) | -9.32 | -30.68 | -26.4 | 3 |
| 12 | Lebe, Sonne dieser Erden (Chorus) | -0.44 | -23.52 | -20.3 | 13 |
| 13 | Duet: Entzucket uns beide (Soprano 1, Tenor) | -8.97 | -31.48 | -27.9 | 15 |
| 14 | Aria: Weil die wollenreichen Herden (Soprano 2) | -3.20 | -29.36 | -25.9 | 14 |
| 15 | Aria: Ihr Felder und Auen, lasst grunend euch schauen (Bass) | -8.23 | -31.07 | -27.4 | 16 |
| 16 | Ihr lieblichste Blicke! Ihr freudige Stunden! (Chorus) | -2.52 | -23.73 | -20.2 | 13 |
| 17 | Recitative: Die Zeit, die Tag und Jahre macht (Alto, Tenor) | -11.57 | -32.08 | -28.2 | 12 |
| 18 | Aria: Auf, Sterbliche, lasset ein Jauchzen ertonen (Tenor) | -5.69 | -28.22 | -24.7 | 16 |
| 19 | Recitative: So bald, als dir die Sternen hold (Alto, Tenor) | -9.32 | -33.22 | -29.4 | 15 |
| 20 | Aria: Es streiten, es siegen die kunftigen Zeiten (Alto, Tenor) | -8.17 | -29.22 | -26.1 | 14 |
| 21 | Recitative: Bedenke nur, beglucktes Land (Alto, Tenor) | -9.27 | -32.85 | -29.4 | 16 |
| 22 | Aria: Der Zeiten Herr hat viel vergnugte Stunden (Alto) | -7.96 | -31.52 | -28.6 | 17 |
| 23 | Recitative: Hilf, Hochster, hilf, dass mich die Menschen preisen (Alto, Tenor) | -9.29 | -34.50 | -30.4 | 14 |
| 24 | Ergetzet auf Erden, erfreuet von oben (Chorus) | -0.01 | -25.64 | -22.1 | 16 |